Category: Perception

Tangles

To catch the breath.

Thinking I might better hold what I meant not to lose, I tried to secure the shadow, but there was life again, trying to occur. Like the memory of a dream. Like the dream that never happened. Like the bottomless past and the future’s ancient heart.

A small part of me is flesh. The rest is myth. The rest is webbed with the enfleshed stories of more others than I know. No, I do not know myself. Except that I am no one, and only when no one shows up, can anybody be here. The cat suggested this. She seems to understand these things, so I said to the cat, cat. will you elaborate? But she has yet to grant this request. Or perhaps she has been magnanimous and elaborated extensively, and I have missed it again. She has frequently suggested that I am missing most of what is happening at any given time.

So here I am, this knotted soul so tangled that pulling only draws it tighter, with the words flying off and these colors threatening to absorb me completely into their seas. I hear a sea now, but I cannot tell you which one it is. It is likely I could not stand such knowing, that it would break me back into shards of every becoming, and now is not the time for being able to stand any more of what catches in the narrow tributary of this full throat.

Weathers

Inside outs.

With exhaustion’s heavy fog rolling thick against the day, it is too much to find the lines of the perimeters I am expected to seal. Then comes a dovetail reversal. Fever burns a midday sun’s cruel brilliance, blinding against the snow. The long melt follows but still not the lines. Hands defy the premise of trespass, insisting. Here is no territory, but soil.

You ask where the time is going. I can’t answer. Someone calls, inside! I look to where we came from, and the door stands ajar, its half-open hesitancy hiding some threshold creature, looking back.

For whom I, on the other side of its pause, must be another threshold creature, looking back.

Only Keep Looking

For Santu Mofokeng.

In quiet devotion from within the crowd, you witness the sway of a collective in song, knowing this moment in transit a destination of its own, and call it Train Church. You seek out parallel moments, always from within. The stream crossing, the waiting line, the dancers, the cave. Outsiders wanted spectacle and you pushed back with ordinary life. The long looks of tired eyes over the horizon from the middle of a field, breaking from the labor of the day. The hanging clothes of late parents on a bare pole against a concrete wall. Shaded interior of a kitchen, ethereal light through pleated rayon curtains. The mist pushing against easy meaning, smoke against certainty, dust against the definition of forms. No, the magic won’t be captured, you insisted. Chasing shadows to witness, atmosphere to witness, sediments to witness––faces, in long attention, patient. Insisting, here is only the beginning of sight. Look again.

***

Inspired by the art and practice of Santu Mofokeng (1956-2020).

Camouflage Optics

Seen and unseen.

In response to the question of what any of this is, you offered an alternative. Forget all that, you said, and come inside. We moved among your impossible bodies. Stair spindles became towers of refuge, ventilation gates morphed into window frames. You took the leather skins of sacred texts and stitched one house at a time. You stitched a neighborhood of these, suspended from the ceiling. Welcome! You called. What you gave us was neither nature nor a matter of belief, but their shapeshifting beyonds. Here is an intricate network of colored glass, the view unbound by familiars.  That you may better see inside you, you offered, and out again.

***

Inspired by the work of mixed-media artist Chiffon Thomas.

More than Words

Pre-verbal meditations.

Before we thought we had any, there was no need for reminders back to what language occludes. We knew our names were clumsy, we felt the thud of them against surfaces and the weight of words blundering around us, knocking so much over in the effort to reach their objects, trampling entire worlds underfoot. We felt the cascading fall of us, trying to arrive, claiming at once home and this home is not mine. Disarmed, disobedient, dislocated, we could not saw what we were, and this was our best chance. The world was dizzy, and we met it on these terms, calling come out come out to one another, wherever you are.

Intimate Geometries

The lens turned inside out.

Some days it is clear upon waking that what follows will involve certain reminders. About how, for example, I am at any given time rarely more than half-open or half-closed. Even when I thought I was more than aware of being somewhat too dense for my imagination’s preference, I am now the weary stranger offering directions to the inquiring heart, wondering whether its own spiraling rhythm is moving toward the center, or out. Or else, a shadow cut from its source, floating around like a kite. And it’s unclear, from this wavering axis, whether the metaphor is the blunt object sending an atom of awareness out into a larger field, or a mat to cushion the impact.

The Unmapped

On what is good and lost.

One theory is that you know you have arrived when you can get yourself good and lost without worry over getting home. This assumes no one is waiting for your arrival, or the meal you would make, or the rent––difficult to pull off in a given day, and yet in the suspended space of making what we make, I suppose it happens all the time. But just as I am starting to think, here is something, I am back to thinking of the birds falling from the sky, whole flocks of them discovered in the aftermath––but also once a snowy owl, living, in a tree near the local library, and the punk defiance of the tiny nest that once appeared on the electrical box, and the lizard that looked back as we crouched to see him beneath the cabinet, the cat and I, and maybe the point is only to lose the trepidation over being fatally human––into a wider web, woven of strands this limited sight is still unable to detect. 

The Possibility of Shelter

In the days of wind.

Who among us could assume security? The answer sat before us like a lump of cold flesh to be paid when the collectors came. Naturally, we learned to speak around it. We shared our alarm about the weather instead. By its whims we could admit something. It had to do with extremity. ––Of certain conditions and of a common need. But what for? Maybe some chance at grace.

Over time, something loosened the ties we had to some familiar arrangements of words while cementing others. Come here, we said to one another. In the makeshift camp where we had surrendered what little we could carry to some common fate, still to be determined. Tarp walls blew in the winds and we listened. 

Sometimes we heard one another step outside to address something else. We all did this. One at a time, without ceremony, and alone. We were not ready to discuss these things. Not yet. But when the winds left, I could hear the others say to something just beyond the camp, Come here.