Body in Time

One, two, one again.

Sure, I am interested in keeping time. Who isn’t? But there has to be more to it than clocks. I can lose a clock, or the clocks can go all wrong, and then what? I will not even keep my body, and yet. As long as I am of the keeping kind, it is where I hold the world. 

Sometimes I dream of knowing the world through other bodies. That I am a bird, for example, or whale, spider, tree. Of course, I do not know what it is to experience the world in these bodies. I can only imagine. If I ever did know, I suppose I had to give that awareness back, too.

Perhaps my first body is imagining. I cannot seem to keep myself. From asking, how did this happen? And when will? Or was, and then back again trying to collect some lingering residue of what, like the scent of a lover, is then gone. 

The bower bird, to draw a mate, collects. Some make arrangements of blue rocks, blue buttons, cerulean feathers, chipped glass. Here is a keeping kind, too. I seem only ever tethered to this place by what I try to hold, even as I am aware that the point, they say, is letting go. 

It is an easy thing to say––just let it go! But I think that we are so made for holding that the only way to know whatever insight might be held in this reminder is by drawing what will be released so close that it is married to your next breath, and on exhalation, finding that what flies is less air than essential limb, less tired past than the future hope you meant to breathe the next breath. And then what? No one goes around saying Just let yourself go!––with the same enthusiasm, and yet. 

I’ve lost it again, lost the thread and probably myself and all that follows is another opening, another chance to hold and one less limb to do it with, and this sense that the constant act for me may be keeping and I will not keep up.

Sunsets

And other routines.

Sure, we had a habit of holding. All of us did. The sudden beauties we couldn’t keep from loving kept on doing what sudden beauties do. Don’t go, we said, but the plea sounded tinny in our ears. What resonated was the departure itself. We looked from a cliff, and with colors slanting words from us, we were gone before we left. Someone at the end of the horizon kept pulling back the sun. We had the sense of being the butt of the joke in this ritual play. The laughter was gentle, but we felt that it was something else, too. Sometimes.

Waters

And the rest of us.

There is no resolution, is there? So much is lost in the archive, and what isn’t––of memory, and the rest of us––isn’t mild. Our warped genesis, we tried to keep it in the basement and when the floods started coming, we watched our photos. How they bounced in the underground lake, above the sediments of our boxed secrets, those dreams of all we might yet be. 

Here is our foundation: sacrifice, or accident? The awe of it.

Mama. How are you breathing now? Someone said of your lungs, that it doesn’t look––still, I think of your waves. How we would throw ourselves into you to feel the rush of you tossing us back. Sometimes you would hold us in place for the space of the next breath we expected to take, so that we might know something. I’m still trying to know it. It has to do with fragility and strength, play and death, love, and the depths of some wounds. As if you are saying, feel this: all of me shifting with each pulse and the only one holding is you.

The floods keep coming. Still, we collect. A song starts and catches in the back of the throat. Wade in––

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