Advice from the Ground Beetles

Confidence of cave-dwelling carabid.

You can hurry, but it won’t get you anywhere. You were way too late for this prologue’s conclusion, and still want to rush. We are the stagehands you missed, ushering the deaths you wouldn’t stand.

It’s not the worst, really, to let others make a punchline of your life, like Where have you been, under a rock all this time? As a matter of fact, you can tell them––or not, cleaning your sensors with smooth precision.

I don’t want to frighten you, but let’s face it; it doesn’t take much. We live in the settings of your nightmares. No one knows you better than the one who recognizes what you refuse––I won’t say, to look at. You really ought to consider your bias toward sight, along with a few other favorite metaphors. Look at the river of life, you say, let’s jump in! From the places you call nowhere and not yet, we laugh and call back, you first! ––which is always your preference anyway.

Any beetle can tell you about all the cries in the dark, but that doesn’t mean you will listen. So much grief in these places, but we’ve been here all along. We get a lot of tourists on quests, looking for a dragon to slay. Sure, we tell them, go farther, and then get back to our invisible work, laughing.

Do you have a friend who studies eyesight, who can talk at length about degrees of vision? The word vision suggests blindness all by itself. A person’s aspirations will tell you a lot about their fears. 

Please don’t expect a welcome every time you come back. As a matter of fact, you should try to go missing. Let them call you extinct, finished. We’ve been doing this for twenty million years, but the newcomers can’t help themselves. There’s a new announcement every few decades about how they’ve discovered us––again.

Every seed spends many nights in the earth, and what does this tell you about the dangers you presume of obscurity? Kid, you’re kind of a drag the way you go around trying to illuminate everything. That’s enough now, out with your light.

From this darkness, there will be no forgiveness for someone who refuses to meet it on its own terms. 

***

Over this morning’s coffee, I learned that today is the birthday of the Croation entymologist Josef Müller (1880-1964) who is best known for his extensive study of blind cave-dwelling ground beetles. I can only imagine that one would be compelled to shift perspective away from certain popular biases after spending so much time with any often-disregarded species, especially those that are regularly rediscovered after presumed extinction. The idea inspired me to play again with certain phrases and turns from Robert Bly’s “Advice from the Geese,” an exercise from The Daily Poet that I enjoyed very much when I first used it to make “Advice from the Silver Mollies” for Bly’s birthday.

The Wait

Coming soon: some idea.

This is what they say you should do if you want some sight to come in.

Insight?

That’s it. So, I’m waiting but all I see is this ant river following the sidewalk lines.

Well, do you hear anything?

Just the leaf blower in the distance and those kids counting hide and seek.

What about the wind, you don’t hear that?

In the trees, sure. But––

There’s a swarm of bees down the hill.

I know, driving up that way I didn’t want to open the window.

These squirrels are something.

Sorry, guys. I don’t have anything.

They’re kind of insistent, aren’t they?

Awww, look! Baby sloths! 

Where? 

Someone posted them. I’m in this Animal Lover’s group. Those faces, look! They don’t even look real!

I thought you were waiting in stillness.

I know, I know. Just had to check something real quick.

It’s getting dark.

I wonder what it would be like if it got real dark.

You mean without all these lamps?

Yeah, let’s go inside. Look at all these moths right here. Don’t let any in. 

Look. Even now, with all the lights off, all these glowing things inside.

Like an indoor constellation, practically. Check out this cat.

You’re in bed less than a minute and there she is, on your chest, doing that pizza dough thing.

I know, she won’t let me move. I was gonna keep looking, you know–

Something with Feathers

Smiles from the threshold.

After the body, winking branches point to cloud faces and birdsong heralds their parade. Here is a frame for the living, and in it, more seeds than there are numbers.

Far from immaterial, this breathes syllables of flesh and leaf, spore and wing; limbs and their memory, and without these containers it would be everything all at once like water to a fish, synonymous with life’s self, but we are creatures bent on naming. 

We make nests of words to offer as a frame for warming the babies, so that when the known perimeter breaks­­––by degrees and then completely, they might recognize in our heat, the beginning of something, and stay.

Liquid Cats

What happens on a page.

When it comes to inking a cat, there’s no telling what will happen. 

The long brushstroke of a tail; paint bleeds a fluid form, feathered fur.

Sometimes, the shape of a body can only be defined by where it isn’t.

***

Inspired by this article about Endre Penovác’s watercolor cats.

Between Whales

Song over distance.

In the event

that one of us

should slip from

the range of

contact, I want

to tell you that I 

did not know if 

my voice was 

made of sound,

or if that was just

an idea, possibly

unsound, until

you answered.

I still don’t have

a word for the 

color of that 

last note, but

now I think this

is more likely

about the limits

of any language

seeded 

in isolation

than it is about

a problem with 

my eyes.

Between Vagrants

Appeal to the strange bird.

It has been a long journey, and you are far from home. People are talking. They call you lost, straggler, waif; accidental. Wonder.

Not to be contained by any ordinary mob, by what sensitive tentacles did you come, reading, as some say, the whole vault of heaven? What do you see, and why are you here?

Sometimes I think I have wandered so far that I forget my native tongue.

Stranger, please.

Speak.

***

Inspired by Marion Renault’s article in today’s New York Times: “These Birds Aren’t Lost. They’re Adapting.”

Look at Us

Albums in space.

We started with the basics––abstractions, really: circle, star maps, a few terms. Then the images of planets, as if to open conversation. Have you seen this, too?

Look at our moon, we are so proud. See our double helix, watch our cells divide! Behold our anatomical diagrams. Here is conception, fetal development, birth. Nursing mother, father with child; now a family. Consider continental drift, oceans, desert, shore, dunes; consider forest, leaf, mushroom, sequoia, snowflake. Insect, vertebrate, seashell. Dolphin, school of fish, tree toad, eagle, crocodile.

Yes, some notable omissions: war, poverty, disease. Idea being, best foot forward. Also omitted: visual art. Whatever would we choose, and how would we explain ourselves to our critics? It’s like that with art.

Animals at a waterhole, hunters in the bush. Craftsmen, dancers, pipe smokers. Mountain climbers, Olympic sprinters, schoolrooms, children at a globe. Harvests: cotton, grapes, fish nets, supermarkets. Shared meals, construction. Architecture, cityscapes, factory interiors. Trains, planes, radio telescopes.

Here is a page from a book. One of our astronauts: how like the floating fetus with its cord!  Now a shuttle launch, now a string quartet. We convert these images to sound, place them on a record.

Hello, can you hear us? Are you there? Do you understand?

Have you seen anything like this before? 

How about since?

What now?

***

Inspiration: Jon Lomberg’s “Pictures of Earth,” in Murmurs of Earth: The Voyager Interstellar Record, by Carl Sagan, Ed.Drake, Ann Druyan, Timothy Ferris, Jon Lomberg, and Linda Salzman Sagan.

Waking

When the ice thins.

After the long search, hungry; after securing the space and leaving the guards, after the long drop into winter shade with your muted heart, wake.  Now emerge. Watch as you enter this peril to begin again, your life.

***

Inspired by this article about findings from recent studies on hibernation habits among bears and other mammals, with particular focus on adaptations to global warming.

Bird Feeder

Sights for the sore.

When the pigeons come near the bench, a white-haired lady tossing crumbs from her lap begins to laugh when a lone mallard approaches. You too? she says. Okay, okay. Then come three or four other ducks. Sure, sure, she tells the first, bring your friends. There is enough.

Down the path, a toddler turns from his red rubber ball, and now he is coming too, the others behind him. In the distance, a train sound. Uh-oh, says the boy, and then turns back to the birds. Hands open, arms out. The woman laughs again.

Exit mobile version
%%footer%%