Hand to hem, a plea
that what moves may pass
into the waiting vessel
not to be contained
but held until the next
to return that volume
to another mouth.
Tekhelet
what flows
what flows
Hand to hem, a plea
that what moves may pass
into the waiting vessel
not to be contained
but held until the next
to return that volume
to another mouth.
and wave
What is the opposite of the way we floated in that space, where it held us in that singing silence, drifting to and from? I don’t want to say it. Only that when we approached near enough, we gave names to one another. It was a way to hold and pass between us, all that reflection and depth. Later came a noise to shatter that silence, and we stopped passing names. I may forget my own, soon. Or the one that held me floating, more than mine. I make this feeble note, unsure if I can sound it anymore. It is the scrap of a decimated raft. I hold it, something between here and that endless down.
calling to attend
Bells break. Reminders back to something, another order. Which?
I break. Wanting to remember what once mattered, and how.
Break now. You are not this dull waste, but more. Who?
one view
It has something to do with the obligation to reach after truth while finding even the arc of this strain forever reflected back to you across the length of a perpetual mirror, labeled false witness.
An offering
Call the mind a flower atop the stem of someone swaying, fragile, rooted. Call its opening an invitation to the ones in flight. Like, come and see. Take part of me when you leave.
Amid these knots
Maybe when these wants have burned away,
and I have renounced all that I––or anyone
––ever thought to know, I will be enfolded
by the net I learned to struggle against
in the name of saving my life
and maybe then I will learn how,
despite consensus to the contrary,
the net is all.
But without
It appears that it has become fashionable to do what some practicioners call “focus on gratitude.” Which is, of course, a universal good. And yet, so often there is something knee-jerk about the reaction, a compulsion that makes the effect smell like Febreze™ sprayed into a filthy room. Or, at the risk of mixing metaphors, putting a bad paint job on a wreck. Maybe this is because of the well-meaning speaker’s insistence: I have––, I have––, I have–. In the face of any loss or disappointment, this can certainly help. But it is something else entirely to admit to having nothing. And then, from the position of that hopeless wasteland of wrecked person, to meet some other peace.
When suggesting.
What I mean
is that I mean to remember
where meaning is murdered.
What I mean
is for what
lives and where
it may.
To hold the gaze
When they came for the silence of our sacred
hiding weapons behind badges, the guards
by way of greeting, shouted Speed! planting flags
in the flesh of our flesh
When I passed, I saw where you had waited
beneath those windows, hunted bodies, and our light
along those points of fracture where it shattered
before cracks from our seeming solids in the dark
went –––where everywhere we look
there we are in pieces––
Palms behind us, trembling–––shadows across carpet
past our feet and the racket of the voices absorbing
those parties of projections, leaking to and from.
And after the cries stopped, we held our gaze.
***
Adapted from Flight Songs (2024, Finishing Line Press)
The art of doing nothing
In the silence of satisfied (although perhaps guarded) anticipation of victorious arrival, one spoke. Wait, said the one. Let us be sure that we know what we are doing. Many laughed.
In the deepest dark, a body will not recognize its own fall. This is protective. Who wants to know when they are downer than they seem? What follows is total upheaval. An eye opens.