the training

and its quiet cousin

We went where the children were, into the concrete buildings that announced themselves from a distance by their rectangles of fluorescent light before dawn, each classroom another illuminated cell in which a small republic would soon attempt the impossible. 

We drove there carrying lesson plans, coffee, sharpened pencils, and private theories about service. Some of us had hints about some calling. We also hoped to one day be worthy of homes and worthy of citizenship, despite the wayward, wandering nature of our pilgrimish selves. We privately fingered some phrases about the nature of this calling, as with prayer beads. We learned to do this while sidestepping certain reflections, their attendant questions. To serve whom? Serve what? Serve how?

Inside the lit boxes of concrete, copy machines predictably jammed and bells divided the hours into predictable portions. Loudspeaker voices droned on, with a scripted confidence that seemed to expose our own uncertainty. Lord, I believe, I prayed on my knees, rosary between my shrinking breasts, heal my unbelief.

There were forms for absences, interventions, accommodations, referrals, observations, evaluations, emergencies. Somewhere beneath the paperwork, a quieter practice breathed its ragged breath. It was not the sort to be documented, so tended to be found lacking when it came time to speak in its defense. We were quiet in meetings, or coughing.

Some of us imagined that if we served long enough, well enough, we might eventually become free of ourselves. It seemed noble at the time. No one warned us that the self is not only the thing that interferes with attention. It is also the place from which attention is given. Grind it finely enough and something essential becomes dust. 

It settles everywhere. The children breathe it. So do we. Outside, the century acquired stranger habits. Bats slept with white upon their noses. Birds disappeared from places that had always expected birds. The seasons arrived carrying unfamiliar weather. We learned new acronyms faster than new names. Every year another expert assured us that the future had finally been measured correctly. The children kept arriving anyway.

***

The week before I began teaching, I attended a county training wearing the best clothes I owned: a purple spaghetti-strap dress beneath a crocheted sweater arranged carefully across my shoulders, an improvised modesty. I needed a paycheck before I could afford professional costume. I can’t remember what I did for shoes. 

I arrived late after misjudging the parking and found the last empty seat beside two young men who already seemed entirely at ease in the room. They were funny, bright, and quick-witted with soft jibes and easy answers. They were the sort, I see now, upon whom institutions instinctively confer authority. 

“That’s a rough school,” one of them said when I told him my assignment. Then he explained how I ought to meet the moment. I listened carefully because I assumed he knew something I did not. 

Twenty-two years later I remember almost none of his advice. What remains is the question that kept me listening. It was too raw to say aloud. What do the children need, to live here now? The two questions occupied the same room, and rarely acknowledged one another.

Years before, when I was the age that my children are now, a teacher had handed me a box of tissues and gave me space to sit awhile. She did not explain my sorrow or try to fix it. She did not ask me to become more positive or more resilient or more realistic. She recognized that bewilderment sometimes accompanies seeing and let me sit in her office as long as I needed before marching on to my scheduled class. This was some of the most profound instruction of my life. 

***

In the decades since that first training, I know more now about curriculum, assessment, language acquisition, trauma, literature, and revision. Mostly, though, I know about the limits of certainty. Enough, perhaps, to stop mistaking certainty for wisdom.

Meanwhile, the children continue arriving, carrying entire worlds that no data set, policy document, or professional development session could possibly anticipate. They arrive laughing with friends. They arrive grieving grandparents, translating for their families, having crossed borders both visible and invisible before first period. They arrive eager, despite everything their forebears have constructed around them.

This, the part that steadies me on my better days, still knows nothing of expertise. She places all the eggs of her shaking faith in a single basket, calls it nothing. It is neither measurable, or scalable, or capable of surviving particularly well in committee. It’s nothing, but a stubborn belief that another consciousness can still be met with attention.

Each morning another consciousness walks through the door asking, Will someone meet me here?

The loudspeaker begins its announcements. The attendance form waits to be filled, then saved. Somewhere beneath all of this, another lesson clears its throat. The children are here. For now, that is enough to begin again.

origin song

regarding migration

If you were born where your first language
was never called words, then no one could persuade you
that silence is empty, and somewhere the swifts, the whales,
your oldest kin would still be calling.

They can tell you are far from them now,
but not enough to forget
how rivers remember when rains return, to rise
so sea bells hang briefly from branches now fish-kissed,
and the snakes you watch without naming,
the delta birds—
you wonder if they have heard your other names.

Maybe what calls
is no memory at all,
but the pull that turns whales
toward waters they have never seen,
that curves a swallow’s wing,
the hidden maps of swimming salmon,
the green
that climbs toward light.

Whatever this soft astonishment is—
star-fire held a while in bone,
let it lean
toward the wet-feathered ones,
the slitherers who kiss bark
with their bellies,
the blooming.

And if I remain
half forgetting,
half listening,
let me hear
still, small songs
in the fig tree,
hush of fur near enough
until what some dark cavity

of my inner ear
keeps calling
origin song
turns out not to be

before now,
but arriving,
asking only
whether we are still able
to follow.

the carrying back

on being read

Sing to me, Forest, of your undergrounds
where I wait, hungry, attention on
your warning sounds, willing myself
to root into reading with my feet
your songs, coded in chemical notes: C, N; I
lean in, root to root.

Yours is the song I mean to hear & hold,
to carry back by this vessel
to the others of my kind where we meet among blocks
of concrete, warning bells & sirens
to remember birdsong, heartbeats, susurrations
of our mothers’ wombs

by these waters
at this shore
against these feet, to see
the sea, la mer
ma mère, my mother

to better remember the taste
of being tasted into life by an octopus
whose arms around me whispered before i knew
to wonder what she was by name

to say come here, love. i devour you.
& go, my tongue’s first song meeting hers,
song fleshed back into
this thin-skinned cup
all i have for holding

inaudible birds

pending confirmation

on a summer evening in the Super El Niño year
a body gets to worrying
about the birds
how the babies get thrown
from their nests
in the latest desert monsoon
a week after flocks fall
dead in the heat when
the avian flu once thought confined
to factory farms
has leaked somehow to shorebirds
then seals
then sea lions
as though categories were only temporary fences
& i
want to hear what they are saying because
i worry about running
out of time to hear
meanwhile am going
on an hour now trying to log in
to this airline Yes I Did Reset the Password
& again
& again
locking on one thing i can set right by persistence
& attention to detail
& again
it does not work
with a tiny pink error code
& a miniature number
to call
but not now
tomorrow maybe at a less convenient time
when a body should be doing other work
such as the work of living
or else replying
to indicate that i have received the notices
re: updated student loan repayment plans
& re: SAT registration dates for rising juniors
& then onto work email
re: exciting changes coming this semester
(read: same dysfunction/ same hope/ new flavors. . . & a logo!
schedules & possibly even working bathrooms coming soon!)
& i have returned the bagged lettuce to the store
in response to the latest outbreak of whatever
& my daughter came home without my hearing
over three fans so when I wake sweating around 2 am to text
is everything okay? i get moose emoji in reply
& yah are you? with selfie in bed now my turn
lol laughing emoji eyes not adjusted yet
i read the clock wrong
moose did not hear
& now the cat on my chest offended
by the visible bottom of her bowl
or perhaps because of the fans so loud
or something in me so loud running
wanting just a little more time to catch
the better end of the story
let there be a better end
to tell it forward this time
to tell ourselves and mean it
not
running
& it is not in the end about getting
anywhere
is it?
only not this
running so loud
& so fast
we cannot hear
the birds

bodies of the storytelling kind

every beginning inherits an aftermath

We do not make of ourselves clean lines, nor do we tend to follow them. When we do, it is accident or anomaly. Some call it miracle, but what if the real miracle is how we bulge and bleed, leak and tear? The ways we absorb more than we should be able to hold. If we were ideals, we would not be this way. If we were ideas, we would not be this way. But this is the thing with being bodies. We are made of so much stuff, until we aren’t anymore. To keep growing, we have to leave parts of ourselves behind. We are here to collect ourselves. This beginning is also an aftermath. We gather ourselves in pieces, and then we let them fly.

Minutes from the Society of Dirt

where attendance is consistently excellent

I am not the subject, but the background against which he performs himself.

For example, I can be a receptive audience, pliant and agreeable. A receptive audience is always preferable to a resistant one. I am neither, and also both. But these details are irrelevant to our subject, who insists upon unity of vision.

Pulling this off successfully—and it is always a great feat, isn’t it, when everything comes together? —requires a total alignment of the environment. All parts separate, each in its place.

It takes a great deal of effort.

The parts of me that refuse taming learn to separate when needed, as a lizard separates from a caught tail. So I go around leaving tails everywhere, little souvenirs for whoever comes looking.

This is a preferred mode of movement in the subject’s realm. He runs a tight ship, and I am made of whatever collapses an edge. Now solid, now not.

I reject the purity tests, the display cages of possibility, the passion for classification. But I accept these as intractable features of the environment, like leaf blowers and occasional dogpiles.

Poor subject. He exists inside a fiction mediated by others. He notices them primarily as objects requiring arrangement.

He cannot account for the resistance because the resistance is made of teeming earth. By definition, it refuses purity.

He calls us dirt.

From below, we teem here, a laughing rumble at his feet.

at the hour of the Angelus

after Leonora Carrington

Surely, I carry enough madness for the long voyage, having packed enough pieces, and left some, devilishly scattered about, to make for you a puzzle. From the railing, I scatter some upon the waves like fish bait. They rise and eat and I leave.

Immune to the affliction of telling anyone what I know, I know nothing except that I am a fuzzy form of human animal who will one day die.

For a time, I walked to and from walls of gray sandstone beneath birds of stone. The building is hollowed out now. Only the birds remain. If you approach, as I do sometimes, to paint from memory, they flit between the apertures.

No one is there but the birds, but whoever escapes the childhood home?

A giant goose commands the scene. A horned creature holds a broomstick. Three hooded figures at the table, one in dark glasses at the stove, the red-robed figure at her feet. Corn upon the metate to be ground and served with the fishes the nuns ride in upon.

At the hour of the Angelus, they sing the wild anemones from the woods. I go again to greet them.

undocumented gravities

what bends the fabric

One physicist told me: picture a bowling ball in the fabric,
the fabric caving in—why bodies fall toward one another,

spinning. How spacetime curves. My grandmother spoke of weight
in other ways: the hush between names in an unread ledger of losses.

I finger that line, the jagged edge of scab, the raw grain Ellison heard
scraping every blues. What do I do with this mass of memory

now bending every moment into its warp? She lost her mother
to fog-lung at nine, crossed alone to a house with chandeliers,

quiet corrections. Her eyes went dark when I asked about the war.
She kissed me once, called me her lost sister’s name,

then whispered into the rosary beads drawn from pocket to lips.
A song she didn’t teach me hums in my sleep.

Here is a shape made of silence. A dark bloom:
cells within cells, watched by a thousand quiet endings

spreading? Grief is such a mass, perhaps, when left unspoken:
a metastasis of memory in a land that names the stranger alien.

I am trying to reach mine, cannot find where it begins.
It arrived before language, encoded in the spiral of blood,

older than my name. Like starlight long gone, still arriving.
I squint into the most distant layer of stars: fine dust.

Some of it shines from bodies long dead,
their last emissions only now arriving

here. Their light arrives always without their names
like a jagged, cracked-open ledge,

this brief flesh against it,
struggling to sound.

*

This poem recently appeared in Sky Island Journal, Issue 35.

notes from any weekday afternoon

on arriving after the high point

Here comes a familiar question. So now what? It’s  the end of the long part of the day and the beginning of the part where I mean to redeem some of the best of me. But the glass is empty too soon, and here’s a challenge. If I don’t rush past it, a response waits. Saying, now you try to make. Something, but not today. Today I want to open the notebook, the laptop, the inbox and find it already made.

In the Mass, there was a moment after the bells and before communion that some called the High Point, where we said I am not worthy to receive, but say the word. It came after the part where my grandma would whisper, Lord, I believe. Heal my unbelief.

I return each evening in a diminished form, somehow. Determination is not the posture of prayer, but of the glossy ad. It makes demands, offers vapid encouragement, relentless goading on. Get yourself together, this part insists. How can you be finished if it isn’t even dark? How when others are just beginning, can you be done for the day?

True, this day started at four, and then came everything I will not list. I mean to get beyond all of this. Here comes Dante again, interrupting a line of thought with whispers of how the dark wood were better followed, translated. I am inclined to agree, but keep finding concrete corridors, fluorescent track lighting, deafening bells. The railings and the gates and the traffic keep me moving over leveled ground, but airless, crawling in this steady stream.  I eddy again among the bent ones, each of us shouldering the rest of the day forward until it turns on an eventual collapse, and comes back for us, again.

where we stood, watching

on those who mistook their heights for flight

Consider this, we tried—but held still when they raged. We were about to say babies, offer skillets, call on memory. We learned to hold our words, to stand instead, ever ready with arms at our sides, palms open. We held them through their nightmares and when they raged that we knew nothing of their wars.

They did not come toward us. Their bodies knew a direction, some center pointing, but they had trained themselves away from it.

We waited for a decision that did not arrive. No more war at the threshold, or bringing it home, or calling its conquest flight. We held our tongues, tasting blood and what. We could not say. Stay, we pressed, a whisper. It was not a command, but a reminder of contact with the living. Here, we said, and offered skin. A reminder of how tender the flesh that holds us here, how barely.

Their systems grew intricate. Machineries of belief meant to lift them, and we grew tired of these heights, sensing the fall pre-written.

Milk leaked. Children cried to them—look, see me—but the angle was wrong. Too low. Sometimes they would lift a child as if testing the weight. We held our breath.

Our bodies became passage—grease for the next idea, pillows where their heads had been. We learned to move on. 

The next thing was the children. They wanted to fly, too, but we did not throw them. Not with one on each hip, a basket of laundry, onions cut open on the board.

Here is where they stepped in, who were here so briefly. To do the throwing. Up! They lifted. Up, up! they shouted. 

The children screamed. Again!