Behind thought,
this vicious joy.
Something
abominable.
A rare bird
labeled Thou
shalt not.
Touch.
Harvest of trespassers.
Behind thought,
this vicious joy.
Something
abominable.
A rare bird
labeled Thou
shalt not.
Touch.
For our moments of silence.
We remember. Despite some apparent determination to forget. How you were the first circles surrounding our centers. Oracles, you carried messages, promises. You offered invitations. When we wondered about living, and how––and we were always wondering, you offered by example, some possibilities. Like this, you said, and this. There were so many ways. You embodied each fully, without hesitation. Only when we dared to return your gaze could we know ourselves. We were silent before the mystery of you, and you carried our secrets.
You had your holes and your nests, but we hardly knew where to rest our heads. You leant your bodies to our metaphors, our art. Some say you gave your blood, saying paint. You knew we needed symbols to live.
We painted and dreamed with your bodies, but one day, one of us got carried away by the power of the symbol in his hand and forgot what he was. He went around in darkness, chanting “I am soul! Soul!” and “Let there be light!” I don’t need to tell you what he thought he was. He thought he had arrived by his words. But we had only ever known you in our silences.
***
Inspired by John Berger’s Why Look at Animals? (1977) in About Looking. And other creatures.
For the wild uglies.
What crawls and flies far from clean in its joy is often the subject of revulsion, but some forms of rage are raw enough to keep a crawling body painted with mud, and ripe enough with love to offer flight. One held nothing back of substance and much of detail and familiar story lines, to keep each mouthful tasting fully of itself. Eat, she said, there is enough for everyone, but cautioned that some would find at first bite, something raw enough to break the heart. It broke mine, she said, but then came a challenging joy. This angered some, but creatures of the earth are often hated for not making themselves more pleasing, more beautiful, for living just as they are.
A tribute to the unseen.
I can accept appearances without keeping them up, without submitting to your notions of their perpetual preeminence. Call me what you want––and this, too. I can absorb any label because I hold none with any pride. Some create awe, sure––like living, like mother, like still here––but this is an awe for what is given and just as easily removed, that I get to witness for the time being, this fleeting now, swelling in all of its fullness, even when the bulk of any presence, any matter, any one of us at any time––is entirely unseen.
Flight vigils.
We hoped our mothers would know flight and by extension, us. Each kept our imaginations of her wide wings in the same interiors where we had recorded her laughter. We hoped to read between the lines of her open face, a wild and raucous tale of our future histories, so unlike certain predictions and extensions of the moment. Done with those, we wanted a story for the ages we had yet to become. In secret, we wanted to become the ages––and the aged, eventually. Unsure how this could happen, we watched, guarding her worry, wondering what else she did not say.
Congregation of avatars.
The winged woman sang our songs and told us our stories. When she called, we were waiting to answer, and our voices were unlike we had ever imagined they could sound. We were butterflies, manta rays, fish––circling her in this song. Everything sacred was what we could touch and witness with our own eyes, and none of us could bear to look away. We looked at her. Singing, we beheld one another in that space, in that light, in the place where she called us together, and no one wanted to leave.
***
Inspired by this article.
Notes for the weary traveler.
After the long travel, squandering it all in a distant country, there may follow an arduous journey home. Approaching return, cross-eyed with the effort of owning yourself, the threshold only looks like an abyss, but this step is no step at all. The space is no longer space. You dissolve, along with all the words you might have used to describe this–––no, not experience. Something comes to fruition, and it isn’t you.
***
Inspired by Thomas Merton’s “Pure Love” in New Seeds of Contemplation.
Language and looking.
Even the so-called visible is hard to see, like one of those creatures abundant only in captivity, for whom a return to the wild means likely death. All my best attempts at sense-making amount to a series of interruptions and asides. Some say it was different once, but I wouldn’t know.
Having no access to that other once, I run along this seawall by flickering glance and jagged line, between the dream and whatever this is. Now a blurred portrait, then a caped figure from behind, silhouette dissolving in a field, and what can follow any of these but another exception?
There is no paradise until you lose it––or the key, so now I play locksmith with these filaments of letters borrowed from lines of blue swallows against sky and skaters’ blades on frozen ponds. I am looking for a clue to help me mourn this thing before me, writhing in a net. I do not know its name.
Passenger notes at dawn.
An atmospheric river pours dreams through the night, drenching our words and pooling at our feet. One takes us in its boat, drops us, picks us up again, evades us in its thrall and escapes upon waking. We spend so much of each ride asking how it will end, and will it? And what if it won’t? Until we end up beginning again.
When the end escapes us, where are we? Climbing through spirals of remembrance, children at a playground, one and another occasionally stuck, fallen, left out, carried away. The arrangement shifts constantly, like mountain weather.
From here, we cut swaths of sky for new wings. Once lifted, we rain intentions into our shadows, raising the tides against the impact of the next one to drop from these clouds.
A prayer for the babies.
In an era where it often seems like time itself has run out of time, when the experts of the moment loudly proclaim the absurdity of a continuance far beyond now, where an ever-expanding past narrows as it passes through us and into a vanishing point in the space once reserved for a future, it seems we are long overdue for a sustained effort of radical courage and love.
What if we dared to breathe it wider, this space before us, for children so far ahead that we can’t even go around calling them ours with the same clenched fist that pulled us into this point?
May this coming evolution be one of dreaming forward, not for ourselves and the empty achievements we’ve learned to wave like flags into battle in the days of permanent war, but for the absorption of these husks of selves into a greater all, and for the delicate hearts still far from being breathed into their lives.
***
Notes while reading Toni Morrison’s stunning essay “The Future of Time: On Literature and Diminished Expectations” as it appears in her essay collection The Source of Self-Regard