a practice of nearness

choreographies of skin and gravity

Love this like weather
that unmasks a gentle sky.

Do not name this trembling.
or hush what aches to bends her spine.

A need for collapse
can be a call to kneeling
in disguise.

What sways this cathedral of air
ringing bells at impossible altitude,
clouding windows with myths
of ascent, her scent lingers, low––

an invitation: after such dizzy heights,
what longing there is to kiss the earth,
to press mouth against cooled ash,
admit devotion.

What impossibility, to confess
this softness —this animal
obedience to soil, its churn.
How bones remember the
murmurs of earth.

Here, too, see how body mistakes
obliteration for grace, a silence
that bows but never
calls it prayer.

Shoreline Notes

On nearness

I kept meaning to see it, and the intention throbbed like impending heartbreak. To chronicle the residents, for example, of a hot afternoon lakeshore: the stained-glass wings of dragonfly in cattail, then open space, beach-like; blankets, sunbathers. Where a child laughs, running, and the rooftops beyond the green with gulls above these and the trees and how peace is the word of the day, so peaceful, the sunbathers say. You cannot see the killings from here. Or how somewhere an old soul is returning and a new one, not yet known in this place, is being born, formed like a new star from the compression of elements over time. And of compassion, that ache of the imagination. And the nearness of death and our proximities to one another in the face of an unnamed annihilation, and of this we know nothing so go on remembering––to a point. These layers of time assembled and striated on our shelves, against nature which prefers the susurrations of breath and heartbeat, waves––those notes that only come in wholes. Now the ritual. Bread, wine, hands. Forgive me sister, stranger, friend. Forgive me, child, for I know not what I am beyond that glass. So I stare into it in this silence, trying to sing.

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