The body, de Beauvoir observes, is an instrument for holding onto the world. Same for a body of work. In this light, it’s truly an odd (modern, western) impulse that insists on classifying literary works into camps of fiction and nonfiction. We are supposed to be used to this by now but try asking a painter or sculptor to make the same distinction. Anything we make––or are, for that matter, is always an alchemy of observation, response, and dream.
Instruments for holding.