another light

a remainder’s song

i shatter into another light, something other than this sun,
this nowhere all the time or everywhere at once, somewhere

far from this sun, suffused with bodies, nowhere
all the time & everywhere, among those creatures

carried, fused with their teeming lives, wondering
what is this other light embodied in the photons now held,

ultraviolet & unseen, altering cells, bleaching by this other light
my pigments; infrared absorbed, becoming heat; x-ray passing

through softer tissue to be stopped by what is not. the bees see
some of it, read nectar guides invisible to other kinds, birds read

magnetic shifts beyond their sight. what can it mean to be so
invisible, read only by flux, magnet pulse, absorbed by each body

in her time, beyond sight? what begins within familiar ranges
of perception then moves out, by pulse, the magnet bodies of another

side, into language their keepers no longer recognize, beyond familiars,
knowing i could translate myself back for you, but not without

calling back the keeper’s cage, not without altering the form inside,
as before, so you could reach what translated back

from where i stayed, hoping you would follow inside the eye,
into this seeming dark, to stay. hoping, but you saw this place

as no place, this form no body
what remains

some instructions for leaving

in which nothing leaves

I may not have loved since entering
this purgatorio but I have known attractions
fired by recognition
of another body
in whom I recognize
some ancient home
the here-not-here, by rock & sway
of crowded boat, my form giving
against the solemn jag of craggy cliffs
through dark orifices of another war
where some cite the wine-dark sea
of avengers, mourned back
to battle and then dead
whose sons return to repeat them
until all lines of origin are erased
I, too, descend
from ancient clamor,
silenced now:

carbon fixed first inside familiar cells
of marine life: phytoplankton, algae,
buried & altered over eons.

I slept beneath you,
before fire, before when
rough-gloved hands
came to enact what they called
refining
pulling apart
my ancient form: ethylene, propylene,
remnants fastened
into intricate chains.

I know to be molded,
to take the heat of this earth
made hot enough to burn its own
past the capacity for return
I know the sudden cool that
follows, before this
float, where I fill, sink,
shatter

having bottled illicit toasts
swallowed by shrubs in midnight parks,
passed hand to hand in fallout
aftermaths, left beside desert rocks,
emptied by those dying
of thirst to cross
as leaf dies into another life
as whale becomes carcass becomes
food, light, shelter, home.
as bone into mineral, into soil
into tree, then leaf again
by the light of a distant star

but i cannot rot, only break
into finer pieces,
some sand-sized
but never sand:
ever eroded
never transformed

denied my next death
i may only attach myself
to blood, lung, womb, milk,
to inner ear but not to hearing,
to mouth but never song,
to heart & longing
without capacity to beat
& then cease beating.

The living make of me a reef
& come. They flower on me,
then go.

Pulled from our long burial
we are deep time made impatient,
forever arriving
at new shores
as ourselves
unable to become
anything
else.

first reading

pending fluency

before phonics, i read books of creatures,
announced emu to my grandfather’s
startlement & then it was time for

real school. the gray stone building
behind the chain link fence, waves of
traffic in the intersection behind it

where rows, where walls, where
flag, clock, map, crucifix
announced some portent by fluorescent
light. but this, i could not read

or else the body read it first: tongue refusing
the sounds, mouth rejecting the syntax
of that space, coughing up whatever

obedience it was given. sick
every morning over asphalt in the parking lot,
then silence. head bowed, entered

& learned to conjugate what was called
education, a force
with unknown weathers

where beyond multiplication tables
another alphabet coalesced offshore
the widening gyre a storm

then sick again, then home. i went to kneel
near my grandmother’s gloved hands,
over roots threaded through soft beds where

she kept her beloved impatiens
and a running conversation with visiting
birds.

too late to be ancient, like whales, too late
for the soft womb of the far sea.
a creature learns the weather
it must live inside
learns to hear
them

& here
it was too late for lessons in first language but
not for the memory of how she opened

the mouth of her
o

the training

and its quiet cousin

We went where the children were, into the concrete buildings that announced themselves from a distance by their rectangles of fluorescent light before dawn, each classroom another illuminated cell in which a small republic would soon attempt the impossible. 

We drove there carrying lesson plans, coffee, sharpened pencils, and private theories about service. Some of us had hints about some calling. We also hoped to one day be worthy of homes and worthy of citizenship, despite the wayward, wandering nature of our pilgrimish selves. We privately fingered some phrases about the nature of this calling, as with prayer beads. We learned to do this while sidestepping certain reflections, their attendant questions. To serve whom? Serve what? Serve how?

Inside the lit boxes of concrete, copy machines predictably jammed and bells divided the hours into predictable portions. Loudspeaker voices droned on, with a scripted confidence that seemed to expose our own uncertainty. Lord, I believe, I prayed on my knees, rosary between my shrinking breasts, heal my unbelief.

There were forms for absences, interventions, accommodations, referrals, observations, evaluations, emergencies. Somewhere beneath the paperwork, a quieter practice breathed its ragged breath. It was not the sort to be documented, so tended to be found lacking when it came time to speak in its defense. We were quiet in meetings, or coughing.

Some of us imagined that if we served long enough, well enough, we might eventually become free of ourselves. It seemed noble at the time. No one warned us that the self is not only the thing that interferes with attention. It is also the place from which attention is given. Grind it finely enough and something essential becomes dust. 

It settles everywhere. The children breathe it. So do we. Outside, the century acquired stranger habits. Bats slept with white upon their noses. Birds disappeared from places that had always expected birds. The seasons arrived carrying unfamiliar weather. We learned new acronyms less quickly than new names, although they arrived almost as often. Every year another expert assured us that the future had finally been measured correctly. The children kept coming.

***

The week before I began teaching, I attended a county training wearing the best clothes I owned: a purple spaghetti-strap dress beneath a crocheted sweater arranged carefully across my shoulders, an improvised modesty. I needed a paycheck before I could afford professional costume. I can’t remember what I did for shoes. 

I arrived late after misjudging the parking and found the last empty seat beside two young men who already seemed entirely at ease in the room. They were funny, bright, and quick-witted with soft jibes and easy answers. They were the sort, I see now, upon whom institutions instinctively confer authority. 

“That’s a rough school,” one of them said when I told him my assignment. Then he explained how I ought to meet the moment. I listened carefully because I assumed he knew something I did not. 

Twenty-two years later I remember almost none of his advice. What remains is the question that kept me listening. It was too raw to say aloud. What do the children need, to live here now? The two questions (of what to do, and why) occupied the same room and rarely acknowledged one another.

Years before, when I was the age that my children are now, a teacher had handed me a box of tissues and gave me space to sit awhile. She did not explain my sorrow or try to fix it. She did not ask me to become more positive or more resilient or more realistic. She recognized that bewilderment sometimes accompanies seeing and let me sit in her office as long as I needed before marching on to my scheduled class. This was some of the most profound instruction of my life. 

***

In the decades since that first training, I know more now about curriculum, assessment, language acquisition, trauma, literature, and revision. Mostly, though, I know about the limits of certainty. Enough, perhaps, to stop mistaking it for wisdom.

Meanwhile, the children continue arriving, carrying entire worlds that no data set, policy document, or professional development session could possibly anticipate. They arrive laughing with friends. They arrive grieving grandparents, translating for their families, having crossed borders both visible and invisible before first period. They arrive eager, despite everything their forebears have constructed around them.

This, the part that steadies me on my better days, still knows nothing of expertise. She places all the eggs of her shaking faith in a single basket, calls it nothing. It is neither measurable, or scalable, or capable of surviving particularly well in committee. It’s nothing, but a stubborn belief that another consciousness can still be met with attention.

Each morning another consciousness walks through the door asking, Will someone meet me here?

The loudspeaker begins its announcements. The attendance form waits to be filled, then saved. Somewhere beneath all of this, another lesson clears its throat. The children are here. For now, that is enough to begin again.

origin song

regarding migration

If you were born where your first language
was never called words, then no one could persuade you
that silence is empty, and somewhere the swifts, the whales,
your oldest kin would still be calling.

They can tell you are far from them now,
but not enough to forget
how rivers remember when rains return, to rise
so sea bells hang briefly from branches now fish-kissed,
and the snakes you watch without naming,
the delta birds—
you wonder if they have heard your other names.

Maybe what calls
is no memory at all,
but the pull that turns whales
toward waters they have never seen,
that curves a swallow’s wing,
the hidden maps of swimming salmon,
the green
that climbs toward light.

Whatever this soft astonishment is—
star-fire held a while in bone,
let it lean
toward the wet-feathered ones,
the slitherers who kiss bark
with their bellies,
the blooming.

And if I remain
half forgetting,
half listening,
let me hear
still, small songs
in the fig tree,
hush of fur near enough
until what some dark cavity

of my inner ear
keeps calling
origin song
turns out not to be

before now,
but arriving,
asking only
whether we are still able
to follow.

the carrying back

on being read

Sing to me, Forest, of your undergrounds
where I wait, hungry, attention on
your warning sounds, willing myself
to root into reading with my feet
your songs, coded in chemical notes: C, N; I
lean in, root to root.

Yours is the song I mean to hear & hold,
to carry back by this vessel
to the others of my kind where we meet among blocks
of concrete, warning bells & sirens
to remember birdsong, heartbeats, susurrations
of our mothers’ wombs

by these waters
at this shore
against these feet, to see
the sea, la mer
ma mère, my mother

to better remember the taste
of being tasted into life by an octopus
whose arms around me whispered before i knew
to wonder what she was by name

to say come here, love. i devour you.
& go, my tongue’s first song meeting hers,
song fleshed back into
this thin-skinned cup
all i have for holding

inaudible birds

pending confirmation

on a summer evening in the Super El Niño year
a body gets to worrying
about the birds
how the babies get thrown
from their nests
in the latest desert monsoon
a week after flocks fall
dead in the heat when
the avian flu once thought confined
to factory farms
has leaked somehow to shorebirds
then seals
then sea lions
as though categories were only temporary fences
& i
want to hear what they are saying because
i worry about running
out of time to hear
meanwhile am going
on an hour now trying to log in
to this airline Yes I Did Reset the Password
& again
& again
locking on one thing i can set right by persistence
& attention to detail
& again
it does not work
with a tiny pink error code
& a miniature number
to call
but not now
tomorrow maybe at a less convenient time
when a body should be doing other work
such as the work of living
or else replying
to indicate that i have received the notices
re: updated student loan repayment plans
& re: SAT registration dates for rising juniors
& then onto work email
re: exciting changes coming this semester
(read: same dysfunction/ same hope/ new flavors. . . & a logo!
schedules & possibly even working bathrooms coming soon!)
& i have returned the bagged lettuce to the store
in response to the latest outbreak of whatever
& my daughter came home without my hearing
over three fans so when I wake sweating around 2 am to text
is everything okay? i get moose emoji in reply
& yah are you? with selfie in bed now my turn
lol laughing emoji eyes not adjusted yet
i read the clock wrong
moose did not hear
& now the cat on my chest offended
by the visible bottom of her bowl
or perhaps because of the fans so loud
or something in me so loud running
wanting just a little more time to catch
the better end of the story
let there be a better end
to tell it forward this time
to tell ourselves and mean it
not
running
& it is not in the end about getting
anywhere
is it?
only not this
running so loud
& so fast
we cannot hear
the birds

bodies of the storytelling kind

every beginning inherits an aftermath

We do not make of ourselves clean lines, nor do we tend to follow them. When we do, it is accident or anomaly. Some call it miracle, but what if the real miracle is how we bulge and bleed, leak and tear? The ways we absorb more than we should be able to hold. If we were ideals, we would not be this way. If we were ideas, we would not be this way. But this is the thing with being bodies. We are made of so much stuff, until we aren’t anymore. To keep growing, we have to leave parts of ourselves behind. We are here to collect ourselves. This beginning is also an aftermath. We gather ourselves in pieces, and then we let them fly.

Minutes from the Society of Dirt

where attendance is consistently excellent

I am not the subject, but the background against which he performs himself.

For example, I can be a receptive audience, pliant and agreeable. A receptive audience is always preferable to a resistant one. I am neither, and also both. But these details are irrelevant to our subject, who insists upon unity of vision.

Pulling this off successfully—and it is always a great feat, isn’t it, when everything comes together? —requires a total alignment of the environment. All parts separate, each in its place.

It takes a great deal of effort.

The parts of me that refuse taming learn to separate when needed, as a lizard separates from a caught tail. So I go around leaving tails everywhere, little souvenirs for whoever comes looking.

This is a preferred mode of movement in the subject’s realm. He runs a tight ship, and I am made of whatever collapses an edge. Now solid, now not.

I reject the purity tests, the display cages of possibility, the passion for classification. But I accept these as intractable features of the environment, like leaf blowers and occasional dogpiles.

Poor subject. He exists inside a fiction mediated by others. He notices them primarily as objects requiring arrangement.

He cannot account for the resistance because the resistance is made of teeming earth. By definition, it refuses purity.

He calls us dirt.

From below, we teem here, a laughing rumble at his feet.

at the hour of the Angelus

after Leonora Carrington

Surely, I carry enough madness for the long voyage, having packed enough pieces, and left some, devilishly scattered about, to make for you a puzzle. From the railing, I scatter some upon the waves like fish bait. They rise and eat and I leave.

Immune to the affliction of telling anyone what I know, I know nothing except that I am a fuzzy form of human animal who will one day die.

For a time, I walked to and from walls of gray sandstone beneath birds of stone. The building is hollowed out now. Only the birds remain. If you approach, as I do sometimes, to paint from memory, they flit between the apertures.

No one is there but the birds, but whoever escapes the childhood home?

A giant goose commands the scene. A horned creature holds a broomstick. Three hooded figures at the table, one in dark glasses at the stove, the red-robed figure at her feet. Corn upon the metate to be ground and served with the fishes the nuns ride in upon.

At the hour of the Angelus, they sing the wild anemones from the woods. I go again to greet them.