Skywatching

We looked and looked––so as not to miss it, so as not to be missed.

Squinting, we studied the faces. It’s all Greek, you said, of the letters. We looked back and forth: the sky, the charts, the corresponding manual. We couldn’t help ourselves; we kept returning, flashlights wrapped in red cellophane. What are we doing? You asked, as if to acknowledge the elephant.

They circled us. Or, they held in place as we spun. Or, it was all spinning, all of it pulling apart. The lines, at least, indicated order. The wandering stars came and went. Those are planets, you said. We nodded, wearing grave expressions to indicate our intended recognition of the obvious.

You continued. See the hunter’s belt, his right knee, the blade of his sword. Notice the white spot at his crown, how he gazes toward the head of the bull. We followed the book, looked up. Back to the book. 

Daughters of Atlas, braiding bright––and across the way, the dog star. Now the she-goat and her kids; now the charioteer. We pretended, at first, to see them. We didn’t want the story to vanish. The Big Dipper was offered: Take this cup, and our mouths fell open, heads back.

Our own galaxy is ragged, irregular, its dark nebulae like curtains hiding the light. In the spring came Ariadne, and then Theseus after the Minotaur. Surrounded by the walls of the labyrinth he built, the craftsman must have plead his case to the same sky, dreaming Icarus’s wings. 

Now the head of the hydra, now the snake and the eagle behind it. Now the scorpion, and here’s the instrument of song with Vega its center. He played for love, Orpheus, until he lost it, looking back. 

Now comes the winged horse. We looked and looked––so as not to miss it, so as not to be missed. No, I think that’s it! That must have been it! Unless it was the southern fish, unless it was the dolphin, coming to save the poet and his songs.

Turning and turning, Andromeda’s spiral, and the ram bled before it––until the dragon was installed at the gates, to guard the fleece. The royal family stood beyond them. At last, another hero with a sword, looking for something to slay. He asks the three sisters, finds the gorgon sleeping, takes the head.

There were other monsters to fight, other maidens to scatter, and Look! Do you see them there? Strewn from the east to the west?

I am telling you, we tried. So great was our wish to understand something; so great was our need to be tied to something that the ancients also knew, to run our hands across some venerable form that had managed to keep living, even after the bombs and the weather, even now––that we believed ourselves when we said Yes, and Yes!

Yes, we see! There––and there! Seeming with our raised arms to behold what held us, but what was it? We didn’t care, not really. Its substance was beside the point. In that moment what we wanted was the relief of our surrender. To say Show us, and wait, deciding in the silence: We believe.

Real Talk With Gallileo

On keeping time with heartbeats and the bumpy, dusty moon.

Today, I’ll be having another one of those one-sided conversations with a dead person, as I love to do from time to time when I find occasion to think about them. What got me on this track was learning that on this day in 1609, Gallileo Gallilei demonstrated his first telescope to lawmakers in Venice. I was wondering: Why, of all people, was it them? Perhaps he needed a permit. I have not yet found the answer to this question, but I did find some more questions.

Gallileo, I’ve been wondering.

What must it have been like, to notice ––while studying medicine at your father’s insistence, after he discouraged you from your calling as a priest, after he discouraged your interest in mathematics (on the grounds that neither vocation paid as well as a physicist)––that the chandelier above you, swinging in the wind at variable arcs, seemed to keep time with your heartbeat, regardless of the size of the arc? To discover, in the experiment that followed, that pendulums of any length will keep time with one another and the human heart?

What is it like to know what happened to this discovery, how it led––a century later–– to the creation of the first timepiece, which over time meant that people kept time, which over centuries meant that people were kept by time, which over centuries meant that people no longer tended to look at the sky or the shadows of a sundial to know the hour; that people would often be so rushed by the march of expectations corresponding to the commodification of minutes, that they would no longer stop to look up?

Apologies for this digression. Of course, I am projecting here. I am somewhat envious of your freedom for study––of your freedom to stop and examine things, period. That and the way that not only did you never need to introduce yourself with an ID number, you didn’t even use a last name. 

Of course, you had money troubles of your own, especially with your brother, a composer, constantly accruing debt to support his love of music. You had studied the arts, too, against the wishes of your father, and you befriended the painter Cignoli, who painted a Madonna on the moon, which was a common-enough image until you noticed the pockmarks on the moon.

I can’t help but think that his friendship with you had a hand in the painter’s decision to resist the convention of a mythical orb. I can’t help but think that time spent with you helped him to appreciate the poetry of the possibility that the celestial body elevating her feet need not be a perfect sphere of dreamlike luminescence, that it might instead be a rock not unlike the rocks of this world, suggestive of a sort of comical lopsidedness, with cracks and crevices in which everyday filth and ordinariness may easily accumulate, along with lunar dust and cosmic pests and possibly even space mildew.

I am grateful that your work made it possible to make certain associations between our most sublime conceptions––say, heaven––and the stuff that was hanging around everywhere, either invisible or appearing to be in the way of the men with their lofty goals, who preferred not to debase themselves with considerations of the cracks in surfaces, the way that the wind would get through, and the cold, the way you had to keep mending and stopping them like you had to keep changing and feeding and holding the crying babies, ––

gathering and chopping and seasoning and boiling and stewing and roasting and cleaning; to feed the noble man a single meal, just before you got back to the babies and before you got back to do it again, how sometimes, even after all this, it was still possible, for the length of sixty to a hundred heartbeats at night, ––

just after the children were asleep, to sit in a chair, looking up, feeling an ineffable pull toward a wonder and mystery that felt both vast and made of the same mystery that you had noticed gathering herbs, wrapping the soft body of an infant, and in the longings that persisted no matter how long they seemed to go unanswered.

Thank you for insisting on this connection, even though it meant you were outcast from the basilicas you loved, from the rituals you had once thought to administer yourself, from the silence of the naves with their candles and incense, and the awe of an intimate mystery in the air.  

I’d love to say more, but my second alarm is going off now, and I’ve not yet been awake for an hour. Time to check the sleeping baby, time to check the food, iron the clothes, pack the things of the day, all the while watching the clock––which marches, I know now, by the rhythm you first noticed in the chandeliers swinging above you as you sat with the books you meant to study, the assignments you meant to get to, the financial responsibilities you meant to meet, the appointments you meant to keep, the wandering heart you meant to tame, and you could not keep your eyes from wandering up, to rest on what you had yet to understand, having the insight to notice that even this was made of something as utterly familiar as the drum in your own chest. 

Up, up!

You could feel it, the way no one could help themselves, the way we were laid bare in our reaching wonder.

Here’s an idea: consider something you used to do often. Or be. Trace a line of relevance to the moment. 

Once I was a runner. Once titled, there were days when I would put off beginning, and it would take me until late afternoon just to put on my shoes. Then there were also moments near sunset, and into twilight, when I could not bear to stop. I knew there was a risk of injury; I knew that these would come later, and they did, but in those extra dusk miles: five, ten, fifteen, I would feel the potential forevers in each stride, and all I wanted to do — all I had ever and would ever want to do, it seemed then as much as now — is keep reaching. The difference between running and walking is the liftoff. In a walk, one foot remains always on the ground. But in a run, there is this moment– and it gets shorter and shorter as age advances and pace slows — when neither touches. There was something about that moment, how quick it would come and go, that invited repetition, as if with enough practice, it was possible to leave entirely, and float somewhere just beyond gravity’s reach. 

 “shades of sunset” by July Dominique on flickr under a Creative Commons Attribution Non-Commercial No-Derivs 2.0 Generic license.

I am no longer a runner, just a lady who runs on days when this is scheduled––jogs, even,  an observer might say. There’s nothing loaded about it, just exercise. But the reaching part, that doesn’t leave. I thought of this as we walked and ran among the streams and streams of other pilgrims, up the long hill, to see the big sky. How we waited for the telescope. Is it time? Is that it? What is that? The faces, bathed in dusk light, everyone looking, pointing.  You could feel it, the way no one could help themselves, the way we were laid bare in our reaching wonder.

We looked and looked. It went on. Gravity holding us where we stood, tethering the moon in its orbit. There was Venus, and was that Mars or a satellite? It was our eyes we looked with, and of course whatever we could find for looking through. But it was something else doing the reaching, as it always was. She was now my height but once she had held her arms up and the fingertips of her widespread hands did not reach past my legs, singing out, “Up! Up!”

Deep Sky Observing

“We don’t live in a general-purpose universe.”

So you own a star chart. 
There is much more.

What’s wrong?
Not seeing anything.
Try averted vision.

What books? What size? 
How far? How much? 
When? 
How far?
Are we there?

How many inches?
Just wait. I have rid myself 
of rarely used accessories 
in my garage.

For example?
I found out 
that I did not want 
to be a mathematician.

What is the best way?
Look at your maps. Find 
a dark country road. In
hunting season, be careful!

Traveling alone?
You may have to walk. 
Worth the effort, 
for dark skies.

Cloud cover?
Pay attention. 
Conditions repeat 
over time.

How do I––?
Look. Use eyes and 
mind: a technique 
for seeing. Take a break. 
Nap. Wash the mirror 
until the solution 
drains away.

How about something 
–for general purposes?
No.

Why not?
We don’t live 
in a general-purpose universe.

Brand new equipment!
Try it out.

Going all the way!
The new bracket does not fit.
The drive gear needs more lubricant.

Wasting precious dark sky time?
Patience. Try out that new mount 
before you leave. 
Be prepared.

Inspiration (and found words/ phrases) from the opening three chapters of:
Coe, Steven R. Deep Sky Observing: The Astronomical Tourist. Springer, 2000.