Blog

Occasional Speech

Long gaze, rolled tight.

On occasion we would notice it was possible to feel nearer to the ancient untouchables of distant tongues, then know them out of reach. Was there a time when the myth did not begin with broken parts? We could not say, knowing only heroes against horizons, shells shattering into light then back to dust––but first, another genesis. And then, and then––

Head on bed of moss before battle. Song. Oceans rising into dream without rest, yet the eyes still lift. Up and out they go, flying off.

But it was possible to learn to wrap the long gaze tight in folds of worn cloth while folding what was freshly scorched from the machine, to bring them up again to sort among the boxes and all still left unsaid between unseen and seeing.

Bodies in Orbit

A triptych.

Morning light dissolves the purple of early clouds still pliant with possibility. There the dog, there the hand on the head of the dog, the other gripping Styrofoam cup. Sip as the steam moves through. A ship comes in. Another is loaded. Voice from the dock: thirty minutes.

Later, past the southeastern hills, screen door rattles over porch over wet grass under grey-white sky. The flies start early. Your creaking chair. The freeway hush constant as ocean now, and this used to be horse country.

Down to the park, child in grass to feel a spinning planet at her back, trying to imagine the sight of us and all of this at a distance. Up and up, here is time and here is space but where do they connect? Shiver of sudden pulse at the small of her back. Her mother calls, Baby. She calls, it is time.

Come Fall

Saving in time.

As the weather changed, we noticed. Each wind carried voices. The thing to do was pretend not to hear what they whispered through slats of our thin plastic blinds. There were other things to do. We started with food. The impulse to offer. To the living. Vestigial? Maybe from a time when time was still immune to the clock and darker months meant scarcity and their coming meant harvest and the thing to do was save what had managed to stay living while it grew.

From the Children of Time and Space

Something like memory.

We wanted Time the wound-dresser, but he lurked with a shiv in his sock teasing us from a dark corner, what is it now? of the hour. He bet by our faces, adding wouldn’t you like to know?

We were lying to know, nodding hard and he was anxious about maintaining the image of getting somewhere.  

Space sucked her teeth, said I see you, but he needed his records and was always asking what we wanted to do. He meant to appreciate some facts of being here together, but needed an agenda to fill his reminders, warning this is what you need.

We lacked the right answers when he quizzed us but kept first-aid kits. He would demand these sometimes, just to check. We could be career knife-jugglers and not run out of gauze but then he caught us one day, with Hawking’s Brief History and insisted there was more to him than she thought. Meaning our mother.

I am not what they make me out to be, he insisted, pointing at her. I am no straight arrow, no line, and Space laughed, oh, we know, baby, we all know.

For Child

On being here.

Plant the crab in the sky. You must do this regularly, every season. Now the archer. Pay attention to the bull looking back and follow the gaze of the frog. Notice the tide. Tonight, it glows in full bloom and the cat snake dives gold into wormhole. Follow the fish where it echoes you back. Give recklessly of your abundance and hold fast only to your name. May it tether you to what may never be pronounced. May this be what keeps you, always.

Homecoming Song

Notes for an ensemble.

Whatever you do, keep coming home. And I will keep singing for you. And when you get here, we can talk about these instruments that I keep finding in the garage, such as this mallet, which is delightfully resonant against that flimsy pot we were going to throw out, with the burn marks still on the bottom from the popcorn. I am blinding my way into some magic here and could use some help. Plus, what if I forget my name? I may need you to say it for me. 

So now I am making you a song with this mallet-pot combination, and when you get here, the rolling pin is all yours. It will be good to see you and to hear you say what I mean to remember. And to sing. 

Exit mobile version
%%footer%%