echo map

report from a peripheral field

even in plaster
these fragments pulse
into cracked surface

where something answers
dendrite of a distant star
light
on metal shard
to flicker

paired
neurons
deciding whether to fire
or fall

apart it remembers
two hands:
one small
one trembling

a torn scrap of paper lists
three fears, stalls before
the fourth, its wall
an open synapse

during solar storms,
a choral hum
rises

two heartbeats caught
between collision,
orbit

before an empty case
where vision loosens
arriving in periphery

into the nearest
next
away

a practice of nearness

choreographies of skin and gravity

Love this like weather
that unmasks a gentle sky.

Do not name this trembling.
or hush what aches to bends her spine.

A need for collapse
can be a call to kneeling
in disguise.

What sways this cathedral of air
ringing bells at impossible altitude,
clouding windows with myths
of ascent, her scent lingers, low––

an invitation: after such dizzy heights,
what longing there is to kiss the earth,
to press mouth against cooled ash,
admit devotion.

What impossibility, to confess
this softness —this animal
obedience to soil, its churn.
How bones remember the
murmurs of earth.

Here, too, see how body mistakes
obliteration for grace, a silence
that bows but never
calls it prayer.

how a body learns

to walk around it

The break never begins with noise,
but beneath buckled paint
behind the calendar we stuck
in hopes of growing unto faith
on walls, for blessed are the
fools, drunk on anticipation
of belief.

When it went, we learned to walk
around it, tremors disguised
as ordinary time, Baldwin’s history
sitting in the room until someone
notices the uninvited guest.

No siren sounds, no one is named.
Gravities are rearranged this way.
Pisa’s tower looked just fine
at ribbon-cutting time.

How easy it is, to mistake the wreck
for aftermath, never beginning.
Survivors find the hairline crack
and make a home in the months
before the flood runs.

Blessed the believers who
never
chart the damage, who lean in to
what’s left standing, call it home.

like water, eventually

notes nearing an edge

the pressure to bear the witness asleep
at the wheel all of us far
from the valley
who becomes the river

start somewhere I meant to
listen I meant to
hear you as you left
the land I meant to record
at least your sands running out

take this—we say of the body—
the opening notes of each of us in turn
going fast act fast you have to give it
all away

bones of the suns

view from the updraft, suspended

The bones had to set when we broke them—
we set them in ash after each burn,

beside skeletons of former homes, still smoking.
We needed new cells to grow. Hold still, they said,

teaching how to manage the waiting period.
They meant faith—but without the work

it looked half-dead in our mirrors. We listened
for wolves. We saved their prints in boxes

for someday—for sorting, for display. But what
do you name the waters rising high enough to jump

to the next roof, hoping that one holds? Other questions
scratched outside us. Siri, what do you know of shelter?

It was something to do; knowing you had no service
didn’t stop the need to speak. We reached ready

for the next ledge, and she might have said, You can wait
until dark.
Siri, we might have answered—I believe,

to heal our unbeliefs. The ghosts before us pointed next
and up ahead. We had begged to see it. But one wing,

caught in the updraft, suspended—still looking back—
It was the wreck we marched from. It looked away.

We looked away. It was possible, then, to keep wishing—
merrily down a lane to the land of the dead.

Tracing its thread against honey-slick tongues, we offered
first milk. Some kept their breasts bound for harvest moon.

And when it came, there would be blood, and money—
enough to say: we’ll be okay another year

until time
comes to pull it back again— the sun

of our once
and future sons.

the weight of the line

gone fishing to find it

to explain this absence,
let’s say i’ve been fishing
because what other phrase
will fit? that i have been feeling
the line to test the weight
of the line and what it will carry
when the noise wears my ears
stopped full of it now,
when eye breaks
from will to look
where do senses go?

and sense

when the organs will no
longer play to the unwilling
mind?

To Earth. . .

on your beginnings

This week’s vibe is one of disequilibrium. The return to school is, to put it mildly, a bit chaotic this year. I have spent the last few days feeling severed from the best parts of my mind. To be clear, there is nothing unusual or traumatic occurring in my life at this moment other than confrontation with the noise of the hour at hand in its current institutional form (as sites absorbing what feels increasingly like the engineered chaos it is, designed to destroy the concept of a public good).

So, for now I will share something that I just noticed was published in Stone Poetry Quarterly, as I try to recover. Titled “To Earth, on Your Beginnings,” this piece, like many from recent years, emerged from ideas that I first explored here. Thank you for being with me in this space. I look forward to returning, soon. I am glad to find this one today. Reading it helps me to remember what I mean to return to. With love.

devotion

study in shade

hear these minor tones, dissonant echoes, nocturnal murmurs
whisper of hellhound behind, tremble sound haunting hollow
taste of revenant ash in throat, beneath each note this velvet
dissonance—

here where sea pushes into land: roaring liquid love, thunder
crashing at the lip of the last wave—and the next.

where Pollock pours black enamel over raw canvas, painting
like a man already buried. Here is love freed from time.

here are the rites of the bull cults, the fetid silence
of hardened blood, evicted angel beating one wing
over trembled flame—

no longer showing but shown through.
no longer singing, but sung into—

by jagged notes, passing through
the charmed demon winding sand
ripping the sails that carried you
and when the sails are gone––

all sea
all sound.

tremble text

field note over sacred break

here is a book before ink
one wind-creased page in rust of buckwheat
its grammar not plosive but drift
dropped by the trickster bird at night
an arrival in absence
heralded by rasp of the gnatcatcher
foretold in the bladderpod burst
all are gathered. some will listen
to the tremble of lyric for a fault line
over sacred break, a next wave of warnings
ignored

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