Storm Surge

And a turning point.

In the waiting room, I wanted

to say–––something, because

such places, with their anxious hum

always seem to want relief. From

the pretense of containment,

or into song. But when it was time

I left and the hot wind hit

my eyes which slid across

folded falcon wings as if

to learn how my own hands

clutching plastic bags

might know that poise.

A nest nearby, its swallow

gone, a lilting plainsong

behind me. I turned, eyes

wide, to trace the mouth

of the storm’s long suggestion

in the ears as though to 

blow me empty. Howl,

I wanted then, as now, to 

share some sighting 

with another face.

Present, Past

In memory of the work of Walker Evans, American photographer.

In honor of the birthday of Walker Evans, the American photographer credited as the “progenitor of the documentary tradition” with an “extraordinary ability to see the present as if it were already the past,” today’s post is assembled from phrases from Let Us Now Praise Famous Men, the work of Evans’ collaboration with writer James Agee, chronicling the lives of Depression-era sharecropping families (quotes above come from The Met Museum’s page on his work).

These eyes, blank and watchful: neither forgiveness for unforgiveness, heat nor cool, or any sign of understanding, were not the first to look away.

The hallway in mud, and underwater, rain beating on rain beating on rain, out the brains of the earth. Steady rave and the breakage of thunder. The lamp is out, room breathing cool like a lung, ripe with the smell of rain on earth, and kerosene.

Where are the introductions now? Each mind disguised again in lack of fear, and busy.