Body in Time

One, two, one again.

Sure, I am interested in keeping time. Who isn’t? But there has to be more to it than clocks. I can lose a clock, or the clocks can go all wrong, and then what? I will not even keep my body, and yet. As long as I am of the keeping kind, it is where I hold the world. 

Sometimes I dream of knowing the world through other bodies. That I am a bird, for example, or whale, spider, tree. Of course, I do not know what it is to experience the world in these bodies. I can only imagine. If I ever did know, I suppose I had to give that awareness back, too.

Perhaps my first body is imagining. I cannot seem to keep myself. From asking, how did this happen? And when will? Or was, and then back again trying to collect some lingering residue of what, like the scent of a lover, is then gone. 

The bower bird, to draw a mate, collects. Some make arrangements of blue rocks, blue buttons, cerulean feathers, chipped glass. Here is a keeping kind, too. I seem only ever tethered to this place by what I try to hold, even as I am aware that the point, they say, is letting go. 

It is an easy thing to say––just let it go! But I think that we are so made for holding that the only way to know whatever insight might be held in this reminder is by drawing what will be released so close that it is married to your next breath, and on exhalation, finding that what flies is less air than essential limb, less tired past than the future hope you meant to breathe the next breath. And then what? No one goes around saying Just let yourself go!––with the same enthusiasm, and yet. 

I’ve lost it again, lost the thread and probably myself and all that follows is another opening, another chance to hold and one less limb to do it with, and this sense that the constant act for me may be keeping and I will not keep up.

Glitch

Gremlins in the web.

Suddenly, it happens: a tear in the fabric between the real and the virtual, blurring the distinction again. From the messenger, an unbidden memorandum of old photos, remember this?––and you don’t, and who took these, and the answer, you already know, is any one of the someones in your circle, keeping constant vigil on the eerily mundane, to send it back to you in surprise morsels like this, to knock your balance slightly in time like a friendly hip-bump on a moving train. 

Another call, appearing local, heralds an automated voice. A mixed sense of betrayal and vague remorse after hanging up. Surely there are better directions for these sentiments.

Open the screen at your lap, looking. How many windows open simultaneously in this chamber and what gale comes to rattle the lamps? The curtains are gone since the last storm, a pretense anyway. The office party returns to the bedroom. See the frozen faces, pixel blossoms and broken voices, seeming to speak. One emits partial words, something like a sentence, beginning with We and ending with Here before the screen goes dark.

***

Inspired by (and with borrowed images from) the opening pages of Nathan Allen Jones’ Glitch Poetics, Open Humanities Press (2022).

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