the problem of shape

preliminary findings

The year I learned the war was inside me — even if some of its battles were without — I began rummaging through the wreckage, hoping to find more than detritus accumulated from years of warring. Around the mess: sky.

I had wanted to be a bespoke collection of formidable weight, but I was discovering I was one part bargain-basement yard sale, another part fairytale creatures — some feathered, some furred, some horned, some visible, many unseen.

And the last part of me was something else. It wasn’t the war exactly, or the yard sale, or any single one of these creatures. Here was a drifting thing, like a cloud.

How long had I tried to pin her down? Or, when I couldn’t, solicit outside help. There are always people eager for this work — telling the unruly body of a woman (ethereal or enfleshed) how she should behave, ready to point her back toward some imagined vessel of herself.

Mine was always either pouring out or sponging in.

I told myself I would learn to regulate the leaking. To absorb less. To hold my shape. I may have been lying.

In defiance of common sense, I was more interested in the experiment. I kept testing it, again and again, in different ways: how much could I take, how much could I let flow away?

It had to do with boundaries. Mine were the kind cell walls have — osmotic. I wanted to know what that meant. I wanted to live it better than I had.

I knew this would make no sense, so I kept it to myself.

I spoke instead of love. And of endurance.

Creature

And creator.

It lives
by the distraction
it makes
before it dies
at the insides
only to emerge
as task: one sole
task given me
out of time.

Here I am again
afraid of running
to enact the small
body of infinite
infinitesimal
purpose given
to each, a creature
alive, scratching
for release
from suffocation
by a world yet
to know how
it breathes.

Poem Specimen

Let’s go see the animals!

This is of language, the sound and sight of it, the signature and sign. The undoing of signs. The shattering of symbols, the gong of their echo. Notice this tongue as medium, as manipulated, manipulating music, a polyvalent creature in motion, now still. Oops, there it goes again. Got it. Sort of. To borrow an expression. This is a form of attention. Here, touch it.

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