Marsh Ruins

Decay as creative premise.

Nested in cordgrass, a master work sinks. 

The artist smiles over its cracking disappearance.

Rubble is one of my primary interests, she tells us.

She imagines its rearrangement.

I mean, she adds, what might come?

There are good reasons, after all,

––and especially here, to reject nostalgia. 

***

The title of this post comes from this installation by American artist Beverly Buchanan, which a recent New York Times article by Siddhartha Mitter describes as a vanishing masterpiece.

Into Next

With winged hero.

Hello, messenger. You are no good at flying but faithful in your attempts. 

Pranked again by your devices, you can’t resist the dime store crown, the glitter-wrapped wand to go with it, even as it leaves you short one palm to break the fall. What resistance you have, you spend against gravity. 

A study in wreckage, your devotion. There you go again to the height of the last wall in the next fallen fortress, to meet the updraft, that it may lift you backward into the hour at your open hand.

Hope Memo

Long view from well bottom.

Reminder: you will not be always in this gnawing gut at the center of your terror, and you will laugh again, and love someone who smiles back at you still.  Even as you look away now, afraid to push your luck when it comes to what may be saved, you are raised to take less than anyone’s idea of deserving and that face tastes like the last memory you need. To hold that gaze from this deep a vantage for finding still this little light. A want to yell, Go, and keep them in it.