mud & muck

on being embodied

it is not enough
to tell you i think
by way of begging
some acknowledgement
of being for doing this
would mean sidling up
to Descartes who despite
apparent cognitive prowess
managed to decide it was
appropriate to electrocute
dogs who he thought did
not think enough to feel
maybe it was their eyes
the naked love of them
that scared him into
such denial &
despite my best efforts
toward intelligence i tend
to love like a dog
prone to run
with sweet baby Jane’s
moonlit bodies stomping
muddy prints in the surf
at the shore in the light
of the moon
that excess
our all

spun

in this space

Since nothing of me holds
in place but my feet on a
flying planet, spinning
i have wondered
where so many could
dismiss with such conviction
so much of this this––us, to call it all
background noise.

My friends glow embryonic spheres
in whispered susurrations and we migrate
along mycelial lines never to arrive
and we are moving all the time.

If my beginning is an empty
space like the origin of every other
and yet each genesis shatters every
omega back into its alpha state
such that my form won’t hold, make me
an opening for sound––
less voice than collective in chorus
not spear but carrier bag
not speech but gathering
display of longing to show
revealing nothing finally
but unceasing attempts
to name where the word
waits for tongue to lift
the earth again
dirt into soil
for breathing.

true confessions

at the killing hour

  1.  Hello. I am this being before you, embodied.
  2. I am made of flesh. I am being enfleshed.
  3. Which by extension makes me not quite up to muster &  by definition a slow being. 
  4. A fact that forces an admission: how flesh is a slow, as far as substances go. Yesterday, driving home in traffic, I listened to a story (in real time) about the development of data transfer methods via photon. It was old news by the time I heard it. And yet.
  5. My flesh, such as it is, will never travel at the speed of light. And yet, being human, I am one part body and the rest of me is story.
  6. In one of these, I dream of a constant beginning at first light.
  7. In another, I fly.
  8. In another, I am the dead, returned. Sometimes winged. With a choral entourage.
  9. I suspect you are, too. 
  10. So listen. To this question, please.  If I sing to you from the dark place where we hide, waiting, will you please shine me home?
  1.  [and beyond]  for once you surpass ten steps you are surely beyond the beyonds

and yet

I know you are a stranger here, too, so by the light of you I become friend. 

Come, friend. We have places to go. 

They are dark now, until we arrive. 

We may not travel at the speed of light, but this love is a shining thing. 

What if now is time to bring it out? 

I have no answers, only this slow form.

Take it now and let us go.

susurrar

of bodies in translation

It appears that the what of it all
such as it is, happens between
ordered chains of causalities
& wild storms of infinite chance
so if then i should glimpse & dare
some address, will it matter? where
are you going and where have you
been? & i wonder what other
questions hide behind the veil
of this one, a bawdy elegy for
some lost relic, now lucid,
now dense, entombed
where root whispers to
root then sings to leaf
amid reaching of singular
dendrites across impossible
gulfs, where i am made
of volatile stuff between
ice and liquid, you may

find me
in the melt between lake
and cloud where i must be
the flying off.

one note

in a gathering marginal crowd

Rhythms of earth tongues,
come out. I give these
primitive liberties forms
to evade surveillance
of that principle
bent on separation
of bodies from themselves
and one another
that enacts bars
of murderous purity
masquerading
as sensible grammars.
Nocturnal creatures know
me, sit in my lap, lap from
my hands & laugh at extents
of your fears. We only eat prey,
love
, announce the joyful birds.
Separate us all you like. Each
solitude only offers another
rebirth. With each, we widen
the net of our bodies. We become
looming canopies connecting
at altitudes & depths, above
& beneath the walls you drive
yourself mad with the effort
of erecting in your endless quest
to extract Resource from source
while mass-printing gods to coddle
your greed, and their dragons laugh
Will you look at this face? No
you can’t bear it, finding
in its gaze the endless points
of no return, each now a star
in the night you claimed
to conquer & our skins fallen
from us, we move from
their weight & your ability to trace
yes what are you tracing & do you
know when the last wall is built its last
stone in place and the weight of its
prowess inverts and you find yourself
entombed in some solitary well, to call
us, who will hear you but the lowest,
who come and go
among these depths
and their
dead?

ars moriendi

if it goes like this what now

the week for learning
how it was death
been knocking
on my nerves
was the week for learning
how
now might be
an entry into this
high time
to set some things
down and go
into that long channel
with high archways
of blue-white ice
where a single bird silhouette
flaps waiting, high above
& also you
in that passage
where we can’t take what
with us when we
go

unspeakable

afters

when bird i dreamed i walked
upright like woman to fall
beneath tree under branch
after their singing stopped

& upright like her i braced back
into song to call her lost to calling
them
back beneath shade beneath branch
to revive her and rising she only

took up song again, with all words
wronged

upright, back braced, throwing
notes

to land gone from sense or syntax
to cries beyond

meaning, obscured shades beneath
that branch

she lost the lines between her limbs
now they are gone

from sense or syntax, losing herself
to loss beyond

the beyonds, as her grandmother had,
beyond hope,

becoming something else, enough
light to make shade

like the dead, leaving––leaves beneath
each living branch

each branch like a river she knew
when him once

before her body into dirt was enough
to carry the lost

song from beyond that ancient branch
from bird

to whatever gave her syntax sense,
from loss, to carry

from the last she knew, the song
no one sings anymore

to rest in shade, believing you can
still make a soul from dead
leaves if you leave
it all.

Exit mobile version
%%footer%%