Watch moon. Watch shore. Watch fire. Watch the shores incandescent with moon burn themselves to the other side of tide.
epiphanic
waves, waving
waves, waving
Watch moon. Watch shore. Watch fire. Watch the shores incandescent with moon burn themselves to the other side of tide.
ache
i wanted to offer once upon you
i wanted to give you time
of which you were always saying
i don’t know where it went
now
there is a city on fire, and
there the burn scar, and
there the wild white sun again
eating the distance between
dream and despair and
it is the smell of you i miss
now
when i leave, afraid you
will wander off, walking
into the flames to see their
dancing because it really
is so much more up close
than what any aerial view
can tell you or high budget
film they miss the terrible
now
grace of those licking tongues
you can only see this when
they are right outside the
window-wall, with only
the glass between you
for now i wanted for you
an hour you could not
lose like your keys
your glasses the moment
we were almost inside
now
i lost it, too, waiting
like come here and
after a certain point
getting out is no longer
an option so you watch
the flames through the
glass knowing that if
it were the glass of another
time it would have shattered
by now but not knowing how
long this new stuff will hold
out
a meeting with the emperor
please don’t put the new fortress there, said the old woman to the emperor. remember what happened to the last one?
he picked her up, spun her around, smiled. he sang a happy song about self-love.
it’s going to burn, she said. she lived in a tiny hut near the well. she was calm and very polite. she made no mention of his nakedness.
you are so wise! he said, laughing, and your eyes! wow, are those wells, too?
then he assured her not to worry. he had the best of intentions and these were the opposite of burning. all good! he sang, spinning off.
later, when the blaze ate the hillside and everyone on it, including the old woman’s hut, he cried, SEND SOMEONE! HELP!
o god, he whispered, after the shouting.
but by the point, even the helicopters had to retreat. the woman near the well was silent.
Point of contact.
Closer. Lens moves over hillside, black with ash from the last burn. Find the fire poppies above the road. Where are they and the first call when it comes is a reminder: check the nightstand lock the doors.
Who is safe is a not a question. She holds it. Describe the sound of water eroding a mountain. With the cold moon come hungry dogs to howl night.
Father seeking son, without the right address. Where do you send the words to tell him, Son I am thinking. To tell him what. To tell him finally. Of you and mean it. And imagine that he reads.
But if the numbers are wrong you cannot deliver. We cannot be delivered without the right numbers and until they come every stranger looks like a prayer almost answered and only a few of these look up.
Take notice when looking for a son and see one there on his knees beside the shoulder where it’s time to look and look again. When no movement follows call but the wind of passing cars in roadside sage then call again and wait.
Hold the name against your tongue. Against the soft skin of the roof of your mouth. Of the son with no roof to shield his head. Don’t say it. Closer, calling hey and are you to the stranger and alright and how does anyone answer this now except to say yes except to indicate the pulse that means still living but it’s the rising blooms from the ash you need now.
Move the lens. This distance from the burn will yield nothing. Go in.