Reflecting pools of vision.
There is the seeing eye of the creature accustomed to being ruled by reflex. When it suddenly stops to look, the gaze seems to hold all in its trembling peace. It becomes like the lake, the eye of the landscape, by which the cosmos beholds itself.
Yet another passage inspired by (and with borrowed images from) Gaston Bachelard’s The Poetics of Space(“Intimate Immensity), a work so rich and layered, I learned to take only tiny sips at a time, as I do this morning.
The sound of planets in orbit.
Every poetic center has its gravitational pull, multiplying repercussions between these miniatures and their attendant skies. Here we go again, pivoting around the lamp sun at the center of an ariel table, and she keeps us moving by the music of her pen. Without this, we would be permanent invalids, plunging ever away from some distant possession, our placid faces dumb with belfry daydreams pretending to be lessons in solitude. In this concert hall, these skies, we hear the saplings grow green and the crawling trellises; the bitter rain on the long road until the high wind yelping names of the dead finally expires into the silence, the axis on which she turns us with the next opening notes. Wait.
Inspired by and with borrowed images from the section on miniature in Gaston Bachelard’s The Poetics of Space.
Call it a threat––back against two walls, but some dream best from spaces like this. If I wanted to hide, I could walk in the open, but only from here can I bear witness to being, the intricate choreography of shadows, swinging between the arms of a branching angle. Turning from one wall into to the next, I find the other half of this shell, enough to negate the noise of a universe with its effusive unknowns, and hear, between breaths, the song of a single house finch.
Inspired by, and using borrowed phrases from, the chapter “Corner” in Gaston Bachelard’s The Poetics of Space.