how to cross a river

riddles in time, space, and scale management

If you have a fox, a goose, and a bag of beans, what is the best way to cross a river?

In a year of desert driving, I played this question on loop. I wanted a mind for numbers, but seemed to retain only the set-up sequences of word problems.

With a tendency to wondering and feeling too much at once, and with enough sky to lose myself in, I thought mathematical thinking might ground me.

One recurring problem was this: by a fire, under stars, I would go dizzy looking for the farthest ones until my vision blurred.

By then, I did not remember most equations, only the premises for which they were needed. If two trains x miles apart are traveling in opposite directions at different speeds, how much time until they meet? If Jack has eleven pieces of fruit and five are bananas, how many apples for Jill?

The antidote to dizziness, I was trying to learn, had something to do with overriding my first response, which was to be knocked off my feet by the size of it. The sky, that is. And, when it came to math, it was that fact that someone thought like this, imagined a way to sort a world such that these considerations, one parcel at a time, were all. The brilliance.

If a pie and so many guests, cut pieces. Not everyone will want the pie. To calculate circumference, use the number pi. An irrational number to spin the head, but if you knew how to use it, it could help you figure some finite amount of pie, stones, or tire tread.

In the passenger’s seat, I looked through glass and could not take it in. The riddle at least was a smooth and solid thing I could turn in my pocket like a river stone. The river was part of the set up. Mr. Stone was my teacher.

If you have to get across a river by boat. . . the set up went. How do you do it so the fox does not eat the goose, and the goose does not eat the beans? 

What relief. To hold one thing at a time, solidly. I wanted a valve for my mind, some pacing for the flow. One challenge. Then another. A way to stop and then go. At that point, the flooding was out of control. My perception far exceeded my abilities to make any sense.  

The answer to the riddle was: start with the goose. Mr. Stone told us why. But I was back in the river by then. Where to now, goose?

Who do you think you are? This was a challenge that frightened me some, because it tended to come at critical moments with a tone of authority, as if the person voicing it knew exactly what time Train A would cross Train B, how many apples on each, and whether or not the geese should be eating the beans.  If I could focus on one thing at a time, perhaps I would start to see it coming? And have a few answers ready, just in case?

I thought string beans would create less disturbance in the goose. But my mind tended toward the pintos I would buy in five-pound bags from Wal-Mart, which I would scatter in batches over a plate every time I prepared to soak them, checking for rocks. To find one was good. Here was a solid thing I could remove.

Who do you think you are? When these demands came, I would experience the full force of new awareness of the errors of my ways, in dizzying magnification. I meant to apply this force to finding some solution, but I had none.  Which river? Which goose, fox, season? Is anyone else on the boat with me? Am I allowed to touch the goose? Are there eggs to come?

The image of trains hurtling in opposite directions calls to mind rail spine, the nervous condition that did not appear until the advent of railroad travel, caused by the feeling of hurtling through space at speeds disconcerting to a body familiar with horse and foot travel. Not to mention the related and perhaps equally anxiety-producing imposition of standard time.

I had once seen a fox while running on a horse trail in lower New York. Much of the trail ran adjacent to the Hutchinson River Parkway, but certain parts meandered into woods and along lakes such that the roar of cars was more muted, the way crashing surf may be if you are several blocks away.

Perhaps if I had gone beyond 12th grade calculus, I would have developed a more familiar and integrated symbolic language with which to explore the interference effect of a series of infinite variables on a given problem and been more erudite in my explanations about baseline insecurities. But I hadn’t at the time and was still young enough to believe that eventually I might, If I focused harder, see with greater clarity. 

The river, between then and now, has continued to flood me. But the goose is still on it, and the fox, and the bag of beans. They rest at the banks, where the goose and the fox appear to wear bemused expressions, waving. I don’t know why it is this way, or where the boat has gone, but here I am, waving back.

***

This riddle, which I encountered decades ago, is one of those earworms that shows up again and again. I love the setup, the characters, the play, and the mystery. If, in a given year, I scratch 1,000 pages across several notebooks, an estimated 9.5 of them will feature this goose. Who knows why?  Rarely do I publish these, but sometimes it happens. Prior to today, I think the most recent iteration of these creatures in a published work happened in The Closed Eye Open, Issue 10,  Fall 2023, under the title Mathematical Goose.

note on scale

of a life

so much before me happens
& by the time i arrive, i am
primed to recognize how
small i am

& after many years
of carrying this
imagined burden to
consider, with
considerable relief

––how
relevantly so,
and know
how fragile, too––

and yet, somehow
still here, a
spore of moss
on wet & craggy
rock to mark
this shore.

flightless

& unseen

Kitty recovers, and so do I. It’s the last week of school, a time of dizzy rush underscored by reflection. I think about endangered creatures. One among these is the flightless parrot of New Zealand, the kākāpō. Who, according to Māori legend, is a protector of the land. And I am thinking about the children.

A system built for speed cannot see the slow one, who never flew. Who, when hunted, knew to freeze. I think of her, now camouflaged in shadow—an endangered hush—now subjected to another survey. Intended to express how well we care.

But a check mark is not shelter and a rubric offers no refuge. How many shine like saints in the chill grasp of their handlers, being measured for extinction while staying faithful to their flightlessness? 

I’ve learned not to trust anyone with a grand plan because I once had one, too. Now I only want to shelter who still lives. To protect a child’s right to become what they will, even if that becoming looks like myth, even if they call it pest.

I don’t know what school is, only what it is not. One metric involves how well a person can pretend to be a person deserving of award. But that is not the work.

The work is learning how to become, and some of the brightest know better than to obey.

Do it. Don’t ask. Shut up. Or we’ll fail you and humiliate your mother.

And in other news: Kids Fail Critical Thinking Tests.

Marcos liked to talk to old people. Liked to hear their lives. He couldn’t focus on any task that felt designed to domesticate his wonder. The first act of a critical mind is refusal.

Consider the ones who vanish as portraits in negative space: Now you see me. Now I disappear.

Now I am a vase, now I am two people kissing. Now neither. Now both.

You thought your five-minute survey could find me? Think again.

Ask me who I am before I speak.

Ask as if you believe I might not answer.

Ask as if you know the form of your asking matters as well as your question.

There is much I have not said. Not yet––and no, I do not plan to fly. 

I live close to the earth, as I am, in these shadows, or I die.

notes on suspension

in limbo

Sometimes you hear something that sounds  like the thing you always wanted to be true,  and you wish you could fold the words of it inside you and nurse them into full release, winged and alive, even when they land with the weight of the dead. You wonder at the animation of  the severed appendage that does not know it yet.

A lifetime student in the practice of devotion makes me disposed toward believing against what some would call my better judgement. The weakness comes from being honed toward reframing the unseen, from nothing and just an illusion by a lens bent on recognizing both as possible sites of some becoming still dark. This tendency has invited a great deal of trouble. I still don’t know what it all means. I suspect I won’t, ever.

How often I might have died by the hand of who I thought might yet live. This when the vessel by all accounts (including several often-repeated sentences), seemed bent on killing me. I am frightened, looking back, to accept how little this frightened me. I wanted only what I always wanted which was to heal the wound of severance from her origin, but I had misunderstood the equation. I remembered only part of the delivery, and repeated its final words. Take this body, I thought, and meant it, meaning to emulate the prayer I most revered. I give it up to you.  I did not think any further, about my rights in what I gave and to whom, and my responsibilities for getting both right. I thought if I could get the giving part over with, I might be saved. I was profoundly wrong. Even the self-professed sufferers, it turns out, want the easy route––[strike that/ rephrase to avoid diluting responsibility]. I thought if I could just find a way to give it all away, the rest would follow.  Awareness of this leaves me poised to accept that in any given moment, I may be profoundly wrong. A fact that either aggravates or sustains the situation. I am not sure that I will ever, in my current form, be able to tell which. 

Giving it all away is one thing. Being careful about how and when is another. To be human is to be suspended in constant limbo until death, between the not-yet, the undead, and those other, transcendent states. So am I.

dear might be

in close proximity, unhearing

i imagine sometimes
you as your almost-believable avatar who
one day opens an imagined door
or ears to hear, to let them, to all you do
not––
inside or out in these eons between us
and your almost-never, the moment
of this blaring nevermind, i train her
back to soundproof cellars
of some other time
promising to visit.

origin songs

& whose word

strange unseen dark of this body
heartbeating unto her first word

and it was good
and it was listen

all this before the hour of tower lights
and high walls blaring admonitions

ripe for falling from and that followed
and with it the word forbidden and us

tumbling after
& now is a good time to remember

how in the beginning
before the word

was her hearing
like come

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