In honor of the birthday of Walker Evans, the American photographer credited as the “progenitor of the documentary tradition” with an “extraordinary ability to see the present as if it were already the past,” today’s post is assembled from phrases from Let Us Now Praise Famous Men, the work of Evans’ collaboration with writer James Agee, chronicling the lives of Depression-era sharecropping families (quotes above come from The Met Museum’s page on his work).
These eyes, blank and watchful: neither forgiveness for unforgiveness, heat nor cool, or any sign of understanding, were not the first to look away.
The hallway in mud, and underwater, rain beating on rain beating on rain, out the brains of the earth. Steady rave and the breakage of thunder. The lamp is out, room breathing cool like a lung, ripe with the smell of rain on earth, and kerosene.
Where are the introductions now? Each mind disguised again in lack of fear, and busy.
