Marsh Ruins

Decay as creative premise.

Nested in cordgrass, a master work sinks. 

The artist smiles over its cracking disappearance.

Rubble is one of my primary interests, she tells us.

She imagines its rearrangement.

I mean, she adds, what might come?

There are good reasons, after all,

––and especially here, to reject nostalgia. 

***

The title of this post comes from this installation by American artist Beverly Buchanan, which a recent New York Times article by Siddhartha Mitter describes as a vanishing masterpiece.

Author: Stacey C. Johnson

I keep watch and listen, mostly in dark places.

4 thoughts on “Marsh Ruins”

  1. michael raven – Twin Cities, MN, USA – Nontraditional scribbler of words; occasionally coherent. Mostly harmless. Author of "galdr: thought + memory".
    michael raven says:

    I wonder if we (myself included) put too much emphasis on the nostalgic. Change can be a beautiful process as long as you can bring yourself to embrace the ephemeral.

  2. Bartholomew Barker – Hillsborough, North Carolina – Bartholomew Barker is an organizer of Living Poetry, a collection of poets in the Triangle region of North Carolina where he has hosted a monthly feedback workshop for more than decade. His first poetry collection, Wednesday Night Regular, written in and about strip clubs, was published in 2013. His second, Milkshakes and Chilidogs, a chapbook of food inspired poetry was served in 2017. He was nominated for a Pushcart Prize in 2021. Born and raised in Ohio, studied in Chicago, he worked in Connecticut for nearly twenty years before moving to Hillsborough where he lives and writes poetry.
    Bartholomew Barker says:

    I love watching stuff decay. That’s why I’m such a bad homeowner.

Leave a ReplyCancel reply

Discover more from Breadcrumbs

Subscribe now to keep reading and get access to the full archive.

Continue reading

Exit mobile version
%%footer%%