Now it’s a cocoon. Now a moth. Now it’s something else. What is that thing?
Now it’s beautiful. Now it can kill. Now it’s pure passion. Now it’s a study in precision, one-part formal event, another part emotive creature. Fluid and gorgeous, then stoically opaque.
It is delicate, backbreaking work. Now innocent, now disturbing. This heavy love.
***
Inspired by this interview with Kathy Butterly, which is my introduction to the sculptor’s work.
