Notes for the Yangtze River Dolphin

on loss and the ache for reunion

It is the time of year for going through piles of papers, old things, deciding what to keep. A form of god-play, one might say, over the kingdom of objects. A way to regain some control. They say you have to let the clutter go to welcome new life in.

My kind does a lot of staring at the moon this time of year. At small fires. The small fires on screens, too—photos and other things. Some called news.

I don’t remember you being a headline during my childhood. But your species had been collapsing my entire life, and by the time I reached adulthood, the last of you—named Cheech, by his keepers—died after twenty-two years in captivity. There were assorted, unverified sightings after that. Then not. Then your kind was declared functionally extinct.

Yours was the last of your line to survive from ancient times. The first dolphin species erased by human activity.

The loss was met with inaudible sighs and a quiet dread. Mostly unsaid: there was so much more to lose, at this rate. The heart began to encase itself in concrete, give itself over to gravity. Many sank. Others practiced a form of magical thinking in desperate resistance. It was, of course, a magical thinking that had brought us here—without you.

A magical thinking, too, that invokes this us as a known entity: small, penitent, childlike. When it feels more ambient than that. More like sewer steam.

Anyway, I am watching it now, noticing with some embarrassment how it persists. How I haven’t quite abandoned the stubborn hope that you are flipping around elsewhere, in safer waters.

How loud the river traffic must have been to your sensitive ears. You could hardly see; your ears did almost everything. Too much sound, and not enough of what you knew. The waters receded, sullied by runoff and waste. You couldn’t hear anyone you knew anymore.

I like to think that you felt some surprise—after retreating to colder, clearer waters to die—when you found another like you, doing the same. That you found a way, in spite of it all.

I suppose I got this idea from the whales. The way whole pods went missing awhile back, only to be discovered later to have moved. It’s still not clear where—only that they found a way to protect their most vulnerable, away.

My kind is known to anthropomorphize. To look to you and other creatures, seen and unseen, for clues. Some of us are always looking for clues. How to live here. How to stay. How to leave and yet remain. What to do when the senses are flooded with noise; when the others go; when new noise replaces them; when the waste of this other us comes rushing in and the living your kind was meant for is sullied, receding.

It’s nearing the winter solstice as I write this. Near the time for calling back the sun. It’s an expression now. I can think of no ceremonies I’ve witnessed where this was done in earnest. I can only imagine—summoning what magical thinking I have left—what it would mean to do this well.

How the faithful practitioner—an elder, likely, with all assembled—would have to believe. In the desperation of the dark, how bereft they would be if it were final.

No one seems to know what to do about our moon, which they say is leaving, too.

You would have to call with something larger. Another, vaster us. And mean it—from crown to toes. You would have to empty yourself first, to feel it pouring in: the rushing out from sky to earth, and then some other, unnamed rushing in.

You would have to hold the space between the emptying and whatever comes next. To feel the full ache of the loss. To sing in earnest, with all assembled, to summon the best of your life back into being.

You would have to believe in return. Not as abstraction, but as heat. As light. As the sun itself.

And you would have to call for it the way you call for a love that is leaving.

To kneel, the absurd husk of you. To be astonished by what it might still contain. To cry a deep, guttural note into the cold air—a sustained sound, calling:

come back.

minor astronomies

in a hum preceding form

This exhibit resists classification.
It bruises the instruments, leaving
a threshold where witness, wound,
and world converge.

The directive is clear: verify.
Yet time slips in these chambers,
and certain absences carry weight
enough to tilt the field.

Something crossed the perimeter
and refused erasure.

To write it now means
standing in the residue of that crossing,
the hum rising through the floor,
the slight pressure in the skull
marking nearness.

Some archives keep objects.
This one keeps the fracture—
whatever touched the world
and left it changed.

The record ends
at the limit of language.

give me a web

to reject another tired hero’s story

Yes, I see those stories, too, all around me. The location and abundance of which some will exclaim, “are everywhere!” 

No matter where I go, the one that interests me most is not a story, for it is made of what would not be recognized as such. It tends to feature a non-hero whose non-feats go unnoticed by being what they are–– more constant labors, and no less common than the fact of the web appearing between the branches of the fig tree overnight. 

Many of those who  proclaim most loudly that stories are everywhere! are in fact looking for the same story––as anyone armed with hammers for hands, might learn to see only nails. This much-sought-after tale is another version of the hero with his labors, slaying or banging on whatever he can’t pick up. 

Lately I have grown very tired of its droning echo, and I do not think I am alone. This one, I think, has gone far enough. Give me more spider, more web, more patience, less noise. 

Lately, I think, give me no more of these old stories, only quiet tending: of the careful meal, the clean floor, fresh sheets, attentive care. 

It is possible I live at the beginning of the end of the age of an old story. As someone still alive inside it, I lack the perspective I would need to confirm or refute this suspicion with any presumption of accuracy.  

Finding the ability to make those quiet and non-storied, daily events happen is the only narrative I can find valuable right now. This is partially because I could use some help with these things and also because I have grown very tired of that other clamor. 

I am also weary of those who make, as a habit, a racket to entertain. These are different from those who make an entertaining noise for reasons they have not intended. I am weary of those who throw plastic affirmations when it is clear that all their expression can do is reproduce the old pain. 

The makers of these pseudo-joys, in an effort to to capitalize on the coin of the realm, regularly add to daily misery by their steadfast commitment to cellophane-wrapped optimisms. 

Meanwhile, so many dead. And also, so many able but unwilling bodies, who have made their non-decisions with brilliant sheens of glamour, who feel justified in their non-decisions to leave unwashed those dirty sheets, who unprepare the careful meal whether or not they will eat it, or to remember what hour of what day it is, now.

horse & rider

a tribute to the moment, and this place

Yes child, maybe one day,
in another world, the horse arrives,
its rider gallant and able. But now
is not that world

and this is not that time. Now he
spins, having lost both horse and will
to ride–– and besides, has never learned.

You are alone–– yet, look around.
Find the company of everyone before
you who has ever learned the same.

There is no more now
to do than there was before, only
less illusion. Carry on. Chin up.

Giddy-up. You are the horse
and the rider. Go on.

how to cross a river

riddles in time, space, and scale management

If you have a fox, a goose, and a bag of beans, what is the best way to cross a river?

In a year of desert driving, I played this question on loop. I wanted a mind for numbers, but seemed to retain only the set-up sequences of word problems.

With a tendency to wondering and feeling too much at once, and with enough sky to lose myself in, I thought mathematical thinking might ground me.

One recurring problem was this: by a fire, under stars, I would go dizzy looking for the farthest ones until my vision blurred.

By then, I did not remember most equations, only the premises for which they were needed. If two trains x miles apart are traveling in opposite directions at different speeds, how much time until they meet? If Jack has eleven pieces of fruit and five are bananas, how many apples for Jill?

The antidote to dizziness, I was trying to learn, had something to do with overriding my first response, which was to be knocked off my feet by the size of it. The sky, that is. And, when it came to math, it was that fact that someone thought like this, imagined a way to sort a world such that these considerations, one parcel at a time, were all. The brilliance.

If a pie and so many guests, cut pieces. Not everyone will want the pie. To calculate circumference, use the number pi. An irrational number to spin the head, but if you knew how to use it, it could help you figure some finite amount of pie, stones, or tire tread.

In the passenger’s seat, I looked through glass and could not take it in. The riddle at least was a smooth and solid thing I could turn in my pocket like a river stone. The river was part of the set up. Mr. Stone was my teacher.

If you have to get across a river by boat. . . the set up went. How do you do it so the fox does not eat the goose, and the goose does not eat the beans? 

What relief. To hold one thing at a time, solidly. I wanted a valve for my mind, some pacing for the flow. One challenge. Then another. A way to stop and then go. At that point, the flooding was out of control. My perception far exceeded my abilities to make any sense.  

The answer to the riddle was: start with the goose. Mr. Stone told us why. But I was back in the river by then. Where to now, goose?

Who do you think you are? This was a challenge that frightened me some, because it tended to come at critical moments with a tone of authority, as if the person voicing it knew exactly what time Train A would cross Train B, how many apples on each, and whether or not the geese should be eating the beans.  If I could focus on one thing at a time, perhaps I would start to see it coming? And have a few answers ready, just in case?

I thought string beans would create less disturbance in the goose. But my mind tended toward the pintos I would buy in five-pound bags from Wal-Mart, which I would scatter in batches over a plate every time I prepared to soak them, checking for rocks. To find one was good. Here was a solid thing I could remove.

Who do you think you are? When these demands came, I would experience the full force of new awareness of the errors of my ways, in dizzying magnification. I meant to apply this force to finding some solution, but I had none.  Which river? Which goose, fox, season? Is anyone else on the boat with me? Am I allowed to touch the goose? Are there eggs to come?

The image of trains hurtling in opposite directions calls to mind rail spine, the nervous condition that did not appear until the advent of railroad travel, caused by the feeling of hurtling through space at speeds disconcerting to a body familiar with horse and foot travel. Not to mention the related and perhaps equally anxiety-producing imposition of standard time.

I had once seen a fox while running on a horse trail in lower New York. Much of the trail ran adjacent to the Hutchinson River Parkway, but certain parts meandered into woods and along lakes such that the roar of cars was more muted, the way crashing surf may be if you are several blocks away.

Perhaps if I had gone beyond 12th grade calculus, I would have developed a more familiar and integrated symbolic language with which to explore the interference effect of a series of infinite variables on a given problem and been more erudite in my explanations about baseline insecurities. But I hadn’t at the time and was still young enough to believe that eventually I might, If I focused harder, see with greater clarity. 

The river, between then and now, has continued to flood me. But the goose is still on it, and the fox, and the bag of beans. They rest at the banks, where the goose and the fox appear to wear bemused expressions, waving. I don’t know why it is this way, or where the boat has gone, but here I am, waving back.

***

This riddle, which I encountered decades ago, is one of those earworms that shows up again and again. I love the setup, the characters, the play, and the mystery. If, in a given year, I scratch 1,000 pages across several notebooks, an estimated 9.5 of them will feature this goose. Who knows why?  Rarely do I publish these, but sometimes it happens. Prior to today, I think the most recent iteration of these creatures in a published work happened in The Closed Eye Open, Issue 10,  Fall 2023, under the title Mathematical Goose.

before here

what beyond there

And then in the hush, a shift
stops the pen, suddenly exhausted
by the weight of what preceded it.
There are not enough words
to make a wall between now
and what is lost. No sense
running for another stone
to prop up against the last
already threatening to give.
The only steps that matter now
are into a nonspace with no
road to lead you anywhere
and yet the only here
there is when you leave
that other one.

tend

Time in Space

We need to talk
about time
& to talk with Time
eventually
instead of scheming
how to use it
to make the most
to have a good one
to have the best
to name its price
as with any commodity
any resource
as opposed to Source

to spend instead
recklessly &
listening for language
& other creatures
is to be folded inside
embraced by layered
fabrics of Time & their
attendant creatures
in
immersive intimacies
of waters, skies
where each breath
comes to carry the
next, yet uncaught.

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