One physicist told me: picture a bowling ball in the fabric,
the fabric caving in—why bodies fall toward one another,
spinning. How spacetime curves. My grandmother spoke of weight
in other ways: the hush between names in an unread ledger of losses.
I finger that line, the jagged edge of scab, the raw grain Ellison heard
scraping every blues. What do I do with this mass of memory
now bending every moment into its warp? She lost her mother
to fog-lung at nine, crossed alone to a house with chandeliers,
quiet corrections. Her eyes went dark when I asked about the war.
She kissed me once, called me her lost sister’s name,
then whispered into the rosary beads drawn from pocket to lips.
A song she didn’t teach me hums in my sleep.
Here is a shape made of silence. A dark bloom:
cells within cells, watched by a thousand quiet endings
spreading? Grief is such a mass, perhaps, when left unspoken:
a metastasis of memory in a land that names the stranger alien.
I am trying to reach mine, cannot find where it begins.
It arrived before language, encoded in the spiral of blood,
older than my name. Like starlight long gone, still arriving.
I squint into the most distant layer of stars: fine dust.
Some of it shines from bodies long dead,
their last emissions only now arriving
here. Their light arrives always without their names
like a jagged, cracked-open ledge,
this brief flesh against it,
struggling to sound.
*
This poem recently appeared in Sky Island Journal, Issue 35.

Wow. This is a stunning poem, Stacey. Physical and metaphysical weight baring down and intertwining as one.
Fine writing.
Chris, thank you for this generous reading. Wishing you an excellent weekend, friend. : )
My best to you too.
So many phrases that brought me to a stop … just beautiful