the far side of address

a minor invocation

sing to me then, of temple, of light
who enters at every
sudden eruption
of sound and paint
firework and rooftop
barks, responding
through stained glass

where children beside
mothers call back
to running friends
away, away, wait,
espérate

for what stone remembers
what holds her, this

one with his arms
outstretched inside a parade
of brass, drums
his open smile
before the market
inviting strangers
to dance as family

or him crooning ballads
over sales in the street,
or these dogs unmoved
on avenida stones, sharing
space with this man sweeping

what holds still, what will
stay, lo que queda
i want to study in the shadows
of ancient buildings

to study the shadows
of ancient buildings
submit myself
to their long gaze

to arrive so small
and lacking, a scurried
creature between holes
far from this loom

where i rise before the sun
to make, to wait to offer
each one another mouth
in my mouth instead

of the word i meant, unsaid
to chase among the ruins
where no one can

find me
to ask

huaje

near the temple

beneath this given name,
another, who begins
inside agave limbs,
splayed into sky
& waiting, then

offers
under cover of night
an enormous stalk
to flower unto death

among insects made
of the yielding flesh
of cactus who yield
again, their bodies
to dye
el rojo sagrado

who gather near
the garden, to count
them, the bodies under
other names

and what about cantera
that volcanic mind
stoned beside the bodies
swelling green with water
who know what lives
they carry, not theirs
to own

who only open, close;
store, then scar; give
the body to the bat
to carry home

beside this bloom,
entombed near the
remembered forms

of ancient saints,
interred bones, this gold––

this name
this name
this
name
in gold
these gilded names

wait. even the saints
go to seed, releasing
all that can be borne in bone
to other forms, to spore
to ash, to dust,
then wind
to sky
again.

an earlier arrangement

& the persistence of matter

where i am what i carry
limestone in the architecture
of my teeth, old seas
gone hard inside me
the quake of shifting earth
the silent reach of filaments
dendrites threading through the soil
of this place
where i carry
forgotten songs to long-gone
stars
mud ripened by the bodies
i have absorbed into me
by teeth
caught in my right hand, the sick
gathered between my elbows and
my heart, the faces i have held between
these, my grandmother’s hands

the training

and its quiet cousin

We went where the children were, into the concrete buildings that announced themselves from a distance by their rectangles of fluorescent light before dawn, each classroom another illuminated cell in which a small republic would soon attempt the impossible. 

We drove there carrying lesson plans, coffee, sharpened pencils, and private theories about service. Some of us had hints about some calling. We also hoped to one day be worthy of homes and worthy of citizenship, despite the wayward, wandering nature of our pilgrimish selves. We privately fingered some phrases about the nature of this calling, as with prayer beads. We learned to do this while sidestepping certain reflections, their attendant questions. To serve whom? Serve what? Serve how?

Inside the lit boxes of concrete, copy machines predictably jammed and bells divided the hours into predictable portions. Loudspeaker voices droned on, with a scripted confidence that seemed to expose our own uncertainty. Lord, I believe, I prayed on my knees, rosary between my shrinking breasts, heal my unbelief.

There were forms for absences, interventions, accommodations, referrals, observations, evaluations, emergencies. Somewhere beneath the paperwork, a quieter practice breathed its ragged breath. It was not the sort to be documented, so tended to be found lacking when it came time to speak in its defense. We were quiet in meetings, or coughing.

Some of us imagined that if we served long enough, well enough, we might eventually become free of ourselves. It seemed noble at the time. No one warned us that the self is not only the thing that interferes with attention. It is also the place from which attention is given. Grind it finely enough and something essential becomes dust. 

It settles everywhere. The children breathe it. So do we. Outside, the century acquired stranger habits. Bats slept with white upon their noses. Birds disappeared from places that had always expected birds. The seasons arrived carrying unfamiliar weather. We learned new acronyms less quickly than new names, although they arrived almost as often. Every year another expert assured us that the future had finally been measured correctly. The children kept coming.

***

The week before I began teaching, I attended a county training wearing the best clothes I owned: a purple spaghetti-strap dress beneath a crocheted sweater arranged carefully across my shoulders, an improvised modesty. I needed a paycheck before I could afford professional costume. I can’t remember what I did for shoes. 

I arrived late after misjudging the parking and found the last empty seat beside two young men who already seemed entirely at ease in the room. They were funny, bright, and quick-witted with soft jibes and easy answers. They were the sort, I see now, upon whom institutions instinctively confer authority. 

“That’s a rough school,” one of them said when I told him my assignment. Then he explained how I ought to meet the moment. I listened carefully because I assumed he knew something I did not. 

Twenty-two years later I remember almost none of his advice. What remains is the question that kept me listening. It was too raw to say aloud. What do the children need, to live here now? The two questions (of what to do, and why) occupied the same room and rarely acknowledged one another.

Years before, when I was the age that my children are now, a teacher had handed me a box of tissues and gave me space to sit awhile. She did not explain my sorrow or try to fix it. She did not ask me to become more positive or more resilient or more realistic. She recognized that bewilderment sometimes accompanies seeing and let me sit in her office as long as I needed before marching on to my scheduled class. This was some of the most profound instruction of my life. 

***

In the decades since that first training, I know more now about curriculum, assessment, language acquisition, trauma, literature, and revision. Mostly, though, I know about the limits of certainty. Enough, perhaps, to stop mistaking it for wisdom.

Meanwhile, the children continue arriving, carrying entire worlds that no data set, policy document, or professional development session could possibly anticipate. They arrive laughing with friends. They arrive grieving grandparents, translating for their families, having crossed borders both visible and invisible before first period. They arrive eager, despite everything their forebears have constructed around them.

This, the part that steadies me on my better days, still knows nothing of expertise. She places all the eggs of her shaking faith in a single basket, calls it nothing. It is neither measurable, or scalable, or capable of surviving particularly well in committee. It’s nothing, but a stubborn belief that another consciousness can still be met with attention.

Each morning another consciousness walks through the door asking, Will someone meet me here?

The loudspeaker begins its announcements. The attendance form waits to be filled, then saved. Somewhere beneath all of this, another lesson clears its throat. The children are here. For now, that is enough to begin again.

origin song

regarding migration

If you were born where your first language
was never called words, then no one could persuade you
that silence is empty, and somewhere the swifts, the whales,
your oldest kin would still be calling.

They can tell you are far from them now,
but not enough to forget
how rivers remember when rains return, to rise
so sea bells hang briefly from branches now fish-kissed,
and the snakes you watch without naming,
the delta birds—
you wonder if they have heard your other names.

Maybe what calls
is no memory at all,
but the pull that turns whales
toward waters they have never seen,
that curves a swallow’s wing,
the hidden maps of swimming salmon,
the green
that climbs toward light.

Whatever this soft astonishment is—
star-fire held a while in bone,
let it lean
toward the wet-feathered ones,
the slitherers who kiss bark
with their bellies,
the blooming.

And if I remain
half forgetting,
half listening,
let me hear
still, small songs
in the fig tree,
hush of fur near enough
until what some dark cavity

of my inner ear
keeps calling
origin song
turns out not to be

before now,
but arriving,
asking only
whether we are still able
to follow.

first teachers

toward remembrance

This week I have made useful things: calendars, notebooks, discussion protocols, pages students will soon fill with questions I hope matter. By Friday my eyes are bloodshot, nerves down my arm burning again. Every note in my notebook begins, “Remember to make…” And yet. In the stillness of the rare breath, a returning question reminds me: remember what first taught you, love. To look. 

I have had a touch-and-go relationship with standing inside my own truth. Whatever I was as a child seemed to make for easy killing. I wanted not to die. I wanted to become better at living.

My teachers were shorelines & trees; stones & beneath them; beyond the beyonds, where whales surfaced & disappeared again. I followed the tracks of dead writers, looking for clues. 

This week, Heschel offers three things I need. He says, Always we are chasing. And then: Recollection is a holy act. He uses the phrase “Sublime grandeur…” & I cannot remember the rest.

I write each into the margin beside reminders to photocopy poems & order hanging file folders. Also, ear drops for the cat. I do not think she is drinking enough water.

Imagine the composer whose music, too long for the market, sings just long enough for strays to inhabit. Whose reviewers ask politely, must it be like this? 

Thank you, love. For running ahead, then stopping. Waiting until the rest of us catch up. I chase you, passing wooden bodies behind bars. I wait with them, my mirrored selves. Whose arms reach where our trunks may not follow. At the terminal, a woman waits half inside shadow. Maybe to board, or else forever.  To leave this furniture-piece of the self.

To return to the humiliating glory of flesh. Tomorrow the bells will ring again, and my eyes will return to their watering ache. To close & listen to morning birds. Somewhere beneath asphalt, distant roots will continue their epistolary. Further still, whales carrying songs. The stubborn composer refuses to hurry. A sculpture continues waiting in her cage. I follow behind these, in their tracks. To walk as I wait.

undocumented gravities

what bends the fabric

One physicist told me: picture a bowling ball in the fabric,
the fabric caving in—why bodies fall toward one another,

spinning. How spacetime curves. My grandmother spoke of weight
in other ways: the hush between names in an unread ledger of losses.

I finger that line, the jagged edge of scab, the raw grain Ellison heard
scraping every blues. What do I do with this mass of memory

now bending every moment into its warp? She lost her mother
to fog-lung at nine, crossed alone to a house with chandeliers,

quiet corrections. Her eyes went dark when I asked about the war.
She kissed me once, called me her lost sister’s name,

then whispered into the rosary beads drawn from pocket to lips.
A song she didn’t teach me hums in my sleep.

Here is a shape made of silence. A dark bloom:
cells within cells, watched by a thousand quiet endings

spreading? Grief is such a mass, perhaps, when left unspoken:
a metastasis of memory in a land that names the stranger alien.

I am trying to reach mine, cannot find where it begins.
It arrived before language, encoded in the spiral of blood,

older than my name. Like starlight long gone, still arriving.
I squint into the most distant layer of stars: fine dust.

Some of it shines from bodies long dead,
their last emissions only now arriving

here. Their light arrives always without their names
like a jagged, cracked-open ledge,

this brief flesh against it,
struggling to sound.

*

This poem recently appeared in Sky Island Journal, Issue 35.

without the use of now

after an unlived hour

She lived in the hour. He kept it for later.

The body learns. At first by leaning—tentative, offering its small faith in the moment, then less so.

The mouth that hungers for bread learns the shape of waiting. How to soften the edge of asking. What it means to accept how he forgot—not by cruelty, but by being nowhere at all when it mattered.

When it mattered: paper towels, toilet paper, the coffee gone. The latch he knew needed fixing, leaving someone to know they were still at risk while he knew it, did nothing. This is how absence accumulates: a field of what must be thought of by someone.

He is many things, most of them possible. In the end, he is not that someone. Not careless—that would imply contact. Something else. Drawn again into the bright perimeter of what might be.

No idea so good as the next idea. No plan like the one untried. No life like the one he has yet to begin—this one, finally, worthy of him.

Meanwhile, she begins to sort what can be carried; what must be thrown away; what cannot be asked for again. The body keeps score even when the mind refuses.

At the water, he is something else again. Watch how he rides the wave cleanly, beautiful in it, held by the same force that could take a life. He does not look back—not by choice, but because the frame does not include it.

Behind him, outside the shot, someone learns the cost of air.

Later, he will say it was a good day and mean it. Tomorrow, he announces, will come. The other day he speaks of is always the one that has the best of him.

Never this one. Never the hour that asks to be met.

Here, he is a maker of atmosphere. A summoner of possibility. He can speak a future into near belief. Who would not follow that voice. Who would not, once or twice, be pulled back into its hold.

He kept himself intact for a future unveiling. Called this becoming.

She lived among the opened things: torn roll, empty shelf, the latch that would not catch. Her body learned how not to lean.

He did not think himself absent. Where he lived, the hours gathered for his arrival. Nothing began until he did.

Her questions thinned, then fell away. In their place: the work. The hour, arriving whether held or not, asked to be lived by someone.

Years passed. From time to time, he spoke again of beginning.

She, already inside the life of daily flesh, did not answer.

where we stood, watching

on those who mistook their heights for flight

Consider this, we tried—but held still when they raged. We were about to say babies, offer skillets, call on memory. We learned to hold our words, to stand instead, ever ready with arms at our sides, palms open. We held them through their nightmares and when they raged that we knew nothing of their wars.

They did not come toward us. Their bodies knew a direction, some center pointing, but they had trained themselves away from it.

We waited for a decision that did not arrive. No more war at the threshold, or bringing it home, or calling its conquest flight. We held our tongues, tasting blood and what. We could not say. Stay, we pressed, a whisper. It was not a command, but a reminder of contact with the living. Here, we said, and offered skin. A reminder of how tender the flesh that holds us here, how barely.

Their systems grew intricate. Machineries of belief meant to lift them, and we grew tired of these heights, sensing the fall pre-written.

Milk leaked. Children cried to them—look, see me—but the angle was wrong. Too low. Sometimes they would lift a child as if testing the weight. We held our breath.

Our bodies became passage—grease for the next idea, pillows where their heads had been. We learned to move on. 

The next thing was the children. They wanted to fly, too, but we did not throw them. Not with one on each hip, a basket of laundry, onions cut open on the board.

Here is where they stepped in, who were here so briefly. To do the throwing. Up! They lifted. Up, up! they shouted. 

The children screamed. Again!