The Spectacle

Grief and costume.

Sometimes when my words are hiding in some corner refusing to come out when called, I wonder what is really going on, and then have to admit that I can’t blame them for being fed up with me. So much of the use of syllables in daily life involves costuming their original forms in these ridiculous get-ups, the sort we raged against as children, the sort I would never dream of inflicting on the cat.  

To even mention the appropriateness of abandoning sentences for a full-throated scream at a time like this is cliché by now, inviting memories of scolds: only dullards state the obvious, and with these, cringing recollections of times when I did not consider what was and was not obvious when speaking with––as the tired saying went, a full heart––because the whole point was to know what was new and raw, thrilling at the cut of it, the constant overflow, I could not keep my fingers from a scab and if someone had pressed me to define what this was, exactly, I might have gushed Everything!––and of course it was. 

It’s not like I didn’t know of death, not that I didn’t see it, dream it, smell it under the porch, only that I had yet to discover how I carried it in such devastating abundance, or why people costumed and embalmed it to such great lengths for ceremonial viewing. I had yet to understand why the truly devastated, those who have wept long enough to feel irritated by the uselessness of solemnity, will sometimes scream in wild laughter at a wake.

Author: Stacey C. Johnson

I keep watch and listen, mostly in dark places.

6 thoughts on “The Spectacle”

  1. michael raven – Twin Cities, MN, USA – Nontraditional scribbler of words; occasionally coherent. Mostly harmless. Author of "galdr: thought + memory".
    michael raven says:

    I love the idea of a primal scream, the skipping of syllables entirely, ripping out out heart to cast it to the dirt in front of us and saying: “There!” to anyone who might be around to see. Unfortunately, I fear most people will fail to see the display, with their eyes glued to the opiate screen in their hand. And the sacrifice will have been in vain.

    Thanks for the great read.

      1. michael raven – Twin Cities, MN, USA – Nontraditional scribbler of words; occasionally coherent. Mostly harmless. Author of "galdr: thought + memory".
        michael raven says:

        You are very welcome.

  2. Alz Gusta Presents – Alex Gust was born in Spokane, Washington in 1974, the only child of Auri Gust and Bill Spencer. He was raised by his mother, Auri, from the time he was one years old. He has written several screenplays, Blaze, The Unworthy Ones, The Case of the Misophonia Revenge, and The Break Fast Track with his wife, Angela Gust. They went on to make these into short films on YouTube under their production company, Alz Gusta Presents. His areas of focus are suspense, dark comedies, poetry, and women’s empowerment. While growing up, he witnessed the struggles of his mother in a misogynistic work culture and how she has overcome these obstacles. Because of this, he focuses on stories that deal with womens burdens and he aims to shine light on their triumphs in the face of such adversities. Additionally, growing up with dyslexia made learning to read difficult. However, he sees this as a gift that provided him with a different way to see the world. This is reflected in his writings. He lives with his wife in a small town near Olympia, Washington. Alex continues to craft screenplays, as well as poetry. He also spends time creating oil paintings, acting at local community theaters, and making short films with his seven grandchildren.
    Alz Gusta Presents says:

    Sometimes words are meaningless, sometimes they are powerful. You bring a lot to wonder at. With your words, arranged like flower peddles

      1. Alz Gusta Presents – Alex Gust was born in Spokane, Washington in 1974, the only child of Auri Gust and Bill Spencer. He was raised by his mother, Auri, from the time he was one years old. He has written several screenplays, Blaze, The Unworthy Ones, The Case of the Misophonia Revenge, and The Break Fast Track with his wife, Angela Gust. They went on to make these into short films on YouTube under their production company, Alz Gusta Presents. His areas of focus are suspense, dark comedies, poetry, and women’s empowerment. While growing up, he witnessed the struggles of his mother in a misogynistic work culture and how she has overcome these obstacles. Because of this, he focuses on stories that deal with womens burdens and he aims to shine light on their triumphs in the face of such adversities. Additionally, growing up with dyslexia made learning to read difficult. However, he sees this as a gift that provided him with a different way to see the world. This is reflected in his writings. He lives with his wife in a small town near Olympia, Washington. Alex continues to craft screenplays, as well as poetry. He also spends time creating oil paintings, acting at local community theaters, and making short films with his seven grandchildren.
        Alz Gusta Presents says:

        Petals

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