Beyond seven rivers
o what there was
in the oldest of ages
upon a time
not now.
Tell us again
of that gratuitous evil,
its stank breath.
Its obvious malignance.
Give us that clarity,
take us back.
To match the story.
Beyond seven rivers
o what there was
in the oldest of ages
upon a time
not now.
Tell us again
of that gratuitous evil,
its stank breath.
Its obvious malignance.
Give us that clarity,
take us back.
Proceedings, with caution.
If tortoise asks eagle for flying lessons and man for the word––and once given, wants fire. If the seed begs for better ground, let it hear the bird warning smoke. If the wolf takes the sickbed in costume to hide its want, if the girl takes the stranger for familiar. If the bull. If the labyrinth. If the thread. Run.
Possibilities for movement.
Something that is was just here. It has significance but will not fit any storyline. There was a grotesque beauty reveling. And then, and then. Every soul has its way of coming to terms with its containment in space, contending with death. It crowds the psyche, back against a wall. It has no end, and isn’t going anyplace. It’s always going on. And then, and still. Unlike the notion of story––something that, as they say, happened. The order of movements is crucial.
From the belly of the myth.
When we were there
between the angels
in the dragon’s gaze
the story of our lives
and our moment swelled
in the same sky as ever
except that we knew it
the flesh
of our breath.
The stories we keep.
Which history? The people, or the book? Language or lens? A soul reveals itself by the memory it keeps. It is less like the cementing of bricks than the stitching of squares. The quilters’ collective eye has its aesthetic aim, an effort of seasonal return. It is a functional art. But to forget either one of these––function or art–––is to make it something else.
Descendants of an aftermath.
When the smoke cleared, we left what was left of the temples and abandoned our sacrificial cups. No longer painting the chapel walls, we made canvases of our skins, our creed now take this body, and we gave it up. Nothing could save us, and we carried this truth as a torch foisted before our faces, marching into the long night. We were something else now, wild, painted creatures of flesh and word, with no more monuments to shield us from the elements that mocked our feeble forms. An awareness grew, of an element breathing among us as we moved, but we would no sooner mark this with a sign than claim the wind.
Chasing Time.
Hurried notes claimed our footsteps, dancing us to the next moment.
Quick, the chorus called, Time is running. We, ever after it, had never known stillness. Do you mean, we wanted to ask, that once we stayed, and Time with us? What would that be like, we wondered, to climb the craggy rungs of his beard, tethered between once and will? Instead, we spilled into Space––into spaces, flooding.
Something was off, or all of it. If stillness came again, we meant to ask. We thought we knew the flood story: an ark, the saving rainbow, dove of peace, but in an age on the run the known ones would not hold. How could we be the flood, the water itself, the coming storm? What did this mean for the rainbow, the dove, no longer of us?
Who floats, then, into the next dawn––or what?
At the harbor.
Over loose chords at sunrise, we watch him still watching the sea. We whisper Go and morning comes, full and fast with its heat. When morning comes, full and fast with its heat, he stays and seals bark over car horns. Planes tear the sky with him still below it.
Horns in his head, below the tearing sky, he always wanted. Understand? To dream himself a god to fall from the wounded sky like a childhood mango––
to fall again
he wanted
from the sky––
But there is no going back how you came in from a drop like that so he will not go back the way he came. But what womb will accept a return? None, but there is room in the belly of the whale.
Here in the belly of the whale shudder boardwalk carts at noon while we whisper, Go as his shadow curls and planes again. His voice still mute, we goad the creatures to pull him back. Birdsong swells toward night––and some relief.
Relieved of his clenched fist, his own song swells near memory while not far away a table is set. But with the beard at his throat, he will not call. With the years in his throat, he will not come. Plane arrows fell daylight as the evening sirens shriek. With evening sirens shrieking enough arrows to end his days, by night we whisper, Go, and we watch him still watching the sea.
Go, pilgrim.
We try again. Then, Come, we call, from the sea. Who will wash you now?
***
Considering Time as a bearded man on a bench by the harbor, I imagined him being watched by his daughters, the Fates, at a distance. Known as the Moirai in Greek mythology, these sisters personify destiny.
Our tumbled shards.
sounds called what we would not say
until the shadows in our ears besieged
our remainders we screamed
for their release but they stayed
laughing into our wet faces
we could not see them
or our faces where we stayed
the stank breath of death rot
creeping through our breaths
stopping the songs
we meant to sing
of how we flew
after scratching our snakeskins
we were removed and outside
we could not hear the songs
in the street as the dragon still
spread the photos called
our monsters out
to hush them back
Time ran off
we had the babies’
toothless mouths looking back
lining their faces in half-moons
on our beds and with them looking back
we kited from the cells anchored
by the buds of lost mothers in our teeth
to one day fit ourselves back
into homes we had once carried
on our backs before we left
the sea
before the after
we left it
back there for the
sea
In mythic memory.
In the days when we knew forms were only provisional, you called Leap! at the sight of the next star. Our metamorphic world buzzed with a panorama of possible and the hours were a cyclic series of somersaults.
We read by the myth from inside its closed shell, unlike the heavy-headed beachcombers trying to recover something lost. From inside, we dissolved selves well enough to forget our tired, temporary names and donned instead originals of dark dimension. In these we splashed back to the undergrounds where the Mothers knew us, to restore the old tales to their first beginnings. We chased the slivering prints of angels’ bare feet to catch them only long enough that they would whisper again the small verse assigned to each of us. This one is yours to bring forth, they told us, one at a time.
In dawn’s purple flame, the branching capillaries of eons swelled our skins, and Time’s wild clowning made us know ourselves at once alive and dead, ending and beginning, never and again. By this light, the world’s creatures seemed to know us, looking back as though waiting to be named.