first reading

pending fluency

before phonics, i read books of creatures,
announced emu to my grandfather’s
startlement & then it was time for

real school. the gray stone building
behind the chain link fence, waves of
traffic in the intersection behind it

where rows, where walls, where
flag, clock, map, crucifix
announced some portent by fluorescent
light. but this, i could not read

or else the body read it first: tongue refusing
the sounds, mouth rejecting the syntax
of that space, coughing up whatever

obedience it was given. sick
every morning over asphalt in the parking lot,
then silence. head bowed, entered

& learned to conjugate what was called
education, a force
with unknown weathers

where beyond multiplication tables
another alphabet coalesced offshore
the widening gyre a storm

then sick again, then home. i went to kneel
near my grandmother’s gloved hands,
over roots threaded through soft beds where

she kept her beloved impatiens
and a running conversation with visiting
birds.

too late to be ancient, like whales, too late
for the soft womb of the far sea.
a creature learns the weather
it must live inside
learns to hear
them

& here
it was too late for lessons in first language but
not for the memory of how she opened

the mouth of her
o

the problem of shape

preliminary findings

The year I learned the war was inside me — even if some of its battles were without — I began rummaging through the wreckage, hoping to find more than detritus accumulated from years of warring. Around the mess: sky.

I had wanted to be a bespoke collection of formidable weight, but I was discovering I was one part bargain-basement yard sale, another part fairytale creatures — some feathered, some furred, some horned, some visible, many unseen.

And the last part of me was something else. It wasn’t the war exactly, or the yard sale, or any single one of these creatures. Here was a drifting thing, like a cloud.

How long had I tried to pin her down? Or, when I couldn’t, solicit outside help. There are always people eager for this work — telling the unruly body of a woman (ethereal or enfleshed) how she should behave, ready to point her back toward some imagined vessel of herself.

Mine was always either pouring out or sponging in.

I told myself I would learn to regulate the leaking. To absorb less. To hold my shape. I may have been lying.

In defiance of common sense, I was more interested in the experiment. I kept testing it, again and again, in different ways: how much could I take, how much could I let flow away?

It had to do with boundaries. Mine were the kind cell walls have — osmotic. I wanted to know what that meant. I wanted to live it better than I had.

I knew this would make no sense, so I kept it to myself.

I spoke instead of love. And of endurance.

Creature

And creator.

It lives
by the distraction
it makes
before it dies
at the insides
only to emerge
as task: one sole
task given me
out of time.

Here I am again
afraid of running
to enact the small
body of infinite
infinitesimal
purpose given
to each, a creature
alive, scratching
for release
from suffocation
by a world yet
to know how
it breathes.

Poem Specimen

Let’s go see the animals!

This is of language, the sound and sight of it, the signature and sign. The undoing of signs. The shattering of symbols, the gong of their echo. Notice this tongue as medium, as manipulated, manipulating music, a polyvalent creature in motion, now still. Oops, there it goes again. Got it. Sort of. To borrow an expression. This is a form of attention. Here, touch it.

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