dear i,
you were the first to confirm
that the size of this Here
would––no matter where i was
––exceed what my senses could
bear.
to an imaginary number
whose function keeps the real from caving in
whose function keeps the real from caving in
dear i,
you were the first to confirm
that the size of this Here
would––no matter where i was
––exceed what my senses could
bear.
in letters
my experience is an ongoing
experiment, unwilling to stay
anywhere as stodgy as the inn
of expertise, even overnight
and every time i start in earnest
to say anything true enough
to ring, i give my meager savings
up again
putting all i know at risk to all
i have yet to understand
*
Inspired by Ann Lauterbach
& resonance
why not make a map of us, then––?
all reflection & non-linear equations,
light upon light to play on a practice
of not sleeping but holding
as marrowed minerals in bones
whisper another kind of living
light only the trembling know.
whale music
to know
to be able to
to taste
to feel
only this how
i am because we are
& need know only this
& how machine will disagree
does not make it less true
but only more like the living
and less like the thing
whose badge of being
is of efficiency
& departure from
the dirt & blood
& flow of living
earth as she
remains
still
here
an offering
beyond product
or production
in echo
beyond
any other sound
however loud however
bleeding it leaves us in our ears
where we swim deep underwater & still here & here & here to hear us––
tho bleeding it leaves us in our ears however loud
however any other sound beyond in echo
still our offering here remaining
in dirt & bloodied waters
beneath you
ideas for an educational panel of inquiry
Here’s a talk i am going to give
in theory anyway called
teach like an animal
& its genesis is in understanding
that i failed in my intention
of becoming someone who
knew things well enough
to tell them with authority
the more i look the more
convinced i become that
there is a lie at the center
of the whole idea of knowing
and it is congenital with the myth
of the preeminence of self, and
i want my panel to include
shapeshifting nature &
the pride of ancestors refusing
to be erased, whose voices echo
in the shimmering electric currents
coursing though the cells which
make my body of my mother’s
and the mothers before her.
I grew up reading a single
line about an all-knowing God
on loop, and even this God
said only i am that i am
in response to demands for
explanation but knew how to
show up–for the stutterers
and the dispossessed, the wretched
and the women, who consistently
challenged the important somebodies
when asked for announcements, when
asked to show face, who turned to sashay
away revealing only the back parts
in graceful admonishment of the
asking mouth’s presumption
of being filled in a single
gulp of word and then
done.
of our dendritic sensibilities
what sort of creature is this
i
?
bound to the dark
fascia of time & energy
in the image of a constant
unfolding possibility
and why does she still
hear so many here
claiming intelligence
as a thing to be grown
outside the source
code of genetic material
that makes the material
of our bodies essential
and essentially made
of stuff so similar to
what still grows in the soil
or flies, or swims, to be
fished, felled, uprooted
to death by agendas
of progress fueled
by forgetting our bodies
already know unchecked
growth as cancer
& we know where its
progress inevitably
ends & know that
with treatment in
time we can reverse
these growths we can
prevent we can protect
the living if we will––
questions of direction
how do i go?
only by revelation
only behind a veil
only through a glass, darkly
only by messenger
only dream vision
only the back parts,
sashaying away
with a wink
reminding
not to forget
not
to forget
is there anyone
who will remember?
turn it over
and turn it again
for everything is in it
this is how you teach
a stone to talk you listen
to the river that smoothed
it
& hold
hearing what ripples through here
like the roar of many waters
what thunders through empty space
courses through me when i am least
myself, having lost it all until
the eye blinks from an empty
vessel, waiting
for what reverberates through
each cell across generations
responding to a constant call
ancestral fires shining in the
eyes of newborn suns
& the last cries swallowed
by rising tides of another time
come to surface in the voices
of the daughters who raise
them the silence before their
echo is long, but their sound
is longer
what comes in whispers
The problem is always remembering, but some have none of that. They are the sort to wonder out loud where the time went. Those of us who remember well enough to be pierced every time by how thoroughly everything goes when it goes, cannot do this. But some are so convinced of their centrality that they wonder aloud about the interpretations of dreams, as if a congregation of gods had gathered to watch them sleep, leaving little dream notes to their chosen one. The rest of us went around, pulsing with the leaving of it when it had been so close. Interpretation was the enemy to that sort of charge. What it was wouldn’t stand for being caught in a goblet for drinking; at best it could be absorbed like mist into skin, to leave you feeling chapped whenever you walked anywhere drier than a cloud. Meanwhile it galloped before you, a herd of wilds never to be saddled, running the secret that would lose its legs in the telling. Hush child, intimates the dust in that wake––not a direct address, mind you. Only by not understanding may you receive anything worth knowing, even by thirds. It is like that most of the time, except for the moments when it isn’t. Being entirely unprepared for those, these tended to floor me. The way it comes sometimes, that vegetal speech cracking in husks, and me too dumb to leave my fascination. What? I’ll be asking, as it all goes dark again.
in muddy waters
Everybody always asks me these questions, the writer was saying. Hah, like I know! For me, it’s all about the desperate questions, you know? Like, what’s the matter?
But then, he said, everything is like that, my whole life––you gotta stay close to hell, and also to joy. And somehow manage not to melt. Maybe that’s what it is for me, why I also stay so close to water. People are always asking me about the water, he said. I guess it’s the eternal quality about it, and that savage beauty, where everything is eating each other.
We were eating beer and catfish at a party in his honor. Someone asked him how he kept things fresh. He laughed and said, people don’t know how interesting they are! Then he invoked Beckett, who said nothing was funnier than unhappiness.
At this point, we were interrupted by a mutual friend, younger. How’s the work now? The friend was asking and the writer made a face. It’s going, he said, but who knows where?