To Earth. . .

on your beginnings

This week’s vibe is one of disequilibrium. The return to school is, to put it mildly, a bit chaotic this year. I have spent the last few days feeling severed from the best parts of my mind. To be clear, there is nothing unusual or traumatic occurring in my life at this moment other than confrontation with the noise of the hour at hand in its current institutional form (as sites absorbing what feels increasingly like the engineered chaos it is, designed to destroy the concept of a public good).

So, for now I will share something that I just noticed was published in Stone Poetry Quarterly, as I try to recover. Titled “To Earth, on Your Beginnings,” this piece, like many from recent years, emerged from ideas that I first explored here. Thank you for being with me in this space. I look forward to returning, soon. I am glad to find this one today. Reading it helps me to remember what I mean to return to. With love.

current

ache

i wanted to offer once upon you
i wanted to give you time
of which you were always saying
i don’t know where it went
now
there is a city on fire, and
there the burn scar, and
there the wild white sun again
eating the distance between
dream and despair and
it is the smell of you i miss
now
when i leave, afraid you
will wander off, walking
into the flames to see their
dancing because it really
is so much more up close
than what any aerial view
can tell you or high budget
film they miss the terrible
now
grace of those licking tongues
you can only see this when
they are right outside the
window-wall, with only
the glass between you
for now i wanted for you
an hour you could not
lose like your keys
your glasses the moment
we were almost inside
now
i lost it, too, waiting
like come here and
after a certain point
getting out is no longer
an option so you watch
the flames through the
glass knowing that if
it were the glass of another
time it would have shattered
by now but not knowing how
long this new stuff will hold
out

a.m. notes

by river bed

Here it is again: you, falling
from another heaven at daybreak;
sob of thunder, waking, to play agin
against the dealer’s fixed chips.

You know you won’t get out of here
alive, but can’t keep yourself
from trying.

Meanwhile, outside leaves
pearl hot beads
of late-morning mist
alert and insistent––

long past the hour
when the last god slipped
from leaking basket
of a drowning heir to call
after one of the prophets
groaning another toothache
from too much gnashing of teeth
to make another now from the next
application of warm rum
to gums stayed through mornings
by sleep.

There is so much
more to do, and we with teeth
still in us, some keep on
keeping,
biding time.

big top

spectacle, witness, aftermath

The circus men came and went and we listened. As women, we had been raised to believe that some sanctity was possible in the sacrament of attention––that attention, once received, could be enough to transform its object.

They thought we were applauding the show. We were only waiting for them to drop it. The babies were coming with open mouths.

My grandmother taught by example, how even if it hadn’t quite happened in our lifetimes––yet––it might be possible to pull them from themselves by sheer force of love. They had spectacles to offer and we watched. The point, she taught me, was not to feed their illusions but to draw them away from what deluded them, like pulling the host away from the poison to salvage what you can when it becomes clear that the poison has become the central mass. The power of the constant gaze could do this, she believed.

My grandfather was full of wind and she loved into him; it was wartime and every would-be flying man was still charging toward the sun. The war disappointed, but not the rewards that came after if you managed to come out alive; annual parades guaranteed a lifetime supply of empty praise and then with a home of his own and her inside to keep it, he sold used cars, telling stories again and again. She held on and listened, placing his vitamins in a plastic case, ordered by days of the week. 

She listened until she died of a rot too long ignored. She had held it in her gut for years, in silence as we do when we know this is no ways good but knew first to keep looking in love. Not for something coming, but as an orientation. Hope is a posture. Hers never slouched. 

Dammit Bob, she used to say, and I thought the rest of the sentence had something to do with how she wanted him to live already and cut the crap. His best, when he managed to pull it together, was still so much less than she saw in him. He walked around with his toolbox measuring to no end and schooling any woman within earshot on the importance of the level. A child on each hip, she waited until he left to patch the holes in the walls and mend whatever needed repair after he was through fixing, and she nursed the babies and until she died, repeated, don’t get caught up in ideas, they take you nowhere in the end. She was on morphine in the end. 

They said she went peacefully, for living had taught her nothing if not to die well and full of grace. He didn’t last long after his Grace was gone, with no one left to wait for him to come around to living. Then he gave up the ghost of his self-importance and he followed after. What remains are the shadows of a collection of statues, looming. He never grew into them. They are still here.

reading

signs in a year of strange weather

Eventually a road sign may tell you,
here is where it ends. You watch for it,
a reason for the spin to stop––driving
without destination just to get out
the freeze in the cooler packed before
dawn.

Bare back beneath shower spray,
tender beneath hands a bare hope
suffusing talk of what will
come when the numbers
hit, when one day

waiting––a future makes sense
like renovation blueprints
in home restoration shows
following mouse droppings
and mildew to magnificent views

––of the lake, the trampoline,
the long yard, the car, fire pit.
Circle us. No more staring
at the map

like it will explain how
to go from wet wood to flame
hot enough to roast wedding pig.
No more extra shots

of gas station caffeine, extra sweet
––first hit of a story where it all works
out in the end.

No more pretending interest
in craps table logic of six and eight;
fish and bait, how bass come

for worms if you grow them;
no more growing worms in yards
as food for fish approaching feasts

here where the next meal
is so much closer now
to the last.

Without a Bridge

Against reproach

How much floats unsaid between these islands. Yet there are moments when it is all there, a deafening amen, edged in icy light. An incurable fool, I keep setting out on these little rafts made of so few words so poorly bound. I am no sooner afloat when I hear the wind laugh. But the only place for hesitation was that shore.

Something with Feathers

Smiles from the threshold.

After the body, winking branches point to cloud faces and birdsong heralds their parade. Here is a frame for the living, and in it, more seeds than there are numbers.

Far from immaterial, this breathes syllables of flesh and leaf, spore and wing; limbs and their memory, and without these containers it would be everything all at once like water to a fish, synonymous with life’s self, but we are creatures bent on naming. 

We make nests of words to offer as a frame for warming the babies, so that when the known perimeter breaks­­––by degrees and then completely, they might recognize in our heat, the beginning of something, and stay.

Bird Feeder

Sights for the sore.

When the pigeons come near the bench, a white-haired lady tossing crumbs from her lap begins to laugh when a lone mallard approaches. You too? she says. Okay, okay. Then come three or four other ducks. Sure, sure, she tells the first, bring your friends. There is enough.

Down the path, a toddler turns from his red rubber ball, and now he is coming too, the others behind him. In the distance, a train sound. Uh-oh, says the boy, and then turns back to the birds. Hands open, arms out. The woman laughs again.

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