without conditions for return

after the Kauaʻi ʻōʻō

the last of a family
you lived on honey,
music, snails

crushed underfoot where
the livable world
was a corridor tightening

options closing
without announcement;
an old story of land
redrawn for what could be taken

in the name of progress—
clearings; in the wake
of a promised future,
bodies left behind

survivors, too,
until gone

forest birds arrive as call
before sight, whole
genealogies; ancestors
moving in the breath of leaves

some blows banish not only
the home, but all conditions
for return

now a recording,
still calling

notes from proclamation season

“One must not be too romantic about stability.” – Simone Weil

I sought stability, to make it out of love.
Which I did, and continue to do.
While the ones who never knew

its substance, or how to make
any of it for themselves, come
barging in on missions and leave
a mess. I clean again, then rest,
and breathe relief.

One of these warriors, gone off
again now, would make better
company if he were ever here
or anywhere close to here
or now.

Who still keeps proclaiming how
he means to make it his next mission
to care for me. If there’s one thing
I don’t need to be, it’s another man’s
mission toward eternity.

He’ll return to see he’s made
another mess of another failure
of grand proclamation.

This is why I prefer the cat’s company,
her present immediacy, attention.
Who teaches me in her steady gaze
that I am not yet half as grounded
as I mean to be, as I keep being
pulled away.

horse & rider

a tribute to the moment, and this place

Yes child, maybe one day,
in another world, the horse arrives,
its rider gallant and able. But now
is not that world

and this is not that time. Now he
spins, having lost both horse and will
to ride–– and besides, has never learned.

You are alone–– yet, look around.
Find the company of everyone before
you who has ever learned the same.

There is no more now
to do than there was before, only
less illusion. Carry on. Chin up.

Giddy-up. You are the horse
and the rider. Go on.

note on scale

of a life

so much before me happens
& by the time i arrive, i am
primed to recognize how
small i am

& after many years
of carrying this
imagined burden to
consider, with
considerable relief

––how
relevantly so,
and know
how fragile, too––

and yet, somehow
still here, a
spore of moss
on wet & craggy
rock to mark
this shore.

flightless

& unseen

Kitty recovers, and so do I. It’s the last week of school, a time of dizzy rush underscored by reflection. I think about endangered creatures. One among these is the flightless parrot of New Zealand, the kākāpō. Who, according to Māori legend, is a protector of the land. And I am thinking about the children.

A system built for speed cannot see the slow one, who never flew. Who, when hunted, knew to freeze. I think of her, now camouflaged in shadow—an endangered hush—now subjected to another survey. Intended to express how well we care.

But a check mark is not shelter and a rubric offers no refuge. How many shine like saints in the chill grasp of their handlers, being measured for extinction while staying faithful to their flightlessness? 

I’ve learned not to trust anyone with a grand plan because I once had one, too. Now I only want to shelter who still lives. To protect a child’s right to become what they will, even if that becoming looks like myth, even if they call it pest.

I don’t know what school is, only what it is not. One metric involves how well a person can pretend to be a person deserving of award. But that is not the work.

The work is learning how to become, and some of the brightest know better than to obey.

Do it. Don’t ask. Shut up. Or we’ll fail you and humiliate your mother.

And in other news: Kids Fail Critical Thinking Tests.

Marcos liked to talk to old people. Liked to hear their lives. He couldn’t focus on any task that felt designed to domesticate his wonder. The first act of a critical mind is refusal.

Consider the ones who vanish as portraits in negative space: Now you see me. Now I disappear.

Now I am a vase, now I am two people kissing. Now neither. Now both.

You thought your five-minute survey could find me? Think again.

Ask me who I am before I speak.

Ask as if you believe I might not answer.

Ask as if you know the form of your asking matters as well as your question.

There is much I have not said. Not yet––and no, I do not plan to fly. 

I live close to the earth, as I am, in these shadows, or I die.

stretch

from one into another

at a crossing it is possible
to notice
how one emerging
from the echoic shadows
beyond the edges of this rush
is a creature
who understands
time through a listening
body & one
pauses now
sinew of back, legs, neck
all stretched to hear––

that graceful leap before
that pause, the pointed look
––one eye

& i witness
through shatterproof glass
blink
& then she moves
again the leaping
wave of herself
across road & into
an opposite dark.

sapere

whale music

to know
to be able to
to taste
to feel
only this how
i am because we are
& need know only this
& how machine will disagree
does not make it less true
but only more like the living
and less like the thing
whose badge of being
is of efficiency
& departure from
the dirt & blood
& flow of living
earth as she
remains
still
here
an offering
beyond product
or production
in echo
beyond
any other sound
however loud however
bleeding it leaves us in our ears
where we swim deep underwater & still here & here & here to hear us––
tho bleeding it leaves us in our ears however loud
however any other sound beyond in echo
still our offering here remaining
in dirt & bloodied waters
beneath you

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