touring the empire

at midnight

There were forests and wildlands at the outskirts of the empire––still, can you imagine?! All quaking earth and quail whistle, where roaring waters sounded ceaselessly. We were paid to visit them, as translators––not very much, as everyone believed that none of the forms of this land had anything informative to offer. What they had to say was so much more than the intelligence the emperors were after but there wasn’t a word for what it was, so we returned without much to say, accepting pennies for our silence. We said nothing, too, of the stifling emptiness they built of gilded halls of recycled data sets, sharpened to cut the earnest pilgrim at every edge. The naked emperors bled, too, but no one spoke of this––neither the blood nor their nakedness. The dogs followed at a distance, to lick it up. There was no room in the shelters in the shadows of the golden halls, so we took our numbers and got in line with the others while the shining halls stood empty, dripping blood with the wind and the dogs howling through them.

Ore

What time is now?

The dream of power: to become time, to embody its abstractions and the way it will not be destroyed. If it is possible to become what is eaten, power eats time, to tune the instrument of its incessant hunger to construct, demolish, form; it needs concrete, mortar, beams, bodies; to crush stone, bones, flesh––and does so, until time itself is called into question and the countdown begins. 

*

Notes while reading Achille Mbembe’s Brutalism.

Against Horror

A time to grieve.

Bodies again, but no words. 

The point was our speechlessness.

Terror: when the body flees to survive.

Horror: parted lips, frozen and immobile, a spectacle of power. It almost always goes by another name, or none.

State: a verb for the creation of complicity.

The method: consistent spectacle.

What heals, then?

The opposite of spectacle is suffering. To suffer is to return from horror with a voice.

Blessed are they who––

Cry against the silence, throw shattered voices into it.

The opposite of order, this is language like broken windows.

The opposite of calm, this is babbling, wild-haired, full-bodied.

The opposite of isolation, grief demands recognition of our common breaks. Its substance is our connective tissue. It flows with the blood of a common wound.

Grief is a voice, and it sounds like the inverse of okay,

which sounds like the reverse of an answer.

Consider this moment.  Against the hum of this machine, let us launch 

a shattering cry. Now is the time. 

Break.

***

Inspired by Christina Rivera Garza’s Grieving: Dispatches from a Wounded Country and by Adriana Cavarero’s Horrorism: Naming Contemporary Violence, translated by William McCuaig. 

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