Time’s madness had its origins in a wrong story, the flaw magnified by the velocity of its spin. We were about to lose him. He was losing himself. His voice broke and its fragments arguing inside him were a constant racket.
Still, it seemed possible that their dissonance might resolve into music, the birth song of a new Adam, wizened by the bitterness of the strange fruit of experience, to taste with less abandon and more care, his assurance of righteousness tempered by the memory of storms that still quaked in his muscles. Any pointing he did now was a movement akin to wing-flutter or ecstatic dance, hand in flight like the feathered messenger of history blown forward by the heat of the accumulated blasts as it looks back with sobering understanding of the danger of the spark that so delighted when it came.
We liked him better this way, the wilding rhythm of him in pulses we could recognize.
“He can play better now,” Space assured us.
“How?” We had reason to doubt.
“Look,” she said, pointing downhill. “No history that justifies those rivers of blood can hold. If that was his organizing principle, he’s better off making less sense.”
It was true. When we laughed, he would not take offense, but would laugh back, singing our new names. He didn’t even think to tame the voices quarreling within him, and because of this they grew fond of his presence, and would sing soft songs to him when he tired of his own chaos.
And then she breathed into us, her eldest daughters, and bathed us in the waters that knew our origins and our future wombs, and it was then that we heard we, becoming.
