Zeno’s moon

notes from where the tortoise wins

Moon, don’t go. I have been too much in the sun with the golden people smiling fun. Listen, moon. I know what I am and I consent to this distance. If it connects me to you, let me trace the pads of my fingers along its lines. For nearly as long as I can remember, I have been reminded by the golden summer titans that my movement, whatever it was, failed to count as well as Time’s. The jolly clock-faced father-god. Time, they told me, bowing as they shushed my complaint against their rush, was fast and I had to keep up.  I did, blaspheming. 

Zeno had point about the arrow. If at any moment it was at rest in one position, in a time made of moments, how can it ever move? No, Achilles does not catch the tortoise. To do this he would have to reach where the tortoise began, by which time the tortoise would have moved on.

Fortunately, after this pause, the golden people have all gone to chase the sun, and it’s just us again, with the tortoise, stitching moments with no roundly sure clock face in sight.  I’m glad you’re here, moon. I know you won’t be, always. But I won’t go chasing all those not-yets, not while I’m drunk on the wave of your fragmentary diamond lights, winking into seas to kiss the shore, and me.

To Earth. . .

on your beginnings

This week’s vibe is one of disequilibrium. The return to school is, to put it mildly, a bit chaotic this year. I have spent the last few days feeling severed from the best parts of my mind. To be clear, there is nothing unusual or traumatic occurring in my life at this moment other than confrontation with the noise of the hour at hand in its current institutional form (as sites absorbing what feels increasingly like the engineered chaos it is, designed to destroy the concept of a public good).

So, for now I will share something that I just noticed was published in Stone Poetry Quarterly, as I try to recover. Titled “To Earth, on Your Beginnings,” this piece, like many from recent years, emerged from ideas that I first explored here. Thank you for being with me in this space. I look forward to returning, soon. I am glad to find this one today. Reading it helps me to remember what I mean to return to. With love.

how to cross a river

riddles in time, space, and scale management

If you have a fox, a goose, and a bag of beans, what is the best way to cross a river?

In a year of desert driving, I played this question on loop. I wanted a mind for numbers, but seemed to retain only the set-up sequences of word problems.

With a tendency to wondering and feeling too much at once, and with enough sky to lose myself in, I thought mathematical thinking might ground me.

One recurring problem was this: by a fire, under stars, I would go dizzy looking for the farthest ones until my vision blurred.

By then, I did not remember most equations, only the premises for which they were needed. If two trains x miles apart are traveling in opposite directions at different speeds, how much time until they meet? If Jack has eleven pieces of fruit and five are bananas, how many apples for Jill?

The antidote to dizziness, I was trying to learn, had something to do with overriding my first response, which was to be knocked off my feet by the size of it. The sky, that is. And, when it came to math, it was that fact that someone thought like this, imagined a way to sort a world such that these considerations, one parcel at a time, were all. The brilliance.

If a pie and so many guests, cut pieces. Not everyone will want the pie. To calculate circumference, use the number pi. An irrational number to spin the head, but if you knew how to use it, it could help you figure some finite amount of pie, stones, or tire tread.

In the passenger’s seat, I looked through glass and could not take it in. The riddle at least was a smooth and solid thing I could turn in my pocket like a river stone. The river was part of the set up. Mr. Stone was my teacher.

If you have to get across a river by boat. . . the set up went. How do you do it so the fox does not eat the goose, and the goose does not eat the beans? 

What relief. To hold one thing at a time, solidly. I wanted a valve for my mind, some pacing for the flow. One challenge. Then another. A way to stop and then go. At that point, the flooding was out of control. My perception far exceeded my abilities to make any sense.  

The answer to the riddle was: start with the goose. Mr. Stone told us why. But I was back in the river by then. Where to now, goose?

Who do you think you are? This was a challenge that frightened me some, because it tended to come at critical moments with a tone of authority, as if the person voicing it knew exactly what time Train A would cross Train B, how many apples on each, and whether or not the geese should be eating the beans.  If I could focus on one thing at a time, perhaps I would start to see it coming? And have a few answers ready, just in case?

I thought string beans would create less disturbance in the goose. But my mind tended toward the pintos I would buy in five-pound bags from Wal-Mart, which I would scatter in batches over a plate every time I prepared to soak them, checking for rocks. To find one was good. Here was a solid thing I could remove.

Who do you think you are? When these demands came, I would experience the full force of new awareness of the errors of my ways, in dizzying magnification. I meant to apply this force to finding some solution, but I had none.  Which river? Which goose, fox, season? Is anyone else on the boat with me? Am I allowed to touch the goose? Are there eggs to come?

The image of trains hurtling in opposite directions calls to mind rail spine, the nervous condition that did not appear until the advent of railroad travel, caused by the feeling of hurtling through space at speeds disconcerting to a body familiar with horse and foot travel. Not to mention the related and perhaps equally anxiety-producing imposition of standard time.

I had once seen a fox while running on a horse trail in lower New York. Much of the trail ran adjacent to the Hutchinson River Parkway, but certain parts meandered into woods and along lakes such that the roar of cars was more muted, the way crashing surf may be if you are several blocks away.

Perhaps if I had gone beyond 12th grade calculus, I would have developed a more familiar and integrated symbolic language with which to explore the interference effect of a series of infinite variables on a given problem and been more erudite in my explanations about baseline insecurities. But I hadn’t at the time and was still young enough to believe that eventually I might, If I focused harder, see with greater clarity. 

The river, between then and now, has continued to flood me. But the goose is still on it, and the fox, and the bag of beans. They rest at the banks, where the goose and the fox appear to wear bemused expressions, waving. I don’t know why it is this way, or where the boat has gone, but here I am, waving back.

***

This riddle, which I encountered decades ago, is one of those earworms that shows up again and again. I love the setup, the characters, the play, and the mystery. If, in a given year, I scratch 1,000 pages across several notebooks, an estimated 9.5 of them will feature this goose. Who knows why?  Rarely do I publish these, but sometimes it happens. Prior to today, I think the most recent iteration of these creatures in a published work happened in The Closed Eye Open, Issue 10,  Fall 2023, under the title Mathematical Goose.

note on scale

of a life

so much before me happens
& by the time i arrive, i am
primed to recognize how
small i am

& after many years
of carrying this
imagined burden to
consider, with
considerable relief

––how
relevantly so,
and know
how fragile, too––

and yet, somehow
still here, a
spore of moss
on wet & craggy
rock to mark
this shore.

volver

a mis notas

A wish. To return. To possibilities
for becoming.

The problem: these accommodations of
familiarity, adapting

To dysfunction & symptoms include:
incessant sighs, bone-weary

Fatigue & fantasies of escape.
Treatment: accommodation.

Of this need to escape,
what’s turned unbearable.

Temporarily, at least.
& then return.

To observe how it got this way
& intend.

To steer differently, soon as enough
rest comes to clear bleary fogs

From weary eyes long trained
toward casting nets

Across these dreary
& abundant bogs

Where the lost remain
preserved & waiting,
still.

Saola

and other endangered unknowns

I first knew you by your other, less-specific name, as unicorn.

Which is to say, as a creature of wondrous, near-impossible beauty.

A miracle, so I drew you at the center of a depiction I was prompted to make by my first-grade teacher. This was Catholic school in the Reagan Era in suburban New York. This is when and where and how I learned that you were forbidden.

“They did not have unicorns in the Garden of Eden,” Mrs. McClosky announced. I did not think to wonder at the time who They were, or how she had come to interview them. She wore a brooch and so knew things. I wore saddle shoes and an ill-fitting uniform and vomited in the parking lot every day, in dread of my arrival in that dark space of stone hallways, urgent bells, and seemingly inexhaustible legions of certainty, all certain I was wrong for fearing them.  

I thought I knew you, so had been happy about this assignment, the first I had loved since entering school, other than the opportunity to give a staged reading of The Gingerbread Man to my kindergarten class.

You can’t catch me, you can’t catch me, I’m the gingerbread man!

Later I learned the word myth. As in mythical. Which some would use to mean fake but which I took to mean the real in story. Or the real that is larger than seen. 

––And I connected it to this misunderstanding that my first-grade teacher had about you, who while real, were mythical, like The Garden herself. Which naturally led to other questions.

These questions led to others, and one day I was old enough to have learned to no longer give my first answer to the question: What do you want to be when you grow up?

A Unicorn! I had announced. 

This was my first opportunity to learn that you were not a valid response where the subject was imagined possibilities. Having reflexively rejected this wholesale, I had to learn again in first grade. And did––learn something, anyway. 

Later still, I began to see this I, whoever she was supposed to be, as a sort of mythical creature, possibly imaginary. She lived in dreams, and she lived in the dark. According to most official sources, most of who she was, was categorically forbidden. She was simply too––much of everything unnecessary, this creature. 

Learning this was almost too much. I forgot what I could in the name of persistence. For what, I sometimes could not remember. By then I was half dead ––but the other half was living, as are you. 

You only needed cover to persist, and space. Foresters removed your cover and trappers set traps in your space. These were not meant for you, specifically. You died in them anyway.

I write this hoping that you will recover. That we may recover––enough forest to protect you in the shadow regions, safely ensconced in the unseen, beyond the range of anyone who comes to count you, beyond the bite of any snare so indiscriminately set that it would capture and kill you in its teeth. 

I write this praying that you may continue non-existing for your doubters. 

I am not worthy, but believe. 

I write this that you heal the rest of me, however well she was supposed to have learned by now, to treat the best of herself as a forbidden creature of mythical fear. 

I write that we may live. 

I write in the shadows, in whispers, that you may hear me. 

And live that I may join you, some forbidden someday. 

***

For more about the endangered creature at the center of this piece, consider The Saola’s Battle for Survival on the Ho Chi Minh Trail.

nevermore

in neverland: a retrospective

Nevermore near Never-Never Land had waited, abiding, until Time was done. Before she was Nevermore she was Space and she was here, tasting like soil & salt, iron & leaf, fruit & flesh.

No, she insisted, she did not need another distant photo of herself framed with an airy sentiment in glass. But Time and his countrymen either did not hear or did not care. She shrugged, sighed.

Before she was called Nevermore by the keepers of the Neverlands, she had been an endless, renewing enough: of water, bird, breath, wave, weed, gale, flame, and rain––wanting only to be tended, absorbed, heard, caught, ridden, warmed into, and met with open hands.

The Neverlanders thought instead to take and stake her, carving their names, instead projecting upon her the warped and boundless entropies of their endlessly whirring heads, as if to spin away from gravity herself where she palmed the souls of them at their feet.

Sigh again, winds, for those who can imagine no space greater than the ones between their ever-stopped ears, that neglect who is before them ever, in favor of Somedays and One Days and Next Times, claiming to Finally See.

––Until Nevermore, at the end of their Time, stopped hoping they would ever get around to the real work of tending, preoccupied as they were with their confidence and confidences.

She would retreat beneath the soils of herself again, fold her wet through running sands, run her rivers underground. Time went up and out––away, away––storming plans for monuments to legacies.

Sigh again, no longer asking for a hand to come for the tending, that wave now whisper, stay, to meet at last the rock of those waiting shores, and carve another layer smoother ––in.

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