How It’s Going

Marginal notes from the killing season.

I keep meaning to write a thing but my bones ache with a fatigue that calls to mind the early months of pregnancy. If it was that, this would be a different sort of note. I am driving in the mid-afternoon, alternately pinching my nose and my earlobes to stay awake. When I finally park, I think I’ll just close my eyes for a few minutes, and then it’s dark.

Democracy in the US is being dismantled from inside the White House but naturally everyone in passing periods between bells keeps on asking one another the usual questions. That is, when we’re not having clandestine conversations in which we agree to either pull the fire alarm if ICE shows up or at the very least to put popcorn in the microwave, set it for ten minutes, and walk back to class. Even though we think that the members of that organization would, if they had any sense or were at all in communication with local law enforcement, know better than to wear their jackets around here. We smile weakly while rushing to get in line for the single working bathroom between passing periods and say How’s it going? Like we don’t know. 

Oh, you know, we say back to each other. In a certain tone meant to indicate a wry awareness of a mutual understanding of professional obligation to carry on. With preventable infections poised for a major uptick, now by some measures is no time to start risking a loss of health insurance––except. But anyway, the kids are still here so who are we to go leaving now?

Where news is still being reported with any measure of integrity, it comes at such a rate and speed that you may find yourself shaking your head with a face in the posture of the sort of disgust that appears to be on the verge of a maniacal laughter, in response to a story that in a time not long before this one would have left you weeping.                               

And you thought yourself to be hardened before, having seen so closely so many sides of men you wished your children would never know. 

But here they are with their slick tongues and weak eyes, coming. The age of changing regimes with tanks and masked soldiers charging into conference rooms is decidedly passé. These killers walk in with khakis and polo shirts, bring donuts for the staff and fist-bump with the confidence afforded only to those at a certain level of remove from the lives of other humans, for reasons that some of us may speculate over, in likely error.

They perform experimental surgeries with words meant to anaesthetize unwitting victims. They call their actions simple cost-cutting measures for the sake of efficiency. They assure everyone they are only after criminals and grifters. Silently, in remote areas, off camera, construction continues erecting maximum-security concrete fortresses capable of housing whole cities. 

One wants to avoid hyperbole in a time like this. The truth is raw enough. But I can’t help remembering histories less than a century old, of another regime overseas, who once used similar language and parallel means––adjusted for context, of course––until arriving at the inevitable problem of exceeding the capacity of state-of-the-art holding facilities. The ovens, when they fired, were not some green monster’s evil plan, but the simplest and most efficient way of dealing with the practical problem of too many bodies than the holding centers could––as the saying went, process.

Which raises the issue again, that monstrous reality of human life and its perpetual inefficiency. The officials shook their heads. Their stomachs turned at the thought of what it meant to stay the course. Yes, of course,they agreed. They could fix this. Just wait, they said. It’s going to be something like you never imagined.

The Third of May

The logic of brutality.

Careful now. The sleep of reason breeds monsters. Look, they have arrived.

Early morning, a firing squad. Captives at gunpoint.

The sleep of reason breeds monsters armed with a multitude of manufactured reasons. The cool efficiency of mechanistic executions. The gunmen are symmetrical. Stand, aim, hold, repeat. Stand, aim, hold, repeat––a relentless column. 

Their target: crumbling, irregular men. One falls, one bleeds, one holds his head. Several hold one another. One prays. One, in the yellowed white shirt of a laborer, holds hands up, his palms already pierced by the nails of the erased cross.

In the center, a lantern. You can see what is coming next, how the soldiers will use its light to perfect their aim. The end will be quick. The march will continue.

See the bodies, finished. One bleeds into the next. The marching column, still bloodless, will move on. Where the order of the machine is the order of the moment, they will be celebrated.

In the background, a crowd with torches, looking on. Someone whispers, monsters.

Careful, don’t look. Here, take this. It will help you sleep.

***

Inspired by Francisco Goya’s iconic painting, The Third of May, which was groundbreaking in its depiction of brutality without catharsis. Goya’s handling of paint as well as his subversion of traditional symbols inspired a new generation of artists, including Manet and Picasso. On the disasters of war, Goya observed, “El sueño de la razón produce monstruos (The sleep of reason produces monsters).” 

Third of May, 1808 by Francisco de Goya
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