how to cross a river

riddles in time, space, and scale management

If you have a fox, a goose, and a bag of beans, what is the best way to cross a river?

In a year of desert driving, I played this question on loop. I wanted a mind for numbers, but seemed to retain only the set-up sequences of word problems.

With a tendency to wondering and feeling too much at once, and with enough sky to lose myself in, I thought mathematical thinking might ground me.

One recurring problem was this: by a fire, under stars, I would go dizzy looking for the farthest ones until my vision blurred.

By then, I did not remember most equations, only the premises for which they were needed. If two trains x miles apart are traveling in opposite directions at different speeds, how much time until they meet? If Jack has eleven pieces of fruit and five are bananas, how many apples for Jill?

The antidote to dizziness, I was trying to learn, had something to do with overriding my first response, which was to be knocked off my feet by the size of it. The sky, that is. And, when it came to math, it was that fact that someone thought like this, imagined a way to sort a world such that these considerations, one parcel at a time, were all. The brilliance.

If a pie and so many guests, cut pieces. Not everyone will want the pie. To calculate circumference, use the number pi. An irrational number to spin the head, but if you knew how to use it, it could help you figure some finite amount of pie, stones, or tire tread.

In the passenger’s seat, I looked through glass and could not take it in. The riddle at least was a smooth and solid thing I could turn in my pocket like a river stone. The river was part of the set up. Mr. Stone was my teacher.

If you have to get across a river by boat. . . the set up went. How do you do it so the fox does not eat the goose, and the goose does not eat the beans? 

What relief. To hold one thing at a time, solidly. I wanted a valve for my mind, some pacing for the flow. One challenge. Then another. A way to stop and then go. At that point, the flooding was out of control. My perception far exceeded my abilities to make any sense.  

The answer to the riddle was: start with the goose. Mr. Stone told us why. But I was back in the river by then. Where to now, goose?

Who do you think you are? This was a challenge that frightened me some, because it tended to come at critical moments with a tone of authority, as if the person voicing it knew exactly what time Train A would cross Train B, how many apples on each, and whether or not the geese should be eating the beans.  If I could focus on one thing at a time, perhaps I would start to see it coming? And have a few answers ready, just in case?

I thought string beans would create less disturbance in the goose. But my mind tended toward the pintos I would buy in five-pound bags from Wal-Mart, which I would scatter in batches over a plate every time I prepared to soak them, checking for rocks. To find one was good. Here was a solid thing I could remove.

Who do you think you are? When these demands came, I would experience the full force of new awareness of the errors of my ways, in dizzying magnification. I meant to apply this force to finding some solution, but I had none.  Which river? Which goose, fox, season? Is anyone else on the boat with me? Am I allowed to touch the goose? Are there eggs to come?

The image of trains hurtling in opposite directions calls to mind rail spine, the nervous condition that did not appear until the advent of railroad travel, caused by the feeling of hurtling through space at speeds disconcerting to a body familiar with horse and foot travel. Not to mention the related and perhaps equally anxiety-producing imposition of standard time.

I had once seen a fox while running on a horse trail in lower New York. Much of the trail ran adjacent to the Hutchinson River Parkway, but certain parts meandered into woods and along lakes such that the roar of cars was more muted, the way crashing surf may be if you are several blocks away.

Perhaps if I had gone beyond 12th grade calculus, I would have developed a more familiar and integrated symbolic language with which to explore the interference effect of a series of infinite variables on a given problem and been more erudite in my explanations about baseline insecurities. But I hadn’t at the time and was still young enough to believe that eventually I might, If I focused harder, see with greater clarity. 

The river, between then and now, has continued to flood me. But the goose is still on it, and the fox, and the bag of beans. They rest at the banks, where the goose and the fox appear to wear bemused expressions, waving. I don’t know why it is this way, or where the boat has gone, but here I am, waving back.

***

This riddle, which I encountered decades ago, is one of those earworms that shows up again and again. I love the setup, the characters, the play, and the mystery. If, in a given year, I scratch 1,000 pages across several notebooks, an estimated 9.5 of them will feature this goose. Who knows why?  Rarely do I publish these, but sometimes it happens. Prior to today, I think the most recent iteration of these creatures in a published work happened in The Closed Eye Open, Issue 10,  Fall 2023, under the title Mathematical Goose.

before here

what beyond there

And then in the hush, a shift
stops the pen, suddenly exhausted
by the weight of what preceded it.
There are not enough words
to make a wall between now
and what is lost. No sense
running for another stone
to prop up against the last
already threatening to give.
The only steps that matter now
are into a nonspace with no
road to lead you anywhere
and yet the only here
there is when you leave
that other one.

origin songs

& whose word

strange unseen dark of this body
heartbeating unto her first word

and it was good
and it was listen

all this before the hour of tower lights
and high walls blaring admonitions

ripe for falling from and that followed
and with it the word forbidden and us

tumbling after
& now is a good time to remember

how in the beginning
before the word

was her hearing
like come

spun

in this space

Since nothing of me holds
in place but my feet on a
flying planet, spinning
i have wondered
where so many could
dismiss with such conviction
so much of this this––us, to call it all
background noise.

My friends glow embryonic spheres
in whispered susurrations and we migrate
along mycelial lines never to arrive
and we are moving all the time.

If my beginning is an empty
space like the origin of every other
and yet each genesis shatters every
omega back into its alpha state
such that my form won’t hold, make me
an opening for sound––
less voice than collective in chorus
not spear but carrier bag
not speech but gathering
display of longing to show
revealing nothing finally
but unceasing attempts
to name where the word
waits for tongue to lift
the earth again
dirt into soil
for breathing.

one note

in a gathering marginal crowd

Rhythms of earth tongues,
come out. I give these
primitive liberties forms
to evade surveillance
of that principle
bent on separation
of bodies from themselves
and one another
that enacts bars
of murderous purity
masquerading
as sensible grammars.
Nocturnal creatures know
me, sit in my lap, lap from
my hands & laugh at extents
of your fears. We only eat prey,
love
, announce the joyful birds.
Separate us all you like. Each
solitude only offers another
rebirth. With each, we widen
the net of our bodies. We become
looming canopies connecting
at altitudes & depths, above
& beneath the walls you drive
yourself mad with the effort
of erecting in your endless quest
to extract Resource from source
while mass-printing gods to coddle
your greed, and their dragons laugh
Will you look at this face? No
you can’t bear it, finding
in its gaze the endless points
of no return, each now a star
in the night you claimed
to conquer & our skins fallen
from us, we move from
their weight & your ability to trace
yes what are you tracing & do you
know when the last wall is built its last
stone in place and the weight of its
prowess inverts and you find yourself
entombed in some solitary well, to call
us, who will hear you but the lowest,
who come and go
among these depths
and their
dead?

unspeakable

afters

when bird i dreamed i walked
upright like woman to fall
beneath tree under branch
after their singing stopped

& upright like her i braced back
into song to call her lost to calling
them
back beneath shade beneath branch
to revive her and rising she only

took up song again, with all words
wronged

upright, back braced, throwing
notes

to land gone from sense or syntax
to cries beyond

meaning, obscured shades beneath
that branch

she lost the lines between her limbs
now they are gone

from sense or syntax, losing herself
to loss beyond

the beyonds, as her grandmother had,
beyond hope,

becoming something else, enough
light to make shade

like the dead, leaving––leaves beneath
each living branch

each branch like a river she knew
when him once

before her body into dirt was enough
to carry the lost

song from beyond that ancient branch
from bird

to whatever gave her syntax sense,
from loss, to carry

from the last she knew, the song
no one sings anymore

to rest in shade, believing you can
still make a soul from dead
leaves if you leave
it all.

chaos and waste

in the fields

Know the killers by their words. They use too many, and invert them. They speak a language of chaos to stir confusion. Once frothed to full foment, they descend from their towers to feed and grow fat on the blood of lambs. By morning, they have disappeared to clean themselves and then reappear above the carnage, lamenting. This mess, this mess, they say. For shame, they say, and lob another theory into the crowd, the usual balloons of enhanced security and maximum efficiency. These float on the raised hands of the assembled, who cheer.  The speakers smile, digesting last night’s feast. Tonight, repeat.

Meanwhile, a haggard band of constant shepherds gather under cover of remaining trees, to tremble before the lives remaining, and abide.

astral missives

between elsewhere

Where to, next? but the boatman will not tell.
Only leap, he says, between the boats
as we sail in the space between channels,
coursing code of signals woven in these waters,
currents of carpet filigreed with figures
of vegetal dream, scented with musk
of mane and canine teeth, tail and tender
breath of newborn skin; down of butterfly
catching red of griffin’s eye, shouting call back!
against flicker of torches painting membrane
of cave wall; trembling hand over womb,
magnetic storm lunges us into the slipstream
of tongues after Babel’s last breath and look
another shouts, look! We are arriving! now.

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