on making

what we mean to remember

I have been meaning to write a note here for almost a week now. It is Memorial Day in the states, which might occasion a purposeful message of solemn remembrance to honor those who lost their lives in service. A day for remembering fallen soldiers, visiting cemeteries, offering commemorative words. Mine would be inadequate today, so I refrain. 

Also in the states, this is the holiday weekend that traditionally marks the opening of summer––barbecues, beach trips, and quite a few celebrations. My love’s birthday, my daughter’s close-friend’s quinceañera, and my brother’s wedding.  In preparation for the wedding, I  spent some time extracting stills from a video slideshow of my grandfather, who died of old age over a decade ago. Several of these photos featured him as a smiling young man in his WWII-era Army attire, complete with wool coat. The photos I had were all black and white. But for him, those moments happened in color.

The federal holiday means schools, government offices, and many other locations are closed today, so for me it’s the first moment I’ve had in almost a week to catch my thoughts in any meaningful way. It’s a chance to nurse a cold in bed instead of rushing to work jacked up on caffeine and Sudafed. And, now that the festivities are behind us, to try to remember what was happening on other planes.

I opened Nelle Morton’s book of essays to a dog-eared page from “A Word We Cannot Yet Speak” to find this line: As fire is known in the burning, not in the ashes, sight is known in the seeing, not in the eyes. This feels relevant in ways I am trying to access through my stuffy head. The essay is about bodily understanding, the kind often maligned for being associated with women and other creatures outside the traditional loci of Western power systems. 

When I opened my notes this morning, I had a sense of wanting to have something to say, but feeling only a dull, achy buzz. Buzz is the name of our cat who has been suffering an ailment that has been mysterious and worrisome in recent days on top of everything else. This morning’s online vet visit offers hope, which is much better than enhanced concern and nothing. 

And yet. I have no meaningful note. All pain, all ache. As it was in the days leading up to the weekend’s events, in no particular way other than how it is sometimes, except that it was time to focus on joy and gratitude for beloveds and friends, for family and love, enthusiasm for the occasion to celebrate together, laughing and sweating and spinning on the dance floor, all I love you! and Don’t go! and You have to stay! until eventual hard-crashing, headache-nursing, morning-after commentary, limpid with excess, a time to acknowledge the sore throat and sneezes are not, as I was claiming earlier, from laughing so hard while responding to insistent protests of,  Stay, stay! Don’t you dare leave!

Now it’s quiet. I try to collect things. I make a list. Back to work tomorrow. Try to remember.  I follow the cat with a warm washcloth, apologizing between bouts of treatment. What was I doing before? With such urgency? So close to something I was meaning to carry through. I was thinking, just a little longer, stay, before it went.

Witness, Say the Word

Notes on Juneteenth, 2024.

One wonders about official days of remembrance sometimes, to what extent any one of them might serve as convenient cover for a miasma of forgetting that is, if not enforced exactly, afforded by numerous conditions, one of which is the immediacy of other disasters, collecting in such a swarm that they naturally imply a single organism, a looming and shapeshifting singular catastrophe, foreclosing belief in tomorrows.

And yet. Afraid for the living––all of us, I want to remember. The admission feels like a prayer from when my grandparents were living and the top of my head reached only their waists, and there was much to worry about but I had yet to come into full awareness of the idea that the moment at hand was one where the systematic extinguishing of living beings was as common and transactional an operation as real-estate sales. I am not worthy, the prayer went, but say the word and I shall be healed. Adjacent to another prayer, I believe. Heal my unbelief, and both came before the commercially-manufactured wafer was transubstantiated into the body that made all tomorrows possible for everyone, however few so long as we are gathered in that faith, however wavering. 

I suppose I remember this now because I am aware that such a day of remembrance suggests celebration but also a sense of something hanging in the balance yet to be resolved. A call, perhaps? To which I may respond or stand in silent defiance, doubting its veracity. My favorite writer on these matters, Richard Rohr, reminds me that “The opposite of faith is not doubt, but certainty.”

By this spirit, I am compelled to hope against despair, aware that I am not alone in wanting to remember in a room with a vast table from which none will be excluded. In this spirit, I want to remember every tomorrow, especially those newborn flames in danger of being snuffed out for lack of oxygen. To each tentative baby flame I want to whisper, I see you, and this of course is not selflessness but a symptom of hunger, for I am a wretched specimen of a so-called species (I mistrust taxonomies of the living) which after all may undeserving of persistence, and yet I am also a baby flame, not yet fire but not yet gone.

It is summer and I have a break from teaching so I read with the thirst of someone who is crossing an arid region in a heat wave. As so many are. And to what end? I cannot answer but this morning it is Paul Celan’s “The Dead Man,” an early poem written while his parents were being extinguished in the death camps of the last century. I nod my heavy head into its image of a passing wind, considering this life the kite that depends upon it, which can fly only as long as the wind persists and a hand other than its own holds at the other end. The speaker witnessing the poppies near the man’s wormy body, face down in the dirt, notes how they scrape blood from him, urging, kneel now, and drink it in!

Such is the posture that is now. To kneel, cupped hands, amid the collected bodies of this impossible moment as the machine drones on. And yet, the eyes before the single body still blink. The hands in anticipation yet hold. The word, does it come? Even now, can it be said? Perhaps I only move my pen to reenact the waiting for the moment when the body becomes. Tomorrow and tomorrow, heal my unbelief and breathe. Baby flame of we, ignite.

Angels of History

A prayer for the real work.

In the dark of the valley, the sense of an emergency was the beginning of an understanding that we had none of our own––not yet, except in the wild beat of the drums where we gathered in the streets. The gods of progress, long disgraced, continued to shout. We pounded the drums against their noise, and our hearts awakened, to dance in revolt against their empty reasons.

There is an angel among us, pausing to awaken the dead. But a storm stops his wings. Though he turns his back against the future they call progress, the storm blows him into it.

Let the future not be the vast emptiness and us the supplicants of soothsayers. May our knowledge of time be an act of remembrance, our concept of work what we do in service to creation and not as slaves to the death engines of progress. Give us the courage to recognize the narrow gate in every second and be moved.

***

Inspired by the moment at hand and by Walter Benjamin’s essay “On the Concept of History.” In this essay, Benjamin vividly animates the context of Paul Klee’s Angelus Novus.

Window Mirrors

These growing beyonds.

An old problem: how to phrase 

the far-away steeples. 

How to abandon a conversation 

made of one part memory 

and the other projection?

Which time is it now, the world 

of memory or the procession 

of days marching to the iron-fisted clock? 

What grows beyond the window over there, 

and who has a mirror? 

Let’s shine it by the opening buds, a signal 

to ourselves and our aboves: 

Look, here.

***

The opening line references Marcel Proust’s recollection of the twin steeples of Martinville. 

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