notes from proclamation season

“One must not be too romantic about stability.” – Simone Weil

I sought stability, to make it out of love.
Which I did, and continue to do.
While the ones who never knew

its substance, or how to make
any of it for themselves, come
barging in on missions and leave
a mess. I clean again, then rest,
and breathe relief.

One of these warriors, gone off
again now, would make better
company if he were ever here
or anywhere close to here
or now.

Who still keeps proclaiming how
he means to make it his next mission
to care for me. If there’s one thing
I don’t need to be, it’s another man’s
mission toward eternity.

He’ll return to see he’s made
another mess of another failure
of grand proclamation.

This is why I prefer the cat’s company,
her present immediacy, attention.
Who teaches me in her steady gaze
that I am not yet half as grounded
as I mean to be, as I keep being
pulled away.

at the tree stump

in a loud forest at a new cut

Kneel, then, upon these roots, listening before the offered body, to the language of this ancient tree, cut now, far from canopy and now a waiting map of exposed flesh, etched with the record of seasons. The wound may sprout a new tree from inside the cracks of her severed body if the roots are intact, if disease does not kill what would.

give me a web

to reject another tired hero’s story

Yes, I see those stories, too, all around me. The location and abundance of which some will exclaim, “are everywhere!” 

No matter where I go, the one that interests me most is not a story, for it is made of what would not be recognized as such. It tends to feature a non-hero whose non-feats go unnoticed by being what they are–– more constant labors, and no less common than the fact of the web appearing between the branches of the fig tree overnight. 

Many of those who  proclaim most loudly that stories are everywhere! are in fact looking for the same story––as anyone armed with hammers for hands, might learn to see only nails. This much-sought-after tale is another version of the hero with his labors, slaying or banging on whatever he can’t pick up. 

Lately I have grown very tired of its droning echo, and I do not think I am alone. This one, I think, has gone far enough. Give me more spider, more web, more patience, less noise. 

Lately, I think, give me no more of these old stories, only quiet tending: of the careful meal, the clean floor, fresh sheets, attentive care. 

It is possible I live at the beginning of the end of the age of an old story. As someone still alive inside it, I lack the perspective I would need to confirm or refute this suspicion with any presumption of accuracy.  

Finding the ability to make those quiet and non-storied, daily events happen is the only narrative I can find valuable right now. This is partially because I could use some help with these things and also because I have grown very tired of that other clamor. 

I am also weary of those who make, as a habit, a racket to entertain. These are different from those who make an entertaining noise for reasons they have not intended. I am weary of those who throw plastic affirmations when it is clear that all their expression can do is reproduce the old pain. 

The makers of these pseudo-joys, in an effort to to capitalize on the coin of the realm, regularly add to daily misery by their steadfast commitment to cellophane-wrapped optimisms. 

Meanwhile, so many dead. And also, so many able but unwilling bodies, who have made their non-decisions with brilliant sheens of glamour, who feel justified in their non-decisions to leave unwashed those dirty sheets, who unprepare the careful meal whether or not they will eat it, or to remember what hour of what day it is, now.

tour of the interior

wear galoshes

Enter anywhere you like. Doors line trick walls, retracting roofs, fallaway floors. Aerial pads, underground tunnels—each in some state of readiness for guests.

The place is under perpetual construction, crowded and damp. Leaks drip from every seam, so bring galoshes, not dress shoes. No formal affairs here. And though it’s wet, you’ll still need extra water for the heat.

Why come at all? Many arrive tired, unsure they can continue out there. Stay as long as you like. Art and music are scattered everywhere: prayer cards, crayon drawings, kitsch beside relics.

Characters roam—escaped saints with haunted eyes and wild humor if you get them talking. Leave them alone, and they seem freshly returned from some dark night of the soul.

You’ll find huddled masses here, but also divas—ancient figures with jeweled hair and hand-stitched clothes—who survey the chaos and sigh. Couldn’t we sweep, add lights, host a proper feast now and then?

The real joy comes from otters, birds, and babies: downy hatchlings, tiny hands slapping water, the gleam of a pup riding its mother’s belly. Cats, too, offer wry humor and disdain for our grievances.

One wing belongs to Klee’s angels. Walter Benjamin mutters through his notes while others drift in and out—some long dead, some not yet born. Lists of names dissolve as fast as they’re written.

In a far corner, unnoticed creatures nap: a dingy unicorn, withered lion, small dragon, chimera. A harpy perches nearby, cracking bawdy jokes around an unlit cigar.

The gift shop is closed. The food court changes with mood and season. No ID, no admission fees, no security.

Resentments fester like gangrene, fur and hair matted in corners. I mean to clean, but it’s tiring—feeding all these guests who never leave.

horse & rider

a tribute to the moment, and this place

Yes child, maybe one day,
in another world, the horse arrives,
its rider gallant and able. But now
is not that world

and this is not that time. Now he
spins, having lost both horse and will
to ride–– and besides, has never learned.

You are alone–– yet, look around.
Find the company of everyone before
you who has ever learned the same.

There is no more now
to do than there was before, only
less illusion. Carry on. Chin up.

Giddy-up. You are the horse
and the rider. Go on.

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