No return

In lieu of brand, a body of work

The artist denounced repetition. When asked why, said if repeating the winner was a principle of advertising, of branding, art should do the opposite. The artist, upon leaving one harbor, would not return. They folded each canvas as they painted, each fold rendering the form into something it had not been before. For this reason, the artist had to admit, no one would ever be able to describe what they were doing until the doing was done. 

*

Inspired by and with borrowed phrases from an interview with French painter Noël Dolla by Gwenaël Kerlidou in the latest issue of BOMB.

The Admirer

With James Tate.

At the clothesline, you watched and remembered loving her in the great storm. You worried she would run off with a sailor. And you saw the shadow of a man but not the man, how it mocked you.

You loved the crazies, wanted to hear them. You were the buddy to the toughest guy in every class––protection, maybe, you laughed. The things we do.

You pulled a gun on the man who beat your mother, joined a gang called something like The Zoo Club. It’s funny how the gangs of old always sound quaint. Your mother was recovering, your grandmother was cooking, and your grandfather was silent. You invented.

The first poem you read was, as you put it, stupid. You fell in love. You met poetry in bars, on street corners and in back alleys. Suddenly ravenous, you could not get enough. It was coming out my ears, you said, of your reading.

The hardest work, you said, after decades in love, is creating the situation, the new reality. Once that was handled, you had something to work within. You loved the surprise of a laugh when you meant to be crying.

It’s a tragic story, you wrote, but that’s what’s so funny.

***

I spent the early morning with poetry and interviews by (and with) James Tate, and I am glad I did. Italicized phrases are Tate’s.

Crooked Climber

In awe of an asymmetrical ascent.

Lovebird, what made you decide that it wasn’t enough to walk on two feet, and how did it occur to you to surmise that your face, repurposed, might become a third limb?

Lovebird, they say that you have a sense of humor, calling into question such a basic assumption of movement in a body. Where others saw only two sides, you found a third way. Where others settled for the old coin metaphor, the mirror, the simple reflection, you said, regarding dimensions, there are more,

and went on your way––up, up, evolving.

***

Inspired by an article I saw in this morning’s New York Times, about a groundbreaking discovery in lovebird locomotion, overcoming (with other parrots) “a forbidden phenotype.” And by my Grandma, who used to call us “lovebird” and “loverbird,” among other pet names.

I don’t know if the African Grey parrot in the photo does any beak walking, but I love her expression, so am imagining her as the speaker.

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