the problem of shape

preliminary findings

The year I learned the war was inside me — even if some of its battles were without — I began rummaging through the wreckage, hoping to find more than detritus accumulated from years of warring. Around the mess: sky.

I had wanted to be a bespoke collection of formidable weight, but I was discovering I was one part bargain-basement yard sale, another part fairytale creatures — some feathered, some furred, some horned, some visible, many unseen.

And the last part of me was something else. It wasn’t the war exactly, or the yard sale, or any single one of these creatures. Here was a drifting thing, like a cloud.

How long had I tried to pin her down? Or, when I couldn’t, solicit outside help. There are always people eager for this work — telling the unruly body of a woman (ethereal or enfleshed) how she should behave, ready to point her back toward some imagined vessel of herself.

Mine was always either pouring out or sponging in.

I told myself I would learn to regulate the leaking. To absorb less. To hold my shape. I may have been lying.

In defiance of common sense, I was more interested in the experiment. I kept testing it, again and again, in different ways: how much could I take, how much could I let flow away?

It had to do with boundaries. Mine were the kind cell walls have — osmotic. I wanted to know what that meant. I wanted to live it better than I had.

I knew this would make no sense, so I kept it to myself.

I spoke instead of love. And of endurance.

to find them

who live beyond measure

If children are disappearing it does not seem like a stretch to wonder if some have decided that there is no place for them here. Most of us are made of something that does not innately know its place & must be welcomed into being.

Let’s do more of that & more to read them, and more conversing with—and much less of the poking, prodding, scrutinizing “temperature checks” that are supposed to pass for paying attention to their needs & wondering why they look away.

one response

to the question of how one is being

Now i riverbed, now ocean &
either way am disinclined to point,
tending to erode those points
aimed to find me taking
this skin shirt out for air.

i learn to dress in layers for those
places where everyone seems
eager to use their ready points
& these only make me bleed so
now i am back to being current
again to answer that question
re: the I that I seem, being @
the end of am. I can only say:
I am currently.

Maybe you know this way
& why we never lack for
company, streaming as we
do through here, hearing
communions all day long.

To Move the Stone

Into light.

Like the fine dust of the nearest moon,
its footprints to prove that even stone carries
within its stubborn mass the key to lightness.

Like the magnetic field that holds it upright
spinning days and nights against its body.
These sudden leaps against its weight––
these secrets that will not be summoned
––only met.

As the bird and not the feather, unseen
amid glare and muted by noise––nested
by the patient weavers’ nets of threads
to catch the fallen nothings where they
float––

As masked dancers beneath surveillance
states, limbs stretched against compressed
space to tread the arcing thread taut
between the spikes of barbed gates––

And soaring, inside the empty vessel
of my cupped hands lifting
where I reached them up to you
to catch me back, the waters
of this heavy form.

Ready or Not

The warmup.

Not sure what when I am waking
I am doing, waking thinking, what
am I doing here? with the what that
I am needing not enough still and yet
going on: up anyway, out again. I have to
gather my what for an hour with my coffee
just being here in this bed with this book, these
books that I may be a semblance of passing for ready

when I leave.

Grammar of Mystery

How much in shadow.

To resist the floodlight’s patrolling glare, its demands and agendas, its attendant megaphone, in favor of a posture of listening, a touch whispered enough to elicit shivers of recognition. This earned denial of easy access. The elegant strength, to hold a posture possessed of substance so rich that it will be perennially misunderstood in this landscape, resisting the impulse to break the pose of perfect opacity––to correct, as the saying goes, by shedding some light.

How else could you photograph sound?

Here is the wise light of the dark surface, opening,

in praise of the unknown, unnamed

here is a deft grammar of mystery.

How much to be,

how much to be imagined

in these shadows.

Look, do not look,

but see.

***

Inspired by the work of Roy DeCarava.

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