Against Horror

A time to grieve.

Bodies again, but no words. 

The point was our speechlessness.

Terror: when the body flees to survive.

Horror: parted lips, frozen and immobile, a spectacle of power. It almost always goes by another name, or none.

State: a verb for the creation of complicity.

The method: consistent spectacle.

What heals, then?

The opposite of spectacle is suffering. To suffer is to return from horror with a voice.

Blessed are they who––

Cry against the silence, throw shattered voices into it.

The opposite of order, this is language like broken windows.

The opposite of calm, this is babbling, wild-haired, full-bodied.

The opposite of isolation, grief demands recognition of our common breaks. Its substance is our connective tissue. It flows with the blood of a common wound.

Grief is a voice, and it sounds like the inverse of okay,

which sounds like the reverse of an answer.

Consider this moment.  Against the hum of this machine, let us launch 

a shattering cry. Now is the time. 

Break.

***

Inspired by Christina Rivera Garza’s Grieving: Dispatches from a Wounded Country and by Adriana Cavarero’s Horrorism: Naming Contemporary Violence, translated by William McCuaig. 

For the Living and the Dead

Against the machine.

When the horror of a moment renders a body speechless, the acts of pen to page, brush to canvas, fingers to keys––become negotiations with death. Yours, mine: what are they and how do they relate? To account for whole cities of dead, a vast underground rendered invisible through banality. What is it to write a voice, paint a vision––while standing on ground in full recognition of the brothers beneath it, and the invisible sisters with their children and parents in mass graves? Welcome to the necropolis, says one, where screens herald the battalion.

What are the stakes at this scale? Life. Lives. Forget numbers, abstractions. Try instead: One.  

One. 

One. 

One.

Each a brother, sister, mother, daughter, each with a scent of their own, a particular laugh and secret hopes––erased.

What is at stake? The human condition in the age of the war machine.

How to resist? The first act is naming.

***

Inspired by the work of Juan RufloChristina Rivera Garza, and Achille Mbembe.