give me a web

to reject another tired hero’s story

Yes, I see those stories, too, all around me. The location and abundance of which some will exclaim, “are everywhere!” 

No matter where I go, the one that interests me most is not a story, for it is made of what would not be recognized as such. It tends to feature a non-hero whose non-feats go unnoticed by being what they are–– more constant labors, and no less common than the fact of the web appearing between the branches of the fig tree overnight. 

Many of those who  proclaim most loudly that stories are everywhere! are in fact looking for the same story––as anyone armed with hammers for hands, might learn to see only nails. This much-sought-after tale is another version of the hero with his labors, slaying or banging on whatever he can’t pick up. 

Lately I have grown very tired of its droning echo, and I do not think I am alone. This one, I think, has gone far enough. Give me more spider, more web, more patience, less noise. 

Lately, I think, give me no more of these old stories, only quiet tending: of the careful meal, the clean floor, fresh sheets, attentive care. 

It is possible I live at the beginning of the end of the age of an old story. As someone still alive inside it, I lack the perspective I would need to confirm or refute this suspicion with any presumption of accuracy.  

Finding the ability to make those quiet and non-storied, daily events happen is the only narrative I can find valuable right now. This is partially because I could use some help with these things and also because I have grown very tired of that other clamor. 

I am also weary of those who make, as a habit, a racket to entertain. These are different from those who make an entertaining noise for reasons they have not intended. I am weary of those who throw plastic affirmations when it is clear that all their expression can do is reproduce the old pain. 

The makers of these pseudo-joys, in an effort to to capitalize on the coin of the realm, regularly add to daily misery by their steadfast commitment to cellophane-wrapped optimisms. 

Meanwhile, so many dead. And also, so many able but unwilling bodies, who have made their non-decisions with brilliant sheens of glamour, who feel justified in their non-decisions to leave unwashed those dirty sheets, who unprepare the careful meal whether or not they will eat it, or to remember what hour of what day it is, now.

point being

in the after

The point, if there is one, is to emerge. Or else, to acknowledge the emergence of something. It is possible these acts are synonymous, or that one lives inside the other. Does it matter which holds which? Likely not. Whichever it is, it won’t be fitting into that familiar template of the hero myth––having tried this one, and found it lacking, possibly deadly.

A Thousand Faces

The distance between action and call.

I can be mother, too! he offered, thinking of cameos and not the tedium of tending. 

But I can weave! He insisted, stomping the last of the grass. 

What about fire? I can make it! But there was no wood. 

A sacrament, then, anything but penance! 

Purification sounded lofty, so long as the means was anything but silence. 

A song! ––His chest swelled to the imaginary chorus. But she had given those already, to deaf ears. 

I will dance you to the moon! But her feet were bruised from carrying his weight. 

He claimed to want a friend, some unifying vision. At last he arrived, the ever-faithful witness to the glory of his own reflection, and its deep pools went on and on.

The Good Hero

A triumph of confidence.

Over time, people brought their pleas to the hero–––and more than a few grave concerns. 

Is there a problem with appearances? The hero wanted to know. 

Well, no. Not exactly, the people had to admit, unless you considered the way that these so often seemed distracting to the hero. No, they tried to explain­­–––delicately, of course, to protect the hero’s sense of himself–––it was more about nuts. They were tired of eating what was casually tossed from the high stage. Sometimes they longed for something prepared, nourishing. It was about bolts too, how everywhere you looked they needed tightening, and the people were feeling anxious with a sense that the fortress, shiny as it was, did not seem structurally sound. 

The hero, long practiced in the art of turning deaf ears, heard nothing of significance in these concerns, and was immensely pleased. All really was good, after all. As he had been saying all along, except during moments of panic when his cape was noticeably rumpled. He checked the cape. It was smooth and would flow nicely in the wind, especially at entrances and exits. 

All good, he said, and the triumph was one of confidence if not substance. But confidence and an iron were all you needed to wear your cape well, especially when it had been the people’s gift. 

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