The artist used the scraps of the day to dance angels on his fingers. He wanted his son to have playmates free of history, open to unknowns, without the knowledge that cultivates fear. Here is the glost of a scarecrow, here the electrical spook. Once upon a time this was a napkin, but now it’s Mr. Death, live on a shoebox stage, fielding questions from all sides. The wine cork becomes the old man, the devil is a ringed glove, and the monk wears a luchador’s mask.
Let’s play, he told the child––animals playing comedy; tragic heroes dressed as children playing proud birds. Make the cat a bull for the land where the only constant is that everything is constantly morphing into something else.
Watch the big eared clown, ecstatic with the solemn poet and the absolute fool. Only the fragile are powerful here, arms up to highlight where their hands might be, in display of delight: Look, no hands and nothing to hold! They will dance as soon as they wrestle, these angels, and every blessing is also a wound.
Inspired by this article about the hand puppets that Paul Klee (among my favorite artists ever) created for his son.