bones of the suns

view from the updraft, suspended

The bones had to set when we broke them—
we set them in ash after each burn,

beside skeletons of former homes, still smoking.
We needed new cells to grow. Hold still, they said,

teaching how to manage the waiting period.
They meant faith—but without the work

it looked half-dead in our mirrors. We listened
for wolves. We saved their prints in boxes

for someday—for sorting, for display. But what
do you name the waters rising high enough to jump

to the next roof, hoping that one holds? Other questions
scratched outside us. Siri, what do you know of shelter?

It was something to do; knowing you had no service
didn’t stop the need to speak. We reached ready

for the next ledge, and she might have said, You can wait
until dark.
Siri, we might have answered—I believe,

to heal our unbeliefs. The ghosts before us pointed next
and up ahead. We had begged to see it. But one wing,

caught in the updraft, suspended—still looking back—
It was the wreck we marched from. It looked away.

We looked away. It was possible, then, to keep wishing—
merrily down a lane to the land of the dead.

Tracing its thread against honey-slick tongues, we offered
first milk. Some kept their breasts bound for harvest moon.

And when it came, there would be blood, and money—
enough to say: we’ll be okay another year

until time
comes to pull it back again— the sun

of our once
and future sons.

Into Next

With winged hero.

Hello, messenger. You are no good at flying but faithful in your attempts. 

Pranked again by your devices, you can’t resist the dime store crown, the glitter-wrapped wand to go with it, even as it leaves you short one palm to break the fall. What resistance you have, you spend against gravity. 

A study in wreckage, your devotion. There you go again to the height of the last wall in the next fallen fortress, to meet the updraft, that it may lift you backward into the hour at your open hand.

Angels of History

A prayer for the real work.

In the dark of the valley, the sense of an emergency was the beginning of an understanding that we had none of our own––not yet, except in the wild beat of the drums where we gathered in the streets. The gods of progress, long disgraced, continued to shout. We pounded the drums against their noise, and our hearts awakened, to dance in revolt against their empty reasons.

There is an angel among us, pausing to awaken the dead. But a storm stops his wings. Though he turns his back against the future they call progress, the storm blows him into it.

Let the future not be the vast emptiness and us the supplicants of soothsayers. May our knowledge of time be an act of remembrance, our concept of work what we do in service to creation and not as slaves to the death engines of progress. Give us the courage to recognize the narrow gate in every second and be moved.

***

Inspired by the moment at hand and by Walter Benjamin’s essay “On the Concept of History.” In this essay, Benjamin vividly animates the context of Paul Klee’s Angelus Novus.

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