Thought of a Tear

Telling home.

When the night does not end by shatter of night, but by sunrise,
and beneath this sun, roots hold, if a son of the land should
find beside him a living daughter and beneath the sun, root
to hold beneath the land of ruins and holding, find water––
and if the water should make it to the lips of a child in time,
the child may yet grow. To tell a story. It will begin: We lived.
And the still living will hear it and be moved. To sing it back,
hands to the sun, We––

Carriers

Of flesh and earth.

Here comes another to be named,
where naming will not capture
her back. This is some other place now,
where the mountaintop froze above
its consecrated ground, above
these walls, their trumpets,
our removal.

Alice wakes, weeping snowmelt.
How easily we reason, but
this sight may come too late.
Blind mice run from the knife.
and here is our mirror-girl again,
after the rabbit. Heralds, run.
The gaze is silver. Its illuminating fire
now spent.

We figure one another out of living,
from a dream not remembered.
Take off your shoes, daughter.
Drip tears into ash. Time leaks
a sermon from the eyes
of its messengers where words
are impossible, back into the open
mouth.

Hot Mess

Heart on display.

How much I aspire to be cool and collected, contained. But this skin is too thin. She barely holds me in. Sometimes I wonder if she even tries. I think she’s up to something else sometimes, conspiring with my aching knee and the way I bleed. And bleed. And with this shaking hand. To this tentative form I might complain, why do you betray me? But while I am mostly dumb, even I can recognize the wrong in that note. Of all her acts, betrayal of my life has never been one. She’s like an excited child with something just made and far from ready to be displayed to any standards of the moment, but she doesn’t know this like she doesn’t know sleek or cool or style or mood she is tone deaf to the codes of any given art and she only wants to give me––

to give me away

like the child with construction-paper hearts, fresh cut in love and decorated with such glee that the glue hasn’t even dried yet and the glitter is falling all over the carpet, and she wants to to pair these with flowers she found on the side of the neighbor’s apartment, the ones she doesn’t know enough to call weeds––and she is so eager to give them away––

like she is eager to give me away

to anyone who is
near, like Here!
Like, Take this! It’s for you!

And I sit here, cool only when I keep her from the assembly she wants to give me to, in love––the hot, messy, extra, weedy, bleeding abundance of this embarrassing form–– knowing that as soon as we go out there she is going to try it again.

And I hear.

For Child

On being here.

Plant the crab in the sky. You must do this regularly, every season. Now the archer. Pay attention to the bull looking back and follow the gaze of the frog. Notice the tide. Tonight, it glows in full bloom and the cat snake dives gold into wormhole. Follow the fish where it echoes you back. Give recklessly of your abundance and hold fast only to your name. May it tether you to what may never be pronounced. May this be what keeps you, always.

Bird Feeder

Sights for the sore.

When the pigeons come near the bench, a white-haired lady tossing crumbs from her lap begins to laugh when a lone mallard approaches. You too? she says. Okay, okay. Then come three or four other ducks. Sure, sure, she tells the first, bring your friends. There is enough.

Down the path, a toddler turns from his red rubber ball, and now he is coming too, the others behind him. In the distance, a train sound. Uh-oh, says the boy, and then turns back to the birds. Hands open, arms out. The woman laughs again.

For the Love of A Child

This is for the way that she did not know any better then, but to say to another who had made her laugh over graham crackers and apple juice, I love you.

I’d like to celebrate the child today. Whose first impulse, when making a first card for a classmate, upon receiving a first-ever invitation to a school-friend birthday party, was to pull out all the best markers, draw the best hearts and rainbows she could think of, and write “I LOVE YOU” in her best capital letters. This for Joseph G., in kindergarten, and the party was at the McDonald’s in Yonkers, the big one with the yellow slide and the Hamburglar tower with the shiny metal ladder up the middle.

This is for the way that she did not know any better then, but to say to another who had made her laugh over graham crackers and apple juice, I love you.

And for the stoic acceptance with which she nodded silently when informed gently that such expressions, outside of family, would not do. She did as instructed, keeping “I LOVE” and adding an “R” to “YOU” and “PARTY” to the end of the sentence, making it a very strange sentence for someone to write prior to attending the party. I love your party, it said now. That’s better, she heard.

She quietly understood how it was apparently better to seem as though you were confused about delineations between past, present, and future, than prone to flourishing expressions of love. She quietly understood, in that brief edit, how much of herself would have to be muted or cause for shame. Who didn’t even know the half of it, then. Who went to the party and smiled through what could not be expressed, and somehow survived to adulthood.

This is for her, and those like her, shamed out of their best impulses at an early age: to love, to make for others lovingly, and to give these loving gifts away. To share generously from a place of abundance, not fear; play, not decorum; love, not positioning. I want to call her back. I want to relearn what she knew before she knew what was expected. 

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