Lakebeds

And the life of water.

I rode a bus in the desert and the woman beside me had plastic bags on her lap and must in her coat. My face turned toward the window taking it in––the pleasure of being a passenger, carried. It was a drought year. We passed the scar of a long-gone lake and then the gash of a former stream and she gave a little huff, rustling the bags. Yep, she said, me too. I was too tired to ask, so only nodded. Then I looked out the window again, wondering about the water before it was gone, the lives it must have held until it couldn’t anymore before it gave itself up, back to sky. 

Saturday Afternoon Sirens

Life in limbo.

I was driving to get cash, listening to a story and missing many key parts because it was in French. In the gaps my mind would turn over certain questions. Like how will I ever?––etc. And possible responses, like when there is time. From this blurred body in what the nuns would call limbo, somewhere between living and dead. That was before zombies started having their moment. Well, flood me then, I thought, in a manner of praying. I walked back with the cash, having gone inside even though there was a drive-through with no one in it, because I do not like the feeling I have in the drive-through, low in the driver’s seat, having to reach up while the monitor face smirks down. Before me, I watched a woman crossing the street, carrying flowers. She wore something like a tracksuit, and I only saw the back of her. Her hair had no visible white but there was a certain halt to her gait, a learned care in stepping, the kind that suggests the bones are becoming more bird-like, emptying themselves of themselves. I thought: a new grandmother! I watched her with a smile, in astonishment at what must flutter in her heart as she carries them to where she is going. That such moments still happen. I started the car, returned to listening to the story. It is always a war story. I cannot remember another kind. This woman with flowers is not another kind, that’s the wonder of it. How she rushes to see the new baby. This woman who will hold the new baby, born of her daughter, and coo, hello, little one, as the sirens wail.

Birds and Our Windows

But where do the children play?

Sound bites fly in on the drive home and spend the night flying around. O god, a young woman says, there is no one left. O god, o god, she says. They are killing us all. Then birds against the glass of the dream window and children kicking, flushed, and fevered in their moving beds. We are moving, but where? Everywhere you can see the overgrowth of mechanic replication stretching its tentacles to our throats. The children will tell you. Ask them how they are, and they will tell you. I am tired. I am so tired, they say. The officials respond: we have more! So much more. The children are not sure about the water. There are rumors of lead. Of runoff. Human waste. They are sure, if you ask them to elaborate, that there is probably a camera somewhere recording them, making a weapon of their faces, their voices, to be turned against them at a future time, yet undetermined. This morning one cries quietly under his hood. I do what I can to keep the cameras from him. The sirens continue, the blast of alarms calling time. Officials reach measuring sticks and probes toward the bodies of the children. The children are backing away. Official talk revolves around the question of reaching them. Ways to bypass their resistance. In this world where the machine winds its algorithmic fingers toward their necks and birds crash against windows where the children are tired, I cannot help. Hoping. They are learning, I want to believe. To resist. But what? And how? They do not say what, not yet. They do not say how. I offer only words, poems. Music, metaphors. Try this? Or this one? I do not know what passes through. We continue, for now. Some of us, then fewer over time. How are you? We ask. And answer, so tired. 

Flock

In song.

There will be no total here, no summing up. Instead, a polyvocal cacophony of riddles exerts a centrifugal force away from the presumed center––out. Only the permeable find it. After recognition of the way that meaning in abundance winds toward silence interrupted only by the exultant shriek. Only the indirect, circling utterance will do.

What Flies

And the numbers now.

Will this what then not let itself be counted,
what when it was not permitted any stop?
I walked on limbs while sorting them:
this, and then this, and so on, what
passes for mind an organizing principle.
Unless this flesh is made of minutes
would you save it? I meant to answer.

Current, fly through me.
You must be time.

Is this the hour, then?
Am I?

Evening Talk

Off the record.

Generosities of language emerge as dusk settles, erupting in dialects more prone to dismissing the manners of a given day. The shock of voices startled into screams, and the lingering pause that attends each, an unofficial record of anguish––which is, in its raw form, consistently resistant to official record.

Babies in Boomland

Riding fault lines.

Consider the weight of water after rains against fault lines and the weight of our collected lives, how it takes not so many earthquake memories to learn that it is a matter of time until the next one, but this is the land of billboards training the witness into submission to a hunger that drives on to speed out branching interstate miles into state route highways flying toward the next bite, flesh riding the wind of the last win into the next investment cheered by a chorus calling Act Fast, Act Now, Don’t Miss. Out. It’s coming, they told us, the screens our suns in constant revolution around us, projecting new worlds of pleasure and war. Something rumbled and we caught each other’s eyes, looking up. What is that? one of us asked, and the voice of an invisible speaker said Now.

She Sings

On the corner of Broadway and Elm.

[A bus stop. She stands with her arms out.
Her mouth moves. People see it moving
from their cars. Another sight but not a
spectacle.
]

I did not come here today
to point at you / I came here to
offer resistance to every impulse to
wield speech like sharpened knife ready
for blood I want to swell not drain it
to resist these Peters enough with
your swords already the speech of this
hour is not your righteous proclamation
your self-righteous dedication to your
selves, your group, your flag, this
one is music it is receiving it is
the tongue that moves to open the
body, uncurling fingers first from
fists relaxing at the wrists, out
and out resist the urge to shield
again this heart I have only this
these arms, this wavering voice––

you!
I see you
looking
take a good look but then listen––
do you hear?

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