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Into Next

With winged hero.

Hello, messenger. You are no good at flying but faithful in your attempts. 

Pranked again by your devices, you can’t resist the dime store crown, the glitter-wrapped wand to go with it, even as it leaves you short one palm to break the fall. What resistance you have, you spend against gravity. 

A study in wreckage, your devotion. There you go again to the height of the last wall in the next fallen fortress, to meet the updraft, that it may lift you backward into the hour at your open hand.

Hope Memo

Long view from well bottom.

Reminder: you will not be always in this gnawing gut at the center of your terror, and you will laugh again, and love someone who smiles back at you still.  Even as you look away now, afraid to push your luck when it comes to what may be saved, you are raised to take less than anyone’s idea of deserving and that face tastes like the last memory you need. To hold that gaze from this deep a vantage for finding still this little light. A want to yell, Go, and keep them in it. 

Situation

Field notes from margins.

Beautiful day. Outside gathering.

A child laughs above you.  

A hostile force appears. A toast

offered. 

You know the threat when you

hear it. Time to flee again. 

But there is a precious item.

You’ve left it inside.  

So now you are here, looking.

Looking for it.

Parts and Paintings

Language of forms.

I wanted a language, the artist told us, that felt consistent. 

Let me show you, the artist offered. The bodies. 

And there they were. Body as image, a cipher to be doubled, dismembered, cradled, lifted, evaded––each exceeding the limits of its own banks, overflowing. 

What do you call this one? We asked the artist.

Unfinished, the artist told us. That is why we are here, still looking. 

***

Inspired by the work of Salman Toor.